Tag Archive: lyrics


20131103_132007I recently joined the Board of the Dallas Songwriters Association (DSA) after having been a member for several years. I am now the Lyric Contest Director, as well as helping out in other areas. I was given the entries to the recently completed contest (it is run quarterly). My job is to read all the lyrics and pass along to another member of the board the songs I think are worthy to be considered in the final judging. After reading the lyric contest entries, I have a few thoughts to pass along to those planning to enter a lyric/songwriting contest.

If you are just writing lyrics, find someone to write or play the melody. Make sure that it is a song, not just a poem. Granted, sometimes the line between the two is blurred. But even in those instances, one can tell the difference between a poem and song. Read it out loud.

If it sounds good to you, then have a few other people read your song. It is your choice to accept or reject suggestions or criticism. But if more than one person says the same thing, it would be prudent to follow their advice. If you read your song out loud and it sounds “sing-song-y,” you might want to work on it a little more.

At the very least – and I mean the very least – read your song several times before you submit your entry. Use spell checker and check the grammar. When I’m reading the song entries, I can forgive a misspelled word or single grammatical error. But if you misspell the same word in the chorus each time you type out the chorus, the song instantly goes in the rejection pile. It’s the same with the gramatical errors. If you are using slang purposely, or  are misspelling words to imitate an accent, use quotation marks. But make sure  it fits the song.

If you are going to take the time, make the effort, and spend the money, you might as well make it worth it. Present yourself and your song in as professional a manner as possible. A song should fit on one page, maybe one and a half. Certainly not more than two pages. You do not need to type out the chorus each time it occurs, if it is the same each time. Using 12 pt. type is quite sufficient – anything larger is unnecessary.

The first thing you should consider before submitting an entry is whether or not you have written an actual song. I do not have time to tell you how to write a song. There is so much already written on the subject, I do not need to. If you’re in the Dallas area, you could join the DSA and attend meetings. Every major city should have a songwriting association. Keep writing and learning as you go along.

Along the journey, when you decide to submit to a lyric or songwriting contest, you need to do four things. Make sure it is actually a decent song. Present yourself and your song professionally. Read it over carefully a couple of times before sending it. And follow the entry rules  to the letter.

Peace be with you.

Dan and Dirk Cyndy and I were in the folk club when we were in high school. It was where we first became friends, actually. As you would imagine, we played folk music, usually some of the most popular songs at the time. We would play at malls during the holidays and perform in an assembly for the entire school. We also held “coffee house” shows a couple of times a year. They were shows in one of the portable buildings in the evening so parents could attend.

The pictures are from my senior annual and is from one of the coffee houses. I am on the left and Dirk Hardy is on the right. The stage was a riser from the gym or the auditorium. When I thought about writing this post, I knew about the picture of me, but I didn’t remember that Dirk’s picture was next to mine. And this post is as much about him as it is me.

The song I was playing when the picture was taken was Okie from Muskogee, with a couple of alternate phrasings thrown in. The guitar was the one I bought with the insurance after our house burned. I may still have the shirt in a box somewhere. I know I wore it several years after Cyndy and I were married in ‘92.

When Dirk got up to do his song, he sat on the stool you can see to the right of him. He settled in the stool and leaned toward the mic. He started to talk, but, unfortunately, the back legs of the stool slipped off the back of the riser. The stool, Dirk, and his guitar fell off the stage – pretty much in that order.

Dirk was holding his guitar up above him until he figured out how to get up without scratching his guitar. When he got back up on the riser, he opted for standing up. The song he played was Sweet Misery. It happened so perfectly it seemed almost staged – even to me and I was in the show. But I knew Dirk wouldn’t take a chance on scratching his guitar on purpose.

I’ve never forgotten that incident – it is actually the only thing I remember about the evening. Except, of course, for the song I played. But the shows we did with the folk club taught me a few things about live shows.

When you are playing a live show, you have to see it as an adventure. “It’s all part of the show.” And you have to treat it that way. “Go with the flow,” as we used to say. There are always forgotten lyrics, missed licks, and stumbles. But if you act like it was part of the show, few people will remember.

While I said that the shows taught me a few things, I did not say they all sunk in at the time. I played shows for several years in which I would screw up a verse of a song and actually apologize to the audience when the song was over. Fortunately, I didn’t screw up too much, but I kept apologizing, until it finally dawned on me that the audience probably had no idea that I made a mistake.

If you don’t act like you screwed up a song, chances are the audience will never know it. Particularly if they have never heard the song. If they have heard the song, they’ll just think it’s your current spin on it.

Peace be with you.