Category: Recording


My song, Poor David’s Pub, will be released on Monday, August 31 on all the regular sites. The single release party will be the Poor David’s Pub/Kerrville Folk Festival Virtual Open Mic hosted by Rob Case on Monday Night 7 – 10:30 p.m. CT. The proceeds from the song, as with donations to the open mic, will go to Poor David’s Pub to be split with the Kerrville Folk Festival. Let’s help these venues keep going!

Watch and listen to the open mic on Facebook on Rob Case’s Open Mic – Poor David’s Pub page, or my page.

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Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

River That Flows is the first song I wrote about Cyndy, wife now, girlfriend then. Or rather, I was thinking about Cyndy when I wrote my half of the song. I was in college at NTSU (now UNT). Tim Duggins was my roommate. We met the year before at Richland Junior College (now Community College). On a Sunday, I think it was, we took our guitars and a 6-pack to the park.

We played the usual songs and practiced Sister Golden Hair by America. We had come to write a new song though. I don’t remember which one of us had the original idea. But after a lot of back and forth of ideas, moments of exhilaration and excitement, and when the 6-pack was gone, we had a song called River That Flows.

Southern Plains would be formed the next year. As I’ve said before, River That Flows was a staple of our set and it remains in my set list today. Joel Nichols and I added leads and flurries, but the song you hear now is the same song we wrote that day.

Unfortunately, Timothy James Duggins died of lung cancer a few years ago. I got in touch with him again

Tim Duggins on the left with his brother, Mike.

before he died. We were going to try to get together, but the last couple of years were tremendously hard on him. It was tough for him to get around.

Rest in Peace Tim!

 

 

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Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

Picture of a bad picture of The Villager from the ’70s

[Read part I, part II and Nashville part I] [When we had to have the film developed, we never knew if the picture was blurry until we got the pictures back.]

The Villager is one of the first places we played in Nashville – and one of only two venues we played that are still open. The other is the Exit/Inn. Joel had been jamming with a Nashville musician named Cat Waldeman. So Southern Plains was a trio again, with Bruce Gibson (the original third member) still in Dallas.

One of many things that hasn’t changed in Nashville is that most of the time when you play it is open mics or showcases. Meaning you only get to play one to three songs. We had three core songs that we played – two originals and one cover. We began each set with those three, which meant those were often the three songs we played, period.

The three songs were Cold Wind Blows, River That Flows, and Can’t You See. Kind of rolls off the tongue, doesn’t it? It was a sort of mantra. If you read the previous posts, you know that the last recorded version of River That Flows that Joel and I recorded just came out as a single this week. Cold Wind Blows is also on the Southern Plains Revisited and will be released as a single.

We called Cold Wind Blows our “Suite: Judy Blue Eyes”. Only because of the style of the song. We were jamming one day and we had a poem by a local street poet named Mostly Williams. If you let him crash at your place for a few days, he paid you with poems. So we wrote the music together and I added a few lyrics to Mostly’s poem. It’s a long jam song so we primarily played it live. But I found this version recorded and produced by George Turner. I made a few edits and re-mastered it for the album. There are other songs on the album that he recorded.

At the Villager, we played at least one full set. Of course we were paid in beer. It’s a small place and the crowd wasn’t near what you would call large. They seemed to enjoy the music, nonetheless.

Next up…well, you’ll just have to wait…it’s a good story….

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

 

(Read the first part of the Southern Plains story here. Along with what the cover of the album was supposed to be like if the distributors had let me use the cover I wanted.)

The next time Joel, Bruce, and I got together – with guitars and beer – we each played songs we’d written. We enjoyed each other’s songs, re-playing some so the other two could harmonize. We were excited about what we were hearing. I hadn’t had anyone singing along with me on my songs and I was blown away.

Joel returned to school in Nashville, Tennessee at Scarritt College, which is now the Scarritt Bennett Center. He came back to Dallas over the summer and we played gigs before and after Joel’s summer courses in Nashville, including a show at a party in Slidell, Lousiana. Joel then decided, after three and a half years, that he would forego returning to school to play gigs. I paused my own schooling to move to Nashville with Joel so he would finish his last semester (and play gigs) and live with his other two roommates on the second floor of an old house.

The painting pictured above is a painting of a picture of mine and Joel’s guitars crossed. More to come!

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

Since live shows are not possible at the moment, the single release party for River That Flows will be the Poor David’s Pub/Kerrville Folk Festival open mic hosted by Rob Case, Monday night, August 10, on Facebook from 7 – 10:30 p.m. I will play about 8:15 p.m. The open mic will be on the Rob Case Open Mic Page. I will be sharing the show on my Facebook pages, personal and music.

River That Flows is the first single from the coming album, Southern Plains Revisited. It is a reissue of the last recording Joel Nichols and I did as Southern Plains before he died in 1999, plus a couple of songs I recorded but didn’t use on my Chasing After Wind Cd.

Tomorrow’s post will tell the story of Southern Plains and the last recording in the 90’s.

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

My wife, Cyndy, came home from volunteering at the local market. She looked at me and said, “You have to write a song called Goat Yoga and a Stolen Kubota.” I said, “let’s do it!,” because it was weird enough for me. She told me the story, I whipped out my poetic license and went to work. After days of letting the song germinate in my brain, it finally blossomed into a complete song. Enjoy the first song Cyndy and I have ever written together.

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

Good question, thank you for asking. More waiting, I’m afraid. Waiting for the single to be released. Waiting for the time when live music becomes common again. I’m in no hurry if health is at issue.

