Category: Songwriting


[Read part one, two, three, four, five, six, seven]

My immediate concern following the robbery was to get another guitar – the sooner, the better. Fortunately, my parents’ homeowners insurance covered the loss, but not did not pay enough to replace my Martin.

I flew back to Dallas. The next day I was in McCord Music in Valley View Mall. They had sound-proof rooms in the back. I picked out about six guitars. Four were within the range of the insurance check, and two were in the “if I like one of these, maybe I can talk Dad into it” category.

I was apprehensive because I wanted a guitar then, but I wanted to get the right guitar. I don’t remember what kind the other guitars were. I picked up the first two, played them a bit, and put them back. Then I picked up the handmade bicentennial edition Alvarez. I loved the color because it matched my red hair. It had a clear pick guard which I loved. Then I began to play it. It sounded so sweet and when I sang it complimented my voice. It still does – and it really sounds good now with John Pearse strings. The only other set of strings the Alvarez has had on was whatever was on it when I bought it.

Obviously, I’ve never regretted my decision – or losing my Martin really.  I have three Alvarez guitars now. They’re all three great sounding guitars, although I still call that first Alvarez the “good” guitar. It’s the one I’ve got in the picture above. As you can hear when you listen to River That Flows that is out now from Southern Plains Revisited and other songs to come from that album, the Alvarez became an integral part of the Southern Plains sound.

Keep writing the songs that are in your heart.

Peace be with you.(

paypal.me/danroark

 

 

 

V-Picks

It’s been a while since I’ve written about V-Picks. I’ve been using them for a good number of years. As I told Vinni – owner of V-Picks – a few years back:

“Since I can’t buy any more guitars and stay happily married, I began to collect capos, ending up with a collection of nice capos. I’ve been saving picks for years, but the material they were made of didn’t vary too much – mostly promotional picks. I had always used John Pearse picks which had the point offset so it fit my style perfectly. But it was still the old plastic medium pick, like the Fender tortoise shell pick everyone else used for years.

I began to see picks of different materials. Which was convenient so when I went to guitar and music trade shows, I could pick up different picks and Cyndy wouldn’t mind. But none of them produced a different tone on my guitar that was worth switching for fulltime. Some of the pick materials were not comfortable enough when playing. It was just an interesting collection.”

Then I tried V-Picks. Vinni Smith had a booth at a guitar show. I haven’t played anything else since. I never knew how much picks can change the tone of my guitars. I use different picks for certain songs. The Nashville pick on the bottom right is like a regular medium to heavy pick. V-Picks are acrylic picks. The heat from your hand sticks them to your fingers, making them easier to hold onto and almost impossible to drop.

V-Slide by V-Picks

Vinni, his wife, Nancy, and crew also make acrylic slides, among other things. Check out their products at V-Picks.com. Try their picks – you won’t be disappointed.

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

[Parts One, Two, Three, Four, Five, Six]

The rent on our upstairs apartment was $35 a month. I guess, with the house being in the neighborhood it was in, the owner just appreciated people who paid rent on time, took care of the place, and didn’t attract a lot of attention. That would change a bit, but that’s another story.

When any one of the four of us got paid, we would go to Spats in the West End for happy hour. Then we would pick up food and beer and head home. Joel and I – and anyone who happened by to jam – would play late into the night. When it neared three a.m. we’d head back to the store for more beer. Then the next time someone got paid, we’d do it again. But, with the exception of Spats, that was the routine on really any given evening. We worked at Deli Junction during the day.

One day we were running errands or somesuch. Joel was driving and I was drinking coffee in a styrofoam cup. We hit a bump and I held my cup up and didn’t spill a drop.

“I’m pretty good at that,” I boasted proudly.

Before too long, Joel stomped on the brakes. Of course I spilled coffee on my last clean shirt. And those were laundromat days. I was really pissed and couldn’t understand why he would do that just to be a smart ass. It didn’t take long for us to get past it, but I’ll never forget it. (I’m still pissed.)

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Keep writing the songs that are in your heart.

Peace be with you.

Paypal.me/danroark

916 Acklen Ave., in Nashville

[Read Part One, Two, Three, Four, Five]

Joel and I worked at a sandwich shop in Nashville called Deli Junction. We worked days so we could play or practice at night. One afternoon while we were working, Joel got a phone call. The look on his face told me something was seriously wrong. We couldn’t both leave. He said someone had broken into the apartment. He said he would let me know what had happened.

What had happened was that someone had broken in and stolen every music and sound device in the apartment. My Martin D35 guitar, cassette recorder, stereo, tv, radio, and so forth. Joel’s room was a small room to the left of the kitchen. His Martin D35 was still there in its case.

