Category: Songwriting


Tone Shop In case you don’t know, there is a new guitar shop on Midway, just north of Beltline, in Addison – Tone Shop Guitars. Co-owners Tommy Roberts, Grant Sheffield and staff will be happy to show you around. They have one of the few Taylor rooms in the country. For the uninitiated, they have a partnership with Taylor and have a room dedicated to Tayor guitars.

Tone Shop also has an extensive line of Martin guitars in a separate room with other guitars. Then there is the amp room. And the wall of electric guitars, as well as other guitars and basses hung around the showroom. You can see the layout in the pictures. They also have vinyl records.
Tone Shop 2
Having only been open a little over six months, their concentration is on guitars, basses, and amps. The accessories and sound equipment “departments” are works in progress. It is safe to say that they are, literally, just getting started. Tommy refers to it as a “Mom and Pop” operation (although I think “Pop and Pop” would be closer to the truth). Regardless, they are locally owned and operated. Which is a plus in several ways, one of which is the personalized service from a neighbor, who listens to what you’re saying and pays attention to what you need. The Dallas Songwriters Association will be working with the Tone Shop on a special event or two, beginning with a workshop.
Tone Shop 4
So drop in and see Tommy and Grant. Play a few guitars – there is sure to be one, or several, that you like. Test out an amp or two. Pick up strings, replace your humidifier or pouches, and buy that accessory you’ve been considering. Tell them I said “hi.” And follow them on Facebook, Twitter, and Instagram.

Peace be with you.

[Possible bonus points: 10]

On Monday nights, I usually play at Mr. Troll’s open mic at Poor David’s Pub. It’s the best listening room in town and Carlos Sanchez is the best sound man in town. Troll also let’s me talk about the Dallas Songwriters Association before my set. But the point is that I stop by Schlotzsky’s on the way because dinner usually isn’t ready when I leave. I go the location on Midway, just south of Spring Valley, before getting on the tollway.

I walked into Schlotzsky’s and stood back looking at the menu. The young man that has helped me out for the past several weeks (and seems like he’ll be there a while, unlike some) told the girl behind the cash register to treat me right because I was one of his best customers. She smiled, and he added that I would tell him if she didn’t treat me well. By this time, I was smiling, too.

I looked at the menu while she stood, patiently waiting. I considered having salad and perhaps soup as a pick two deal. Then I smiled and shook my head.

“I’ll just go for the same old thing. I thought about having a salad, but I have a show tonight and it’s hard to eat salad.”

“Show? What do you do?” she asked as she rang up my sandwich and chips.

“I’m a singer/songwriter.”

“Oh, really? Where do you play?”

“Well, I’m playing at an open mic at Poor David’s Pub tonight, but I play places around here quite a bit.”

While we were talking, I reached into my pocket for a business card.

“I have a friend,” she was saying, “he plays music and he moved…”

She stopped as she looked at my card. She looked at me kind of puzzled.

“Do you have a son?”

“Yes,” I answered, not bothering to add that I have three sons.

“Conner?”

“Yes, I’m Conner’s father.”

“Conner, that just moved to California?”

“Yes.”

“We’re Facebook friends. We have been since early in high school.”

“Tell him you saw me.”

“I will,” She stuck out her hand. “I’m Martha.”

“Dan.”

I waited for my sandwich, left, and headed for the tollway.

You get the 10 bonus points if you figured out that Conner was the friend she was about to tell me about when she read my card.

Peace be with you.

Brett Dillon and Ian Dickson

Brett Dillon and Ian Dickson

I went last Tuesday to week one of the auditions for the Rusty Weir Songwriting Contest, put on by KHYI and Love and War in Texas in Plano. I went to support friends, and Dallas Songwriters Association (DSA) members, Mr. Troll, and Ian Dickson. All eight songwriters had very good songs to perform.

Host, Brett Dillon, introduced the songwriters two at a time and they would switch off for each song.

Mr. Troll

Mr. Troll

Each songwriter played three songs. I arrived just as Brian Lambert and Charley Smith were wrapping up their songs. Byron Dowd and Mr. Troll were the second pairing.

Ian Dickson

Ian Dickson

Trace Bivens and Alex Lease switched songs next. Then Ian Dickson and Marina Rocksu ended the auditions with their three songs. The contest, or comradarie, as Dillon put it, is enjoyable on the entertainment side, but tough on the performer and competition side. For the audience, it’s a lot of good music for no cover with good food and beer.

I won’t be going to tonight’s auditions, because of the DSA 2nd Tuesday meeting. But there are excellent songwriters again tonight. Bayliss Laramore will be playing in next week’s auditions.

Peace be with you.

