Category: Music


916 Acklen Ave., in Nashville

When my family went to South Dakota on vacation to see where our parents met and were married, we found out that the church where the wedding had been had been torn down. It became a running joke that continues to this day. Anytime we couldn’t find the building we were looking for, I would say “they tore it down.”

Last Friday, the 14th, after visiting NAMM one last time, Cameron and I then drove to the area of Nashville where I lived in the ’70s. Going

Picture of a bad picture from the ’70s

through Hillsboro Village, we saw that the Villager was still open. Joel Nichols and I played there. Of course Belmont College and Vanderbilt College have expanded incredibly. There is a fraternity on Music Row. It’s quite a bit different than the street I walked with my songs on cassette, shopping publishers. Thankfully though, it’s still recognized as Music Row, there are still some publishers there, and most of the businesses are music or arts related. In the same buildings, with a few remodels.

916 Acklen Avenue today

A number of years back, Cyndy and I took the same basic drive, although it looked quite a bit different. I wanted to show the children the house I lived in. And – you saw it coming didn’t you – they tore it down.  In the picture above, the door on the far right was the door to our apartment upstairs.

I wanted to show Cameron where it was and I wanted to get a picture. 916 Acklen Avenue is a parking lot for the church across the street. Which is larger than it was then. There was a lot of good music made in that house. A lot of other things were done there too, but mainly a lot of good music. I wouldn’t expect a historical marker, but they could have at least put a plaque in the sidewalk. Just sayin’……..

Keep writing the songs that are in your heart.

Peace be with you.

Crystal Gayle

Cameron and I arrived in Nashville in time to  check into the hotel and be at Music City Center to register for Summer NAMM  just before 5 p.m. on Thursday, July 13.  After a mad dash around the show floor, we headed upstairs for the American Eagle Awards of the National Music Council  (NMC).

David Sanders, director of the NMC, welcomed the audience  and talked about the awards and the past recipients. Then he introduced Richard Leigh, who introduced Crystal Gayle before presenting her with the award. During her acceptance speech, she talked about growing up in Butcher Hollow and how valuable music was to her and what a vital service the NMC and its members do to involve children in music. Gayle asked Richard to play while she sang Don’t It Make My Brown Eyes Blue. Which is only appropriate, considering he was the songwriter of the song.

Patti Smith

John Ingrassia introduced Patti Smith and presented her award. He talked about her long history of arts, music, and activism involvement. He said that she was also a very good and devoted mother. When Patti reached the microphone, she said that she hadn’t known she was going to have to say anything, so she didn’t bring any remarks. In true Patti Smith fashion, it was not long before she was off and running about activism, music, and working together – quite eloquently, in her own way. She sang a song with her bass player on acoustic guitar. There was noise and activity around me, so I didn’t get the name of the song.

Paul Shaffer introduced Harry Shearer with the worst introduction I have heard- and I’ve heard a few. He said he had his comments on his phone, but I’m not sure there was anything on it. He babbled some stupid jokes – including one that I will not repeat and that repulsed the audience. Everyone held their breath for a second, wondering if he had really said what they heard. Harry’s reaction seemed a cross between surprise, pain, and trying to act nonchalant. Then Shaffer sat down at the keyboard to play a song for Shearer. I think it was supposed to be funny, but it fell as flat as his jokes, only with music – which wasn’t all that swell either.

Harry Shearer

Harry Shearer brought it back in line by talking about the real reason he was there – as a passionate advocate for creators and artists. Among other things, he was voice-over artist on The Simpsons and writer for Fernwood 2 Night. He played bassist Derek Smalls in Spinal Tap. He has received to this day $18 for Spinal Tap. An effort has been underway for some time for those involved to recoup the money they should have made. That is a large part of what fueled his activism for creators and artists.

After Harry’s acceptance speech, the entire ensemble joined together on stage to play Patti Smith’s People Have the Power. Shearer played a ukulele bass and Shaffer actually sounded good on keyboard. Patti felt the spirit rise up in her. No doubt stirred up by the memory of co-writing and performing the song with her late husband, Fred “Sonic” Smith, from MC5. Many people got into the spirit of the activist song while others weren’t quite sure. As an old hippie, I thought it was great. It was a perfect end to the awards.

Keep writing the songs that are in your heart.

Peace be with you.

