Category: writing


Picture of Willis Alan Ramsey from Wikipedia taken by Ron Baker.

Picture of Willis Alan Ramsey from Wikipedia taken by Ron Baker.

Cyndy and I had the good fortune to see Willis Alan Ramsey Thursday night at the Shipping and Receiving Bar in Ft. Worth. His wife, Alison Rogers Ramsey, opened for him. I saw him quite a few times in the ‘70s. One time in particular was at a club called Mother Blue’s on Lemmon Ave.

His throat was sore and he had a bottle of Chloraseptic on a stool with a glass of water. After each song or so, he would spray his throat with the Chloraseptic. About half way through the show, he appeared frustrated. After the next song, he looked at the audience, said “to hell with it,” unscrewed the top and chugged part of the bottle. He made it through the rest of the show.

Thursday night, Alison played as good a set as she could play with an injured knee and constant pain. She was quite funny and the audience was supportive since she was obviously plagued with pain. They both talked about the 900 mile drive from Colorado they had just endured – with a stop in Childress for auto repairs.

Then Willis Alan took the stage, with another round of applause for Alison.
He began with “Watermelon Man,” to the crowd’s delight. He played new songs and some of his classics, including Northeast Texas Women. He did not play “Muskrat Love.” Then again, no one in the audience expected – or even wanted – him to play it.

Ramsey did mention the song though. He said a teacher in college told him to write what he knew. At 19, he didn’t know anything. So he quit school to “go learn something.”

“I write songs about things I don’t know anything about. For instance, I didn’t know anything about Muskrats? Still don’t.”

Willis Alan talked about staying on Leon Russell’s land in Oklahoma soon after Russell had acquired it. It was while Russell and George Harrison, among others, were planning the Concert for Bangeladesh. Ramsey stayed in one of the small cabins on the lake – literally on the lake with a boat slip on the side – with his dog. At one point, he asked if anyone had a cough drop.

He took a short break, after which he returned to the stage to play a set of “mostly ballads.” The ballads included songs that were not on his first album, such as “Mockingbird,” “Desiree,” and “Boys Town.” Ramsey also played “Angel Eyes,” receiving a standing ovation, and ended with “Satin Sheets.”

Cyndy and I went to talk to Willis Alan and Alison where they were sitting on a couch. Cyndy had already talked to Alison when she went to the restroom. Alison had mentioned on stage that “in the ‘70s there was nothing to do in Dallas.” She went to Hockaday and Cyndy and I went to W. T. White which were not far apart, although not the same years.

“One of the only things to do in Dallas in the ‘70s was to hang out at the bowling alley at Preston Forest.”

“Oh my God,” Alison said. “I haven’t thought about that place in ages.”

When I got to the couch, Cyndy was talking to Alison again and introduced me to Alison. I told Willis Alan that I thought it was funny that he had asked for a cough drop, and I told him the story about the Chloraseptic incident. Alison got a kick out of the story. He looked at me with a knowing smile.

“I remember that, actually.”

Willis Alan Ramsey and Alison Rogers will be playing at Poor David’s Pub in Dallas on November 7 with Bob Livingston.

Hunting Catfish

Cyndy and the boys with fishIt is not a trick title . A friend of mine who is visiting in Tennessee at the moment was sitting in the house, minding his own business watching tv one evening. Suddenly, without warning, he heard shotgun bursts not far from the house. He was accustomed to his son-in-law firing shots into the woods and at trees to “calm down.” But the sounds did not emanate from one person.

My friend went out and discovered his son-in-law and compadres at the small pond. They had become irritated that the lone catfish in the pond had eluded capture. They were annoyed that the catfish was eating the smaller fish – which is a part of nature. They had worked themselves up to the point that they were shooting at this poor fish with shotguns. I cannot imagine that they did the smaller fish a whole lot of good themselves.

The friend said something I will not repeat here, but that seemed appropriate given the circumstances – and God’s tendency for forgiveness. It does seem rather excessive behavior to conceive of firing a shotgun at one catfish in a pond. Accidents do happen and people could be hurt. It is certainly a frame of mind that I would not entertain. And we will not mention the shooting at small animals with assault rifles.