IMG_1710[Re-post from DSA blog] Larry Beaird presented his “Arranging the Hit” songwriting workshop on Saturday, October 24 at the Kitchen Café. The workshop was held from noon – 4 p.m. The start was delayed for several minutes – through no fault of Larry’s. The restaurant offered a limited lunch menu for the workshop attendees. Quite a few people took advantage of the lunch offerings. The waitress, Maria, took care of business well, while taking care not to disturb the workshop.

When he began his presentation, he introduced himself while passing out entry forms for a drawing to win a $625 demo session at his Beaird Music Group recording studio in Nashville. He charted the number one country songs for the past two years. He used standards such as the Nashville number system, and the length of time between certain components of each song, as well as the structure of those components.

It was apparent at times, from the questions, that some of the songwriters in the room were concerned about their songs. Beaird was careful to point out several times that he was just talking about songs that had reached number one on the charts.

“Write your songs for you. I’m not telling you how to write your songs. I’m just talking about number one hits. There are aIMG_1711 lot of good songs out there. They just don’t make number one for whatever reason.”

I hesitate to give too much away out of respect to Larry and those in attendance. But I will let you in on a couple of key points. Every line of a song should point to the title. And the title should be in the last line of the chorus and the last line of the song.

Larry Beaird and DSA President, Michael Brandenberger

Larry Beaird and DSA President, Michael Brandenberger

Beaird spent the last hour of the workshop critiquing the songs that he had received beforehand. After locating the songwriter, he played the song, after which everyone applauded. Larry then critiqued the song, while also telling the songwriter what he liked. He made suggestions as to what they could do to improve the song. His suggestions were very good and well received.

The workshop went past 4 p.m. with people excited about the subject of songwriting. Question after question was asked. And answered fully by Larry. An enjoyable, successful day was had by everyone in attendance, with good food, good conversation, and an informative songwriting workshop. The workshop participants and DSA want to thank Larry for coming to Dallas to present his workshop for us. We will announce the winner of the drawing for the demo session when Larry lets us know.

Keep writing the songs that are in your heart.

V-PicksAs my post on the DSA blog (re-posted here) stated, I worked the booth at the Arlington Guitar Show. I enjoy working the booth at guitar shows, because it’s a chance to play guitars I will never own. Some of them were worth so much money, I just look at them from a distance. If I see a good deal on a guitar that looks, sounds, and plays really nice, I take two deep breaths and move on. If I take another guitar home, I’ll need to take divorce papers with me. So I look at the newest gadgets, like capos, picks, etc.

For many years, most guitar players used Fender medium picks. Of course it was not entirely universal, but “as a general rule.” The shape would change, depending on the instrument. If you wanted a new sound, you changed the brand or gauge of string you used, or even the guitar. There weren’t as many different picks back then, so changing picks usually never crossed a guitar player’s mind. I did, however, change from Fender medium to John Pearse medium, which I still use. It has an offset point which is easier for me hold and attack the strings.

My statement about “most guitar players,” refers mainly to acoustic guitarists. Although a lot players I knew used medium exclusively, more and more guitarists began using heavy gauge picks for playing electric guitars. Now it’s all over the map as far as shapes, gauges, and types of materials for picks are concerned. Which is precisely my point.

Since I had to set my sights on lower cost items, I started looking into different picks at guitar shows. It’s incredible how many different materials they make picks with. Now I have a lot of different picks. But I’m still married! Then I was introduced to V-Picks. Each of the picks has a different tone or resonance. I am experimenting with different picks in their line, but my mainstays are the blue Lite Tradition and the Euro II. I stocked up at Arlington show because they always have their biggest booth there.

I also like to see the different picks they’ve come up with. Even though they’re made of an acrylic/glass type of material, they still wear down. It takes a little doing, mind you, but they still wear down. One of the good points of the picks in general – other than the unique sound – is that it sticks to your fingers with the heat in your hand. It’s hard to lose these picks while playing. Give them a try. At the very least you’ll make some good sounds and have fun.

Peace be with you.

[Re-posted from DSA blog]
Bobby Montgomery at DSA BoothThe second special event of October was the DSA booth at the Arlington Guitar Show on Saturday, October 17, and Sunday, the 18th. Bobby Montgomery set up the table on Saturday – and worked all day both days, God bless him! I joined him shortly thereafter – after waiting in line to park. I helped with the booth until about 12:30.

I was watching the booth when Bobby stepped out for a bit. I looked at my phone and saw a notification from Facebook. It was one of those “what you were doing last year” posts that Facebook does, with a picture from a year ago. It was the picture I took of Bobby behind the booth last year at the guitar show. It looked similar to the picture above, but I think the table looked better this year.

After a couple of hours I had to leave in order to host the DSA Showcase at the Farmers Branch Manske Library. I don’t know if any volunteers showed up to help Bobby after I left. I didn’t have a chance to browse the booths before I left. I did do one thing, but that is a different post.