 

 

V-Picks

There came a time when I could no longer buy any more guitars. I certainly don’t need any more guitars. Which is what led to the moratorium on buying guitars. Well, that and Cyndy wouldn’t buy any justification I might come up with.

So when I worked the Dallas Songwriters Association booth at the Dallas and Arlington guitar shows, I started looking at accessories. I have an impressive capo collection (more later). I have picks of many sizes, shapes, thickness, material, etc.

For years I used Fender medium picks like everyone else. Then John Pearse picks with the off-center point that helped with the way I played. A few years ago, a lot of people started making picks out of just about anything you can imagine. I have one out of petrified wood and one of granite.

So I began to experiment with all different kinds of picks. They were cheaper so Cyndy didn’t mind. It had never occurred to me how the pick can change the sound. Like everyone else, I tried different strings, different gauges, and so forth. I was amazed at the different sounds I could get with the different picks.

Then Vinni Smith introduced me to his V-Picks picks. I use them exclusively now- except for finger picks, which he doesn’t make. I also use different picks for different songs. The picture below is my V-Pick leather wrist band with the picks I use. Check out the website and see the variety of shapes and styles. There is bound to be one that fits your sound or even enhances it. They are made with Vinni’s special acrylic blend. And they stick to your fingers with the heat of your fingers.

Last week, I got an email from Vinni with the picks on sale and a new pick. The Nashville pick is a return in his special acrylic blend to that same Fender pick except “on steroids.” I didn’t like using a heavy pick, but I love this pick. It rounds out my wristband onstage selection quite nicely.

Check out the website. They have sets you can order to try different ones. Tell Vinni I sent you.  Or catch me when I play and you’ll have a demonstration. I’d be glad to show them to you and let you try them.

Keep writing the songs that are in your heart.

Peace be with you.

When I’m headed to a show, a few blocks away from home I reach back and pat my guitar case in the back floor. As long as I’ve got my guitar, everything will work out. Even if I’m missing a cord or other piece of equipment, I can still play the show as long as I have my guitar. But I’m usually not missing anything.

I had a friend who had to borrow my guitar at an open mic. He brought his guitar case – his guitar just wasn’t in it. Another friend left his guitar in the parking lot when he left for the evening.

Anyone that knows me knows I am a creature of habit. I’m not anal about it, but I do things the same way all the time. And I usually have good reasons for doing so. As the previous examples illustrate.

But (didn’t you see a but coming?), a couple of weeks ago, I was heading to an open mic. I loaded everything but my water bottle and my guitar, as usual. Something distracted me: a phone call, unexpected conversation, who knows.

I said good-bye to Cyndy and left for the restaurant. I was wrestling with the air conditioner for the first part of the trip. I got to the restaurant, got my backpack and my hat. As I opened the back door, it occurred to me that for the first time in over forty years, I had left without my guitar. And for the first time in quite some time, I hadn’t reached around and patted my guitar case. I won’t make that mistake again.

But I sure felt stupid. And I don’t like feeling stupid. What did you do that made you feel stupid?

Keep writing the songs that are in your heart.

Peace be with you.

 

I drove out to play the open mic at The Forge in Ben Wheeler on Wednesday, June 28th. It’s a rustic, friendly restaurant in a rustic friendly little town.

I was on the list among locals and didn’t get the names. Eddie Pardee was the guest host for TD Wilt. Eddie let me play a couple extra songs since I’d driven out from Farmers Branch. I had fun and the crowd seemed to enjoy my songs.

Then I had the chance to hear some more local

Aimee Pietzsch

talent, including a young woman with more bracelets than I’ve ever seen any one person wear. Her name was Aimee Pietzsch and she seemed to wear the bracelets naturally and with a little class. She sat down at the mic with a friend on guitar. Aimee sang one hell of a version of Me and Bobby McGee. Both Janis Joplin and Kris Kristofferson would be proud. Unfortunately, it was the only song she had prepared.

I love to promote younger songwriters and younger performers. It’s gives me a feeling of warmth to hear young people perform songs with intensity of those who preceded them. I’ll have to make it back out to play and hopefully hear her again. If you’re out that way, drop in. The food, talent, and staff are all top notch and small town friendly.

Keep writing the songs that are in your heart.

Peace be with you.

