Tag Archive: DSA


IMG_1710[Re-post from DSA blog] Larry Beaird presented his “Arranging the Hit” songwriting workshop on Saturday, October 24 at the Kitchen Café. The workshop was held from noon – 4 p.m. The start was delayed for several minutes – through no fault of Larry’s. The restaurant offered a limited lunch menu for the workshop attendees. Quite a few people took advantage of the lunch offerings. The waitress, Maria, took care of business well, while taking care not to disturb the workshop.

When he began his presentation, he introduced himself while passing out entry forms for a drawing to win a $625 demo session at his Beaird Music Group recording studio in Nashville. He charted the number one country songs for the past two years. He used standards such as the Nashville number system, and the length of time between certain components of each song, as well as the structure of those components.

It was apparent at times, from the questions, that some of the songwriters in the room were concerned about their songs. Beaird was careful to point out several times that he was just talking about songs that had reached number one on the charts.

“Write your songs for you. I’m not telling you how to write your songs. I’m just talking about number one hits. There are aIMG_1711 lot of good songs out there. They just don’t make number one for whatever reason.”

I hesitate to give too much away out of respect to Larry and those in attendance. But I will let you in on a couple of key points. Every line of a song should point to the title. And the title should be in the last line of the chorus and the last line of the song.

Larry Beaird and DSA President, Michael Brandenberger

Larry Beaird and DSA President, Michael Brandenberger

Beaird spent the last hour of the workshop critiquing the songs that he had received beforehand. After locating the songwriter, he played the song, after which everyone applauded. Larry then critiqued the song, while also telling the songwriter what he liked. He made suggestions as to what they could do to improve the song. His suggestions were very good and well received.

The workshop went past 4 p.m. with people excited about the subject of songwriting. Question after question was asked. And answered fully by Larry. An enjoyable, successful day was had by everyone in attendance, with good food, good conversation, and an informative songwriting workshop. The workshop participants and DSA want to thank Larry for coming to Dallas to present his workshop for us. We will announce the winner of the drawing for the demo session when Larry lets us know.

Keep writing the songs that are in your heart.

V-PicksAs my post on the DSA blog (re-posted here) stated, I worked the booth at the Arlington Guitar Show. I enjoy working the booth at guitar shows, because it’s a chance to play guitars I will never own. Some of them were worth so much money, I just look at them from a distance. If I see a good deal on a guitar that looks, sounds, and plays really nice, I take two deep breaths and move on. If I take another guitar home, I’ll need to take divorce papers with me. So I look at the newest gadgets, like capos, picks, etc.

For many years, most guitar players used Fender medium picks. Of course it was not entirely universal, but “as a general rule.” The shape would change, depending on the instrument. If you wanted a new sound, you changed the brand or gauge of string you used, or even the guitar. There weren’t as many different picks back then, so changing picks usually never crossed a guitar player’s mind. I did, however, change from Fender medium to John Pearse medium, which I still use. It has an offset point which is easier for me hold and attack the strings.

My statement about “most guitar players,” refers mainly to acoustic guitarists. Although a lot players I knew used medium exclusively, more and more guitarists began using heavy gauge picks for playing electric guitars. Now it’s all over the map as far as shapes, gauges, and types of materials for picks are concerned. Which is precisely my point.

Since I had to set my sights on lower cost items, I started looking into different picks at guitar shows. It’s incredible how many different materials they make picks with. Now I have a lot of different picks. But I’m still married! Then I was introduced to V-Picks. Each of the picks has a different tone or resonance. I am experimenting with different picks in their line, but my mainstays are the blue Lite Tradition and the Euro II. I stocked up at Arlington show because they always have their biggest booth there.

I also like to see the different picks they’ve come up with. Even though they’re made of an acrylic/glass type of material, they still wear down. It takes a little doing, mind you, but they still wear down. One of the good points of the picks in general – other than the unique sound – is that it sticks to your fingers with the heat in your hand. It’s hard to lose these picks while playing. Give them a try. At the very least you’ll make some good sounds and have fun.

Peace be with you.

Tracie MerchantOn almost every night of the week, an open mic can be found in the Dallas area and often more than one, sometimes several. Some of the open mics include spoken word, playing cover songs, etc. On the other hand, some may prefer original songs, but talented covers are usually allowed. The majority of open mic hosts are friendly and welcoming. Most open mics have their regulars, even if it’s just a few people that show up all the time.

A number of open mics and similar events are hosted by members of the Dallas Songwriters Association (DSA). There is a supportive songwriting community in the Dallas area, a good number of whom are members of DSA. Some of us have been writing songs for years. Some are younger and just getting started playing live at open mics. Quite a few members of the DSA perform at other open mics in addition to DSA events.

But it’s the community that I want to emphasize here. The songwriting and open mic communities are very supportive in every way a community can be. One good example is the open mic at Poor David’s Pub (PDP), hosted by Mr.Troll. It helps, of course, that it is one of best listening rooms in town, and Carlos Sanchez is one of the best sound men in town. Samantha Sanders is one of the best bartenders, too.

A good illustration of my point came about recently. On Monday, I arrived at PDP, ready to play in the open mic. I said hi to a couple of people from DSA at the bar. Troll asked me to step aside and talk to him privately. He needed to go home to take care of his dad, and asked me to guest host the open mic. Of course I said I would.

Troll played first, as usual. He played two songs, but we persuaded him to play a third song. Then he introduced me and slipped out, and I took over as host. On the list were regulars – some older, some newer. The featured artist was Tracie Merchant. I introduced her about 8:45. In the middle of her set, Tracie picked up her phone and began to make a call.

“Does everybody know my friend, Bill Nash?” Many of us did. Bill is a singer/songwriter with MS. He has been in the folk scene in Dallas for quite some time. He has come up with different tunings using capos and key changes to enable him to keep playing the guitar and writing songs. He had to leave SWRFA a little early due to health issues and within a week was in the hospital. He was hoping to get out of the hospital soon when Tracie called.

“We’re here at the open mic at Poor David’s Pub. We wanted to tell you something,” she said when Bill answered. She motioned to all of us and at the same time we said:

“Get well, Bill!” He asked her if we would do it again so he could record it. Which we gladly did.

During the evening a harmonica player was hanging around, hoping to join someone. Vince Alexander is from Atlanta and is here working at the State Fair. He was looking for a break from the fair to do what he loved the most – playing music. Toward the end of the evening he got his chance and stayed on stage to play with Tin Man Travis. Vince had the pleasantness on his face and in his upbeat and friendly attitude of one who is away from home in an unfamiliar place and finds a music community to be a part of (albeit temporarily).

See what I mean about community? And you’re all welcome – to play or listen. At any of the open mics or DSA events.

Peace be with you.