(The picture is of Cyndy and the boys with fish they caught quite a few years ago. The fish were caught with fishing poles, not shotguns or AK-47’s.)

Peace be with you.

20140503_171118 One thing I noticed while working the Dallas Songwriters Association booth at the Dallas Guitar Show is something I notice most of the time when I visit a music store. Naturally, there are talented guitarists at the guitar show or store. The majority, I would think. But then there are the new guitarists who do not want anyone else in the store to know that they have not been playing very long or cannot play very well.

So they play the one riff they can play well from their favorite band. Unfortunately, that is the only cover tune riff they can do well enough to be heard in Guitar Center, Sam Ash, or any music store that sells guitars, as well as guitar shows. So, rather than risk embarrassment, they play that riff over and over. They change the settings each time so it sounds a little different and gives the impression that they are actually serious about buying a guitar. Which would work if they were not there three times a week and had never bought anything more than strings.

At guitar shows, these guitarists are the same, but incredibly louder. Particularly at booths selling amps that purport to be louder than all other amps. Then it is just painful. And it is made worse by their insistence in hearing themselves over all the other guitarists who are doing the same thing. That and the fact that, for some reason, the sound men for the various stages seem to feel that good sound is not as important as being heard in the next universe.

In the ‘70s and ‘80s, there was a dual lick. By that I mean that the lick I refer to was useful to guitarists and also those who wanted to “prove” they could play bass. That lick was from the song, Smoke On the Water, by Deep Purple. Whether you liked Deep Purple or not, you got tired of it quick – just because someone could play the riff did not mean they could do it well. These days, these irritating guitarists’ riffs span the scale of genres.

I was in a Guitar Center in the past week or so to pick up a couple of things. A guy was playing his favorite heavy metal riff. As the clerk was ringing up my purchase, the guy played it a couple more times, pausing for a few minutes between to change settings.

“I think you’ve got it down now,” I said outloud to the guy (who couldn’t hear me).

The clerk made a face that said he agreed with me.

“At least it wasn’t Smoke On the Water!” I said, and he laughed.

“Oh, he was in yesterday,” he replied.

It was my turn to laugh, but I was surprised that people still play that riff in public. I shouldn’t have been surprised, really. The song is still played on classic rock stations. And the riff is relatively simple to play. The funny thing, though, is that most people play it wrong. Which makes the pretense of displaying their talent all the more sad.

Peace be with you.

Dans article - Texas Beat 1995I was working at the Dallas Songwriters Association booth at the Dallas Guitar Show last weekend. Cameron, our middle son, was with me for a while on Saturday. Across from the booth was a display of all kinds of music stuff – literally. There was one box on the end of one of the tables that had a sign on the side reading “Vintage Texas Music Magazines.”

“I wonder if any of the magazines I wrote for are in that box?” I asked myself offhand, talking more to myself than Cameron.

But Cameron went over and looked. He didn’t check them all out, yet he found a couple of issues of Texas Beat with my column in it from 1995. That particular column – Music As You Read It (one of which is pictured) – was a music book review column. I had different columns over the years.

When Cameron found the magazines, I was surprised. I wasn’t surprised that he found them. Somewhere at home I have some myself. But what surprised me was that when I was writing for magazines over the years, I never considered that the magazines would be classified as “vintage.”

My friends, you have before you the writing of a vintage writer, songwriter, guitarist. Sadly enough, it simply means I have been around long enough for my writing, etc., to achieve the distinction of being vintage – or even part of vintage. Which, when you think about it, is actually a good thing. I’m just not used to being classified under the term. But if vintage means good enough to hang on to, I’m in.

Peace be with you.