The reason I am in no hurry is the positive news. The single will be released. I can still play live, as it were. I played my first livestream last Friday that went well until Conner’s camera died. We did get a chance to record a few videos. Waiting does not imply sitting around doing nothing. I have to admit though, that I had a few weeks of not being able to finish a thought at the beginning of this madness.

To answer the question however, quite a bit lies ahead. I’ll be releasing a video this weekend. There will be livestreams to come starting next week – I’m working on the schedule and material now. I play in the Poor David’s Pub Virtual Open Mic hosted by Rob Case every Monday. Check it out at 7 p.m. CT.

More singles will be released, but not on my schedule. The release of the Southern Plains Revisited album has also been moved back along with everything else. Hopefully by September.

So keep an eye out for my new video this weekend. And my next livestream coming very shortly.

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

I don’t mean I’m on the road, but I wish I was. I was supposed to start my tour the first of the month. The first half is shot to hell, and I’m not all that optimistic about the last half. And I’m just one of many.  When I say on the road, I mean by myself in my van.

When this all began, I immediately began getting emails about how I, too, could teach music at home online. If I had an inclination to teach music online, I would already be doing it. And where would all the students come from? It’s been said that there is an increase of online learning, but that is across all subjects. The total would also have to include all of those at colleges, high schools, and lower grades who weren’t learning completely online before.

Then they said to take this time to sell more merchandise (I’m a writer – I refuse to call it “merch” – more than just that once). Merchandise didn’t fly out the door before, even for performers with a much larger fan base than mine. Besides, some of those who might buy some stuff are out of a job and on unemployment.

Then there’s the streaming thing. Everyone and his uncle are doing Facebook Live, videos on Instagram, Zoom concerts, and so forth. I don’t have the time to see all the “live shows” because I’m too busy doing other things. So why would I expect a lot of people to be able to watch my “live shows”?

Then they said to release new material. Well that I can do. I was about to release my EP, Southern Plains Revisited, right before my tour began. Joel Nichols, Bruce Gibson, and myself, were Southern Plains. When the gig paid enough, we had bass and drums. Joel and I were a duo for most of the nearly twenty-five years of Southern Plains. With all the extra time currently available, I was able to digitize some of the cassettes and tapes from those days and now have enough material for a full cd rather than just the EP of our last recording session before Joel died. Possibly enough material for future releases. I’ll be releasing music from that project shortly.

My, son, Conner, and I put the finishing touches on the L.A. Sessions cd while in quarantine in Iowa a couple of weeks ago. It includes the remastered songs from my Hello Out There cd in addition to the rest of the songs from that session. It will be released later this year. We also laid down the basic tracks for another cd. Look for new songs throughout the next year. All songs and cds are on the Refrigerator Records label.

While I feel that the streaming game is not for me, that doesn’t mean I don’t want to play for you. When I get my home studio back up to speed, I plan to start a podcast so you can hear it anytime while you’re doing other things. I will also be releasing songs and videos along the way.

Come along for the journey. It’ll be fun!

Oh, and if you like what you read or enjoy what I do, please let me know – paypal.me/danroark.

Keep writing the songs that are in your heart.

Peace be with you.

While my live cd, Peace Be With You, has been available on my website – www.danroark.com – it was just recently released to all other outlets. The first seven songs were recorded at various times by Carlos Sanchez at Poor David’s Pub. The last song is a studio recording of What the Lord Intends, a song I wrote about Sack Summer Hunger that was mixed and mastered by my son, Conner.

The title song is a song I wrote about the shooting of the police officers at the peaceful protest in downtown Dallas in the summer of 2016.

I wanted to get it released before the release of my new EP, Hello Out There, in early July. Check out Peace Be With You on my website, CDBaby, and the usual places. Some sites insist you put Daniel rather than just Dan since my copyrights and such are in my full name, Daniel Lee Roark. Feel free to like, subscribe, share, etc.

Keep writing the songs that are in your heart.

Peace be with you.

Dweezil Zappa and Ryan Brown

I had been waiting for Dweezil Zappa to play at House of Blues since November. Which was when Dweezil’s drummer, Ryan Brown, played on my songs when I recorded in LA in November with my son, Conner, producing.

Not so incidentally, the first of two five song EPs that we recorded will be released within the next few weeks – Hello Out There. Ryan did a great job on my songs, as did Lou Castro, L.A. session bassist, and I was looking forward to seeing him play the massive drum set he plays with Dweezil.

I, and the rest of those in the audience, were not disappointed. It was an excellent show. And Ryan was impressive on the drums, as the other performers were on their respective instruments. The songs they played of Frank’s I recognized. But all songs were played exceptionally well. It was a kickass show.

When I walked into the room before the show, I was getting ready to send Ryan a message to let him know I was there. Before I had a chance to get my phone out, I looked up and there he was with his friend, Collin, who had also come to see the show. We talked for a few minutes before Ryan had to go get ready. He was going to come out when the show was over. But when they played a two song encore, it was getting late and I didn’t want to hang around until the after show backstage activities were over. I sent him a message telling him the show was excellent and I’d see him later.

On my way back to my car – as I do every time I’m down there – I remembered that HOB is in the old White Swan building. When I was working at Famous Ramos Hot Dog Place that was in mall food courts in the early 80’s, when the stores needed more pretzels, I would drive down to the basement dock at the White Swan building and get as many boxes as my car would carry. Famous Ramos, and other companies, paid them for freezer space. That was when the only thing in what would become the West End was the Old Spaghetti Warehouse.

Things change. But sometimes it’s kind of nice to remember what it was like then. I know the memories floating around in the ether would appreciate it.

Keep writing the songs that are in your heart.

Peace be with you.

 

 

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