Category: Songwriting


scan0050 As I meet other creative types on reverbnation.com and other channels of social media, I often wonder at what point they felt they were meant to be or called to do whatever it is they do: write, paint, sing, play, or whatever the case may be.

My own story begins on the Friday before my senior year began on Monday. We had just had a new compressor installed for the air conditioner. I picked up my friend, Brian, and headed to Greenville Ave. to go to Milo Butterfingers. We had heard about Bowley and Wilson’s show and wanted to check it out.

The beer was the coldest I had ever had at the time and few times since. Bowley and Wilson was not my type of show, but they had other people playing in between sets who were more interesting to me. I was just glad that they could not see me from the stage because they made fun of everyone. I don’t remember staying all that long before we headed home, but it could have been a couple of hours. When we turned onto Snow White from Royal Lane, I saw smoke above the trees in the distance.

“That’s my house!”

Brian told me that we couldn’t tell from that distance which house it was. But I was sure it was my house. When we reached the end of my street, the police and firemen had the street blocked off and we had to park on the next street. We ran down the short street between the two in the middle of the block, relatively. When I turned the corner, the top of the house was in flames. My mom, my brother, Dennis, our dog Lady, some neighbors, and assorted onlookers were in the yard of the house across the street.

I asked mom what happened. She said that she and Dennis smelled the smoke, saw flames at the fuse box on the garage wall opposite the compressor, and got out of the house with Lady. I was standing there watching our house burn. I thought I knew which flames were coming from my guitars, but who really knows? I said something about my guitars and Brian tried to go up the firemen’s ladder to “save” my guitars. They had to hose him down and I concluded that he had a few more beers than I had. But I appreciated the effort, albeit misguided.

I heard someone watching the fire ask if anyone had any marshmallows. I did not take it well. I let them know that it was not at all funny and asked if they would think it was so funny if it was their house. Friends came over, calmed me down, and pulled me away.

After the fire.

After the fire.

My father returned from a trip about that time and had to walk up the street with his suitcase and suit bag when the taxi couldn’t get through on the street. After the fire was under control, so to speak, my parents and Dennis stayed with the couple next door. I stayed with a friend up the street.

In the days following the fire, we were going through the house, packing what was left that could go to storage. My mom, aunts, and grandmother were going through the kitchen – which was mostly intact – although the smoke had permeated what it could. Dad and my uncles were packing up the books which the firemen put on the couches they had shoved into the middle of the room and covered – during the fire. (A quick shout out to first responders!)

I was in the back yard looking at the pile of ashes that used to be my personal belongings. You would not believe how long a guitar string will stretch after it’s been through a raging inferno. Parts of items were left because the firemen had shoved everything out of my room into the yard before some of it burned completely. Talk about smoldering memories!

With older people around, I was trying to contain myself, but the tears came anyway. I felt better when I found my Neil Young songbook for the Harvest album, even though it was stiff, brittle, and burned around the edges. Then, when I spotted them, I was completely speechless. Okay, I wasn’t saying anything anyway, but if someone had said anything to me, I would have been speechless. It certainly took my breath away.

Earlier that day I had placed my stuff for school (which included a new notebook) on Monday in the center of this large table my uncle, Jack, made that I used as a desk – there was only one drawer. What I saw that took my breath away was what I had put in that notebook. There before me, burned around the edges but still intact and readable, was every poem and song I had written, except for the first page of the first song I wrote.

20140307_170525 With the exception of one book my grandmother on my mom’s side gave me and a high school annual, the poems and songs were the only thing I had left except the clothes on my back. Well, and my stereo, which I had in the bathroom so I could listen to music while I took a shower. In addition to the songs’ survival, my mother had loaned my first guitar to a friend for their son to learn to play – as you can see I still have it. I took that as a sign that writing and music was what I was meant to do. Granted, I was a teenager and thought that’s what I was meant to do anyway, but the “sign” sealed the deal. And, while it hasn’t been easy, I was right, it was a sign, and I’ve been writing ever since – whatever form life and the writing took.

Now it’s your turn. What’s your story? When did you know what you were meant to do? And I’m not asking just to get comments, clicks, or whatever. I really want to hear your story, because it’s worth hearing. And it might make a good song.

Peace be with you.

Chasing After Wind Cover 2 I hope the new year is starting off well for everyone. Ours started off well and will do better when routines settle in again. My cd went on sale in the Play Store, iTunes store, Cd Baby, etc., today. There is a store on my Facebook fan page and a new store on my website.

Cyndy and I are headed to Austin this week for the Austin Songwriter Group’s Songwriter Symposium. Cyndy will work in the hotel room while I’m at the symposium during the day. She’ll attend the showcases with me at night. I’ll be playing at the open mic Wednesday night if all goes well. With the oldest son moving back home it will be nice to get away by ourselves.

Have a good week and I will be posting about songwriting while I am at the symposium. Thank you for your support.

Peace be with you.