Randy and the Big Shoe for Amputee Advocacy

Randy and the Big Shoe for Amputee Advocacy

I was in LA last week for the American Society of Composers, Authors, and Publishers (ASCAP) conference at the Loews Hollywood Hotel. I registered last November. A few months ago, Randy Mecca, an old friend and amputee, moved with Kelley and youngest daughter, Kaleigh, to Tennessee to stay with their oldest daughter and her family for an extended visit. Two weeks ago, Randy called from Tennessee. I knew he was trying out for America’s Got Talent, but I hadn’t heard anything since he did his amputee comedy for the Texas auditions.

When I answered the phone, he told me that he had made it to the LA auditions. He was telling me the dates when I stopped him mid-sentence. I asked him to repeat the dates. Which he did.

“Conner and I are going to be in LA on the 22nd!” I told him.

Randy was naturally surprised and said he would see about getting two more tickets. Kelley’s siblings live near LA and they were using the tickets he had been given. Which was okay. It was enough that we might be able to get together. It wasn’t until Monday, the 21st, when I was packing and finalizing plans, that it dawned on me that the Dolby Theatre attached to the hotel is the home of the Academy Awards. I began to wonder …

I sent Randy a text asking where the auditions were going to be held. Since he has spotty service in east Tennessee, the reply came a good while later. I’m sure you have figured out that he replied that it was the Dolby Theatre. Which we could not freaking believe. But as they say in the commercials – “but wait, there’s more.”

Conner and I should have arrived at the hotel about 1 p.m. But we got the Super Shuttle driver from hell. He took us through parts of Los Angeles that I could have skipped altogether. Places where I was praying he would not stop and open the door. And his sense of direction had taken an extended vacation. We passed within frisbee throwing distance of our hotel at least twice – or so it seemed.

We arrived just shortly after 2 p.m. The hotel had not received my request to change from a king to two queen beds. They had a room with the two beds, but it would not be ready until 4 p.m. So we went to look at the Musician’s Institute – the school Conner plans to attend – and get something to eat. When we got back to the hotel around 4, the room was ready. Wouldn’t you know that we were on the floor just below Randy and Kelley?

We went up to visit with them after the auditions were over. They were leaving early the next morning. What are the odds that Randy and I would end up in LA at the same time? What do you think? Have you ever had this type of experience happen to you?

Peace be with you.

Dan and Dirk Cyndy and I were in the folk club when we were in high school. It was where we first became friends, actually. As you would imagine, we played folk music, usually some of the most popular songs at the time. We would play at malls during the holidays and perform in an assembly for the entire school. We also held “coffee house” shows a couple of times a year. They were shows in one of the portable buildings in the evening so parents could attend.

The pictures are from my senior annual and is from one of the coffee houses. I am on the left and Dirk Hardy is on the right. The stage was a riser from the gym or the auditorium. When I thought about writing this post, I knew about the picture of me, but I didn’t remember that Dirk’s picture was next to mine. And this post is as much about him as it is me.

The song I was playing when the picture was taken was Okie from Muskogee, with a couple of alternate phrasings thrown in. The guitar was the one I bought with the insurance after our house burned. I may still have the shirt in a box somewhere. I know I wore it several years after Cyndy and I were married in ‘92.

When Dirk got up to do his song, he sat on the stool you can see to the right of him. He settled in the stool and leaned toward the mic. He started to talk, but, unfortunately, the back legs of the stool slipped off the back of the riser. The stool, Dirk, and his guitar fell off the stage – pretty much in that order.

Dirk was holding his guitar up above him until he figured out how to get up without scratching his guitar. When he got back up on the riser, he opted for standing up. The song he played was Sweet Misery. It happened so perfectly it seemed almost staged – even to me and I was in the show. But I knew Dirk wouldn’t take a chance on scratching his guitar on purpose.

I’ve never forgotten that incident – it is actually the only thing I remember about the evening. Except, of course, for the song I played. But the shows we did with the folk club taught me a few things about live shows.

When you are playing a live show, you have to see it as an adventure. “It’s all part of the show.” And you have to treat it that way. “Go with the flow,” as we used to say. There are always forgotten lyrics, missed licks, and stumbles. But if you act like it was part of the show, few people will remember.