On Sunday, Bobby and I opened the booth again with a little help from my son, Cameron. Then I had the chance to wander around and drool at the guitars, amps, and accessories. Among the wandering and drooling, I stopped at the Guitars for Vets booth. I met George Jordan, head of the Dallas Chapter.

George told me how the program worked. They give each vet ten guitar lessons. If the vet completes all ten lessons and shows interest, they give him a guitar. When I told him I was with the Dallas Songwriters, he got excited. They were trying to come up with something, after giving the vet the guitar, to keep the interest and effectiveness going.

I told him the DSA would be happy to support them in any way we could. We have worked with many veterans over the years. If music and playing guitar can help them maintain, then surely songwriting would help. Without a doubt, they have stories to tell. For several years, Dallas Songwriters distributed a cd entitled Songs from the Soul of Service: A Collection of Songs written by U.S. Soldiers, Sailors, Airmen, and Marines. Surely telling those stories through song – or even spoken word over guitar – would be comforting in nature. I will be contacting George soon. Stay tuned for future development.

Dickey Johnson and Michael Brandenberger arrived at the booth before I left in time to get Cameron back home to go to work. We talked to quite a few people at the booth over the two days. We have two pages of names and emails to enter into the mailing list and into a drawing for a chance to win a free year’s membership. If you are on that list, you should receive an email from me before too long.

Keep writing the songs that are in your heart.

11064659_10152721017857172_5984720308632017596_n [Re-posted from DSA blog] October has been a busy month for Dallas Songwriters Association (DSA). There were several special events in addition to the regular weekly events (all of which went well). The first was a visit by Skype with Tirk Wilder at the 2nd Tuesday meeting at the Center for Community Cooperation. Board member, Ken Duren, invited Wilder to speak at the meeting and Tirk graciously accepted.

Once the technical difficulties – such as they were – were worked out and we could see him and he could see us, the presentation began. Ken introduced him by saying that they had been friends since the 70s. The two of them reminisced a bit before Wilder told the story about writing the theme song to Walker: Texas Ranger. During the meeting, he told several stories about songwriting and Nashville – some hilarious and some horrifying.

After answering questions from the attending group, Tirk critiqued three members’ songs. He had offered to do song critiques and they were the songs he was sent. He had each songwriter move to a chair in front of the computer so the two of them could talk face to face. Wilder had some very helpful suggestions for the songwriters. According to the three songwriters, Tirk was right on with his critique.

Wilder also recommended Broadjam for songwriters wanting to get an honest critique of their songs. Tirk himself is one of the pro reviewers listed on the site. Then it was time to wrap things up. After those in attendance expressed our thanks to him for visiting with us, the Skype connection was broken.

As the meeting wound down, Harry Hewlett said that Wilder was right about Broadjam. Harry had paid to have Tirk review his song. While it had taken some time – he’s a busy man – his review of Harry’s song was right on the mark as well. Not only is Tirk Wilder a good songwriter, but he is a very likeable person and tells a good verbal story as well. He even took time to go into another room and come back with one of the BMI awards for the “Eyes of the Ranger” to show us.

Stay tuned for the other special events….

Keep writing the songs that are in your heart.

[Peace be with you.]

SWRFA Page Two

Dan At Saturday open mic at SWRFA To finish with my Southwest Regional Folk Alliance(SWRFA) summary review, Friday morning at SWRFA began with a session for first time attendees.. But there were just as many veterans as there were first timers, it seemed to me. The session was presented by Paul E. Barker, of Barker House Concerts, and Hilary Adamson, of the Flyin’ A’s. Paul talked from the venue stand point, and Hilary spoke from the performing artist point of view. They shared quite a bit of useful information, but a couple of things stood out.

SWRFA had in-room showcases on Friday from 3:30 – 5:30 p.m., then again from 10:30 p.m. – 3 a.m. or later. Saturday just had the in-room showcases from 10:30 p.m. on. I was wondering about the in-room showcases when I considered attending. I’m not one for staying up real late anymore, particularly if I am going to be getting up fairly early in order to visit and network. Yet I didn’t want to miss anything important by not going to the later showcases. Which was one of the good points Paul brought up.

“At events during the day, the ratio of performing artists to venues is 10 to 1. At the later showcases, you won’t find any venues represented.”

So I felt better about not trying to pull an all-nighter. Hilary has a lot more energy than anyone has a right to, particularly at 9 a.m. But her best suggestions had to do with sending out personal messages to anyone she wanted to meet with at SWRFA. Then, following the event, being sure to follow up with everyone you interacted with that you want to work with or keep in touch with.

There were other sessions on Friday, as well as the First Timers Showcase and one-on-ones with industry people, and the first official showcase. I had a showcase in the Handshake Management room at 5:10 p.m. I also had a showcase at 12:40 a.m. in the Webb House Concerts room.

Saturday there were more sessions. I played at the open mic by the pool in the late afternoon. After dinner was the second official showcase. And then, of course, the in-room showcases.