Dan '13 I hope everyone had a merry Christmas and is looking forward to a new year. With recording, producing, and releasing a new cd, Chasing After Wind, and the busy Christmas season with church and family, little time remained to tend to other affairs such as posting on this blog. But today I am able to say that my new cd is available for order and download on my website. You can hear different versions of two of the songs on my Facebook fan page and Reverbnation page, as well as download my app, which will be updated as regularly as possible. The cd will also be available soon on iTunes, Amazon, etc. Thank you for your support.

Peace be with you.

Conner and Dan in the Studio I was at the Patrick McGuire Recording Studio last Friday, working on songs for my new CD. Randy Talbert, Steve Smith, and John Tepper of the praise band at church played on three songs. My oldest son, Conner, who also plays with the praise band when his schedule allows, played guitar on several songs. Cameron, the middle son, helped with taking pictures, videos, and assisting the engineer. He also plays with the praise band and helps with sound. The session went well and I’ll discuss it later, perhaps, but I want to back up a bit.

While I was getting ready to go into the studio, I naturally thought about Joel Nichols, my musical partner of twenty-five years until he died in 1999. We recorded our last CD in 1996. My wife, Cyndy, introduced me to Bruce Gibson, and later to Joel when he came home from college at Scarritt in Nashville. When the three of us began to gel as a band, I moved out to Nashville while Joel was attending his last year at school. We lived with two other people in the top half of a house that had been around for fifty years, had been home to a hippie commune, and no longer exists.

Joel and I were driving around Nashville in his car one morning. After stopping for John Tepper in Studio coffee, we continued on our journey, going over several bumps and through several turns. Throughout the drive, I managed to keep from spilling my coffee by acting as a human gyroscope. Then I made a mistake. After we we went through the next dip, I turned to Joel and opened my mouth.

“I haven’t spilled a drop. I’m pretty good.”

A short while later, Joel grinned and slammed on the breaks. Coffee soaked the front of my last clean shirt. And going to the laundry mat had not been in my immediate plans. I objected, but the more I objected, the more he laughed. Seemingly in an increasing vindictive manner.

I was somewhat used to taking crap for my stuttering. But a prank like that from someone I considered my closest friend was painful. It illustrated that even the best of friends have a few, even if small, irreconcilable differences. The darker side of their personality that you hope you seldom see and avoid if you see it coming. Joel’s vindictive prankster side was one of those sides of his personality that switched my defensive tendencies into high gear.

photo When I continued to object, Joel realized how much it bothered me, and he apologized. Despite the times when our personalities conflicted, there were more good times than bad times in our twenty+ years of making music together. Going into the studio reminded me of the good music we made together. When I play the old songs, I can still hear him playing his part. I am playing both parts in the studio and I hope I do him justice.

Peace be with you.

Brewer and Shipley 2 Cyndy and I went to Ft. Worth last Friday to see Brewer and Shipley at McDavid Studios. It is in a building owned or managed by Bass Performance Hall and houses smaller venues in the next block. The Van Cliburn Recital Hall is also in that building. The room we were in had a capacity of 200 people with the setup for the show. The crowd numbered less than two hundred but it was a good audience for Michael Brewer and Tom Shipley.

I first saw Brewer and Shipley at the Lone Star Opry House in the early seventies. Cyndy and I had our first date at Lone Star Opry House when we went to see Rusty Weir not long before or after the Brewer and Shipley show. Cyndy and I sang One Toke Over the Line in the folk club in high school – I was one of the guitarists.

The next time I saw the duo was the day our youngest son was born in 1996. (We dated a couple of times after high school, but did not get married until 1992 after both of us were divorced.) Sally, a good friend of Cyndy and I, took me to see them at the original Poor David’s Pub when Cyndy had to remain in the hospital for a couple of days. They signed all of my albums, but I could not find my Brewer and Shipley songbook. They signed the songbook on Friday.

Seventeen years later, Cyndy got to see Brewer and Shipley. And they sounded just as good as the past two times. Their harmonies intertwined, as did their guitars, to create an orchestral acoustic sound. The duo began with Shake Off the Demon and followed it with Make My Bed from their Shanghai CD.

Then they played One Toke Over the Line after a few stories about how they wrote the song and times when they were “several tokes over the line.” They were playing clubs in the midwest when they went out back of the club for a – well – toke break. When they were walking back into the club, Tom Shipley turned to Michael Brewer and said, “Man, I’m one toke over the line.” They wrote the song that night as a joke for their friends. It only made the album because they needed another song. Brewer came back from a trip to Mexico and found that One Toke… had been made a single and the vice president said they were the worst influences on young people of the day. Lawrence Welk had a couple sing the “modern spiritual,” One Toke Over the Line. Jerry Garcia also covered the tune.

“Which makes us the only people on the planet,” Shipley said, “to have a song covered by both Lawrence Welk and Jerry Garcia.”

The hour and a half set included numerous stories and songs. Among others, All Along the Watchtower – “the only song we’ve played longer than our own songs” – Witchi Tai To, an Indian song from the 1800s, Streets of America, and the encore, a song by Tom Shipley, Treehouse Brown. Speaking for myself, it was a greatest hits set of my favorite Brewer and Shipley songs. Were there other songs I would have liked to have heard? Well, sure. But I trust that I will see them again – next year, not in another seventeen years.

Peace be with you.

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