 

Janelle Nichole

The Dallas Songwriters Association 3rd Saturday showcase on June 17 began at 7:30 with Janelle Nichole. Janelle is a young woman from Fredricksburg with a beautiful voice and a kind spirit. She entertained the diners with cover songs mixed with her nice original songs. She is currently working on funds for a cd. From the songs she played at Angela’s, the cd will be worth getting  – and putting the songs on your playlist when she’s on Spotify. It’s only a matter of when.

As host, Dan Roark went on after Janelle. I played a mixture of old and new songs, ending with my newest song, I Got My Ass Kicked in Nashville. The title is the first line of the chorus. The second line is “seems like all the way to St. Paul.” The first night I played it live, among the people that commented on it was a couple who happend to be from St. Paul. Go figure.

Rob Case

Rob Case ended the showcase with songs from his Last Call in Texas cd. Bayou City, Song about Texas, Last Call in Texas,  and Are We Even Yet? were some of the highlights. He said there were a few he didn’t care for as much, so he wasn’t going to do those. Rob didn’t tell us what they were though.

It was an evening of songs and stories about life and events past for a good appreciative crowd. Make plans to go to Angela’s on the third Saturday to hear more good songwriters in the showcase. On July 15, John Mason and Cat McGee will be co-guest hosting. The opening songwriter will be announced soon.

Keep writing the songs that are in your heart.

Peace be with you.

As the title says, I am testing Martin’s new titanium core, nickel wound strings. They arrived a week ago this past Monday. I agreed to test them with no hesitation. But having used bronze wound, or phosphor bronze on my acoustics for the last forty years, I was wondering what these new strings would do to/for my sound.

When I had them changed and tuned, I played through a couple of songs. The sound was really bright. I was sitting down and I couldn’t tell if my perception was altered simply because they were silver strings and I was used to bronze.

So I went to play the Monday night open mic at Poor David’s Pub – hosted by Mr. Troll – to try them out live through a sound system. I don’t look at the strings much while I’m on stage, so I could concentrate on the sound. I could get the opinion of the musicians in the audience too.

The first thing they said was the first thing that had struck me – they’re really bright. What I began to notice then and throughout the next few days was that what was different from the  bronze wound was what I liked about the strings. Another thing – I’m used to my Martin being consistently in tune, except due to atmospheric changes. But these strings have hardly gone out of tune at all.

I’m playing out tonight, tomorrow night, and twice on Sunday in different environments. We’ll see how it goes. I’ll let you know.

Keep writing the songs that are in your heart.

Peace be with you.

 

Madalyn White, Grace Kuch, Grace Ritter

I worked the Dallas Songwriters Association booth at the Dallas International Guitar Festival (I still call it the Dallas Guitar Show – as it was for years – or, as above, the Dallas Guitar Festival). Naturally, there were hundreds of really nice guitars. There were some of the usual vendors, but some of the ones I was used to seeing weren’t there this year. Then there were the new, or non-yearly, vendors.  And of course the music on multiple stages. Suffice it to say, there were a lot of things to see and music to hear.

I was sitting at the DSA booth, talking with whoever was with me at the time, and watching people walk by. A good number of them came by the booth, but more just passed by. Since a lot of them weren’t songwriters, that made sense.

A group of younger girls and a guy walked by. I thought one of the girls looked familiar. As showcase director for the DSA, I try to promote younger talent, DSA or otherwise. But I just figured I was imagining things. They passed by at least once, maybe twice, when the girl I thought looked familiar walked intently toward me. She walked up and held out her phone.

“Is that you?” It was my website with my blog on the home page.

“Yes.”

She said okay while still fiddling with her phone. She pulled up  this post.

“You wrote this about me a few months ago. I just wanted to say thank you. I really appreciate it.”

I always try to promote other musicians and songwriter. It was nice to hear someone say “thank you.”

The guy that was with them said that they were playing on the Young Guns stage. Jimmy Wallace and the staff of the Guitar Festival take entries from bands with members under the age of 20 for a chance to play the stage. I made a note of it.

G2 Band

The young girl was Madalyn White. The band was the G2 Band. I managed to get over to the stage soon after the start of their set. The lead guitarist and the drummer are Grace Kuch and Grace Ritter, I think respectively but I’m not sure. Madalyn played rythmn guitar. I didn’t have a chance to get the names of the rest of the band – keyboard player, bassist, saxophone player, and second vocalist.