While I said that the shows taught me a few things, I did not say they all sunk in at the time. I played shows for several years in which I would screw up a verse of a song and actually apologize to the audience when the song was over. Fortunately, I didn’t screw up too much, but I kept apologizing, until it finally dawned on me that the audience probably had no idea that I made a mistake.

If you don’t act like you screwed up a song, chances are the audience will never know it. Particularly if they have never heard the song. If they have heard the song, they’ll just think it’s your current spin on it.

Peace be with you.

scan0050 As I meet other creative types on reverbnation.com and other channels of social media, I often wonder at what point they felt they were meant to be or called to do whatever it is they do: write, paint, sing, play, or whatever the case may be.

My own story begins on the Friday before my senior year began on Monday. We had just had a new compressor installed for the air conditioner. I picked up my friend, Brian, and headed to Greenville Ave. to go to Milo Butterfingers. We had heard about Bowley and Wilson’s show and wanted to check it out.

The beer was the coldest I had ever had at the time and few times since. Bowley and Wilson was not my type of show, but they had other people playing in between sets who were more interesting to me. I was just glad that they could not see me from the stage because they made fun of everyone. I don’t remember staying all that long before we headed home, but it could have been a couple of hours. When we turned onto Snow White from Royal Lane, I saw smoke above the trees in the distance.

“That’s my house!”

Brian told me that we couldn’t tell from that distance which house it was. But I was sure it was my house. When we reached the end of my street, the police and firemen had the street blocked off and we had to park on the next street. We ran down the short street between the two in the middle of the block, relatively. When I turned the corner, the top of the house was in flames. My mom, my brother, Dennis, our dog Lady, some neighbors, and assorted onlookers were in the yard of the house across the street.

I asked mom what happened. She said that she and Dennis smelled the smoke, saw flames at the fuse box on the garage wall opposite the compressor, and got out of the house with Lady. I was standing there watching our house burn. I thought I knew which flames were coming from my guitars, but who really knows? I said something about my guitars and Brian tried to go up the firemen’s ladder to “save” my guitars. They had to hose him down and I concluded that he had a few more beers than I had. But I appreciated the effort, albeit misguided.

I heard someone watching the fire ask if anyone had any marshmallows. I did not take it well. I let them know that it was not at all funny and asked if they would think it was so funny if it was their house. Friends came over, calmed me down, and pulled me away.

After the fire.

After the fire.

My father returned from a trip about that time and had to walk up the street with his suitcase and suit bag when the taxi couldn’t get through on the street. After the fire was under control, so to speak, my parents and Dennis stayed with the couple next door. I stayed with a friend up the street.

In the days following the fire, we were going through the house, packing what was left that could go to storage. My mom, aunts, and grandmother were going through the kitchen – which was mostly intact – although the smoke had permeated what it could. Dad and my uncles were packing up the books which the firemen put on the couches they had shoved into the middle of the room and covered – during the fire. (A quick shout out to first responders!)

I was in the back yard looking at the pile of ashes that used to be my personal belongings. You would not believe how long a guitar string will stretch after it’s been through a raging inferno. Parts of items were left because the firemen had shoved everything out of my room into the yard before some of it burned completely. Talk about smoldering memories!

With older people around, I was trying to contain myself, but the tears came anyway. I felt better when I found my Neil Young songbook for the Harvest album, even though it was stiff, brittle, and burned around the edges. Then, when I spotted them, I was completely speechless. Okay, I wasn’t saying anything anyway, but if someone had said anything to me, I would have been speechless. It certainly took my breath away.

Earlier that day I had placed my stuff for school (which included a new notebook) on Monday in the center of this large table my uncle, Jack, made that I used as a desk – there was only one drawer. What I saw that took my breath away was what I had put in that notebook. There before me, burned around the edges but still intact and readable, was every poem and song I had written, except for the first page of the first song I wrote.