This was just a summary of events. I mainly wanted to point out when I played and let anyone who is a singer/songwriter – or group thereof – know that SWRFA is a good investment as well as a really good time. Even though you saw the ratio of performing artists to venues above, you still get heard by a lot of people and that is never a bad thing. You learn new things, meet new people, and make connections that will serve you well.

Follow the links and check it out. I have one more post about Sunday before I lay it to rest. As a writer, you get hung up in so many projects, some have to come later. But I wanted to at least talk about it for my fellow singer/songwriters who may not know about it or wonder if it’s worth it. (It is.)

Peace be with you.

Tracie MerchantOn almost every night of the week, an open mic can be found in the Dallas area and often more than one, sometimes several. Some of the open mics include spoken word, playing cover songs, etc. On the other hand, some may prefer original songs, but talented covers are usually allowed. The majority of open mic hosts are friendly and welcoming. Most open mics have their regulars, even if it’s just a few people that show up all the time.

A number of open mics and similar events are hosted by members of the Dallas Songwriters Association (DSA). There is a supportive songwriting community in the Dallas area, a good number of whom are members of DSA. Some of us have been writing songs for years. Some are younger and just getting started playing live at open mics. Quite a few members of the DSA perform at other open mics in addition to DSA events.

But it’s the community that I want to emphasize here. The songwriting and open mic communities are very supportive in every way a community can be. One good example is the open mic at Poor David’s Pub (PDP), hosted by Mr.Troll. It helps, of course, that it is one of best listening rooms in town, and Carlos Sanchez is one of the best sound men in town. Samantha Sanders is one of the best bartenders, too.

A good illustration of my point came about recently. On Monday, I arrived at PDP, ready to play in the open mic. I said hi to a couple of people from DSA at the bar. Troll asked me to step aside and talk to him privately. He needed to go home to take care of his dad, and asked me to guest host the open mic. Of course I said I would.

Troll played first, as usual. He played two songs, but we persuaded him to play a third song. Then he introduced me and slipped out, and I took over as host. On the list were regulars – some older, some newer. The featured artist was Tracie Merchant. I introduced her about 8:45. In the middle of her set, Tracie picked up her phone and began to make a call.

“Does everybody know my friend, Bill Nash?” Many of us did. Bill is a singer/songwriter with MS. He has been in the folk scene in Dallas for quite some time. He has come up with different tunings using capos and key changes to enable him to keep playing the guitar and writing songs. He had to leave SWRFA a little early due to health issues and within a week was in the hospital. He was hoping to get out of the hospital soon when Tracie called.

“We’re here at the open mic at Poor David’s Pub. We wanted to tell you something,” she said when Bill answered. She motioned to all of us and at the same time we said:

“Get well, Bill!” He asked her if we would do it again so he could record it. Which we gladly did.

During the evening a harmonica player was hanging around, hoping to join someone. Vince Alexander is from Atlanta and is here working at the State Fair. He was looking for a break from the fair to do what he loved the most – playing music. Toward the end of the evening he got his chance and stayed on stage to play with Tin Man Travis. Vince had the pleasantness on his face and in his upbeat and friendly attitude of one who is away from home in an unfamiliar place and finds a music community to be a part of (albeit temporarily).

See what I mean about community? And you’re all welcome – to play or listen. At any of the open mics or DSA events.

Peace be with you.

Dan at SWRFA ShowcaseWeekend before last I attended the Southwest Regional Folk Alliance (SWRFA) in Austin. As a singer/songwriter, it was a fantastic experience. A weekend with like-minded souls enjoying what they do. Three and a half days of nothing to do but play music, listen to music, and “talk shop.”

An open mic Wednesday night at Threadgill’s began SWRFA. I didn’t get to that event, opting not to spend an extra night in the hotel. Except for the fact that I would have liked to have gone to Threadgill’s, it turned out to be a good decision.

For one thing, I was told that it was completely packed. Come to find out that if I had played in that open mic, I wouldn’t have been able to play at either of the other two open mics. Because there were so many attendees, each act only played one song at the open mics. So I figured I made the right decision. We’ll see about next year.

On Thursday, registration was to begin at 2 p.m. I arrived about 1:30. While we waited on our rooms to be ready, a guitar was passed around the lobby. It wasn’t too long before my room was ready. I made two trips to the room, parked the car and went to register for the conference – which is, and isn’t, the right term for it.

The pool party/open mic began at 5 p.m., with Berkalin Records providing a dinner buffet and drinks. I have some pictures from the open mic that I will post on Facebook when I get a chance. Following the open mic was the official showcase alternates concert. Which would be those acts who didn’t get chosen for the two official showcase concerts on Friday and Saturday. After which, song circles popped up around the hotel. And events were just getting started. More to come.

Peace be with you.