At one point Madalyn said they were in a jazz band at school. They played mostly blues. But after Madalyn made that announcement, the saxophone player, bassist, and drummer played a very interesting piece with saxophone as lead instrument. A nice break from the constant blues through the weekend.

When G2 played the blues, their inexperience and naivete worked in their favor. It was refreshing – in contrast to the constant flow of standard blues licks mixed with doesn’t this sound like Hendrix licks or I can play Stevie licks, not to mention the I don’t know what I’m freaking doing licks throughout the weekend. I’m not referring to the bands on the stages.

I think that given another environment, with different audience expectations, G2 could relax and play music that comes more naturally to them. Not that they didn’t hold their own on the Young Guns stage. But they didn’t break loose either. I would have liked to hear a couple of jazz tunes. However, I was probably in the minority with that thought.

Check out Madalyn White when she plays solo and the G2 Band if you get the chance. You would be pleasantly entertained.

Keep writing the songs that are in your heart.

Peace be with you.

Mr. Troll

The Monday, April 10th edition of the Poor David’s Pub Open Mic was another one of those open mic shows you’d be sorry you missed. If you knew you missed it. And now I’m here to tell you what you missed. So you can be sorry.

The show began, as it usually does, with the host, the

Josh Vincent

inimitable Mr. Troll. Keith Crow, one of the regulars, followed Troll. Josh Vincent played next – you should check him out if you get the chance. Yours truly, Dan Roark, followed Josh and preceded the featured artist.

The featured artist was Voodoo Witness. They rocked the house for the next forty minutes. People go completely crazy these days when it comes to music genres. Those who are into genres might use two or three kinds of rock to describe their

Voodoo Witness

music. I only need one – kick ass rock and roll. Of course, they put their own spin on it, but they simply rock. Do not miss a chance to see them.

Harry Hewlett, a fellow member of Dallas Songwriters Association – as is Troll – played next and thanked Voodoo Witness for opening for him, tongue in cheek. Then he played his West Texas farm sort of country. Diana Gale played next. Diana is a vocalist, voice instructor, and creative artist and coach. She also writes some pretty nice songs.

Harper O’Neil

Zane Cook is an interesting young songwriter who followed Gale. Harper O’Neil is cute as a button and has some very good introspective songs. Unfortunately, I had to leave and was not able to hear Corey Clark and Mike Newkirk.

Do yourself a favor and go to an open mic, any open mic – either to play or listen. There will almost always some excellent songwriters and some really good music.

Keep writing the songs that are in your heart.

Peace be with you.

 

 

When I knew I was going to be in LA to see Conner and record, I contacted the Tribal Cafe and Gary Stockdale and booked a gig. I was trying for Friday, but Gary was busy, so I arranged for a Sunday afternoon show. The Tribal Cafe, as you can see, is a funky little place in the Echo Park area of Los Angeles. It has an extremely varied menu and the food is really good. They have an open mic five days a week.

The show was from 4:30 to 6:30. Gary played first because he had an obligation later. I really wanted to do a show with Gary and hear a full set of his songs. I met him at the Southwest Regional Folk Alliance in Austin a few years ago and see him there each year. But I only got to hear a few songs at a time. Gary is the consumate folk entertainer. He has some really good songs which you can find through his website.

Gary Stockdale

Fortunately, he had a couple of friends show up to hear him play. There were few other people in the cafe. Gary played a good, full set which included a song from his show, Bumpersticker – the Musical. He also played my favorite song – so far – Who’s That Old Man. I think that’s the title.

After his set, Gary was able to listen to a few of my songs, but then he had to leave – a couple of songs after Conner and his girlfriend, Jimena, arrived.

A few songs into my set, people began to arrive. For the last half of my set, I had a full crowd. Granted, it was not a huge place, but a full group of people for my first show in LA felt really good. And they liked my songs. I almost always adjust my set list when the crowd isn’t the type or size I expected. I switched places with a few songs, but I actually played the set as planned and even did the two standby tunes.

The fact that Conner and Jimena were there was a bonus. It was the first time she heard me play. She’s quite the guitarist and songwriter herself. Jimena Fosado is one of the angels in Corey Feldman‘s band. I also have her to thank for the pictures of me playing.

I spent the rest of the evening grinning quite often. All in all, my first show in LA was a success.

Keep writing the songs that are in your heart.

Peace be with you.