20140307_170525 With the exception of one book my grandmother on my mom’s side gave me and a high school annual, the poems and songs were the only thing I had left except the clothes on my back. Well, and my stereo, which I had in the bathroom so I could listen to music while I took a shower. In addition to the songs’ survival, my mother had loaned my first guitar to a friend for their son to learn to play – as you can see I still have it. I took that as a sign that writing and music was what I was meant to do. Granted, I was a teenager and thought that’s what I was meant to do anyway, but the “sign” sealed the deal. And, while it hasn’t been easy, I was right, it was a sign, and I’ve been writing ever since – whatever form life and the writing took.

Now it’s your turn. What’s your story? When did you know what you were meant to do? And I’m not asking just to get comments, clicks, or whatever. I really want to hear your story, because it’s worth hearing. And it might make a good song.

Peace be with you.

Chasing After Wind Cover 2 I hope the new year is starting off well for everyone. Ours started off well and will do better when routines settle in again. My cd went on sale in the Play Store, iTunes store, Cd Baby, etc., today. There is a store on my Facebook fan page and a new store on my website.

Cyndy and I are headed to Austin this week for the Austin Songwriter Group’s Songwriter Symposium. Cyndy will work in the hotel room while I’m at the symposium during the day. She’ll attend the showcases with me at night. I’ll be playing at the open mic Wednesday night if all goes well. With the oldest son moving back home it will be nice to get away by ourselves.

Have a good week and I will be posting about songwriting while I am at the symposium. Thank you for your support.

Peace be with you.

Dan '13 I hope everyone had a merry Christmas and is looking forward to a new year. With recording, producing, and releasing a new cd, Chasing After Wind, and the busy Christmas season with church and family, little time remained to tend to other affairs such as posting on this blog. But today I am able to say that my new cd is available for order and download on my website. You can hear different versions of two of the songs on my Facebook fan page and Reverbnation page, as well as download my app, which will be updated as regularly as possible. The cd will also be available soon on iTunes, Amazon, etc. Thank you for your support.

Peace be with you.

Conner and Dan in the Studio I was at the Patrick McGuire Recording Studio last Friday, working on songs for my new CD. Randy Talbert, Steve Smith, and John Tepper of the praise band at church played on three songs. My oldest son, Conner, who also plays with the praise band when his schedule allows, played guitar on several songs. Cameron, the middle son, helped with taking pictures, videos, and assisting the engineer. He also plays with the praise band and helps with sound. The session went well and I’ll discuss it later, perhaps, but I want to back up a bit.

While I was getting ready to go into the studio, I naturally thought about Joel Nichols, my musical partner of twenty-five years until he died in 1999. We recorded our last CD in 1996. My wife, Cyndy, introduced me to Bruce Gibson, and later to Joel when he came home from college at Scarritt in Nashville. When the three of us began to gel as a band, I moved out to Nashville while Joel was attending his last year at school. We lived with two other people in the top half of a house that had been around for fifty years, had been home to a hippie commune, and no longer exists.

Joel and I were driving around Nashville in his car one morning. After stopping for John Tepper in Studio coffee, we continued on our journey, going over several bumps and through several turns. Throughout the drive, I managed to keep from spilling my coffee by acting as a human gyroscope. Then I made a mistake. After we we went through the next dip, I turned to Joel and opened my mouth.

“I haven’t spilled a drop. I’m pretty good.”

A short while later, Joel grinned and slammed on the breaks. Coffee soaked the front of my last clean shirt. And going to the laundry mat had not been in my immediate plans. I objected, but the more I objected, the more he laughed. Seemingly in an increasing vindictive manner.

I was somewhat used to taking crap for my stuttering. But a prank like that from someone I considered my closest friend was painful. It illustrated that even the best of friends have a few, even if small, irreconcilable differences. The darker side of their personality that you hope you seldom see and avoid if you see it coming. Joel’s vindictive prankster side was one of those sides of his personality that switched my defensive tendencies into high gear.

photo When I continued to object, Joel realized how much it bothered me, and he apologized. Despite the times when our personalities conflicted, there were more good times than bad times in our twenty+ years of making music together. Going into the studio reminded me of the good music we made together. When I play the old songs, I can still hear him playing his part. I am playing both parts in the studio and I hope I do him justice.

Peace be with you.