As we sat there in the den in silence that night, we figured it must have been somebody who knew Joel, so he didn’t take his guitar. As we talked, I thought about the tv against the wall under a blanket or rug – I don’t remember which.

“They probably just figured it didn’t work, so they left it,” I said. “Let’s try it to see if it works.”

We uncovered it, turned it on, and sure as shit it worked. We laughed and everyone looked at me.

“I didn’t watch Perry Mason for nothing!”

It took a while, but we replaced the stereo, the cassette recorder and so on.

Stay tuned for what I did about my guitar being stolen.

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Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

My song, Poor David’s Pub, will be released on Monday, August 31 on all the regular sites. The single release party will be the Poor David’s Pub/Kerrville Folk Festival Virtual Open Mic hosted by Rob Case on Monday Night 7 – 10:30 p.m. CT. The proceeds from the song, as with donations to the open mic, will go to Poor David’s Pub to be split with the Kerrville Folk Festival. Let’s help these venues keep going!

Watch and listen to the open mic on Facebook on Rob Case’s Open Mic – Poor David’s Pub page, or my page.

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Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

[Part 1, Part 2, Part 3, Part 4] The picture is of tuna fish salad Cyndy made. I can eat tuna fish and tuna fish salad now. I haven’t had the impulse to gag when I smelled it in years…

….In the upstairs apartment at 916 Acklen Ave. in Nashville, we took turns fixing meals when we ate int. On one occasion when it was my turn, I decided to fix tuna casserole. It was pretty freaking good as I recall – as long as I’m not smelling tuna while I think about it. It received compliments.

After dinner we went out for drinks. We we got back, we drank beer and watched tv, among other things. The casserole dish – meanwhile – had been pushed to the side of the table in the kitchen. It got covered up by other things. With all of us actually working at the same time, as well as practicing and playing shows, the dish was forgotten, for a while.

But, it happened to be particularly warm for the next few days. We began to notice a smell. I don’t remember how long we looked, but obviously we found it. Which is when everyone looked at me and said, “you cooked it, you clean it.” So I did, alternately holding my breath and gagging.

Finally, it was over and I was seriously sniffing dishwashing soap. I will not describe it for a couple of reasons. One is because I wouldn’t wish the experience on anyone else. The second is because I don’t know if I could accurately describe it and not run to the bathroom. As it is, it will be a few hours before I can have any of the tuna fish salad.

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Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

As you  may gather from the title, the virtual open mic on Monday night is a Zoom meeting shared on Facebook. Hosted by Rob Case, with the more than able assistance from his wife, Lynda, the open mic replaces (for the time being) the live Poor David’s Pub open mic. It also benefits Poor David’s Pub and the Kerrville Folk Festival. The show below is from Monday, Aug. 24.

More about the open mic itself shortly, but first the reason for the title. While the Zoom meeting is going on one laptop, I have the Facebook video going on the other laptop so Cyndy can hear it, too. However, as you may or may not know, there is a short time delay between Zoom and Facebook. During the open mic a few weeks ago, I was talking to Cyndy and forgot about the delay. When the song ended on Facebook, I clapped on camera so they could see me clap. Sadly, he had already begun the next song.

But wait, there’s more… one of the performers said something to me – again, watching on Facebook. By the time I got my headphones on, unmuted the mic, and answered them, they also had begun their next song. Thankfully, they hadn’t started singing yet. Needless to say, I’m much more careful now.

Back to the open mic. There are always different and unique songwriters. Not a bad way to spend a Monday night. And if you would like to play, contact Lynda Case on messenger. The list from the show below is Rob Case, Allen Larson, Cat McGee, Jackie Sue Langford, Darwin, Dan Roark, John Mason, Don Wall, Baylis Laramore, Scott Thornton, Jenni Mansfield Peal, Rick Valente, and Harry Hewlett.

Check it out! Then tune in on Monday. Or join us and play.

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

River That Flows is the first song I wrote about Cyndy, wife now, girlfriend then. Or rather, I was thinking about Cyndy when I wrote my half of the song. I was in college at NTSU (now UNT). Tim Duggins was my roommate. We met the year before at Richland Junior College (now Community College). On a Sunday, I think it was, we took our guitars and a 6-pack to the park.

We played the usual songs and practiced Sister Golden Hair by America. We had come to write a new song though. I don’t remember which one of us had the original idea. But after a lot of back and forth of ideas, moments of exhilaration and excitement, and when the 6-pack was gone, we had a song called River That Flows.

Southern Plains would be formed the next year. As I’ve said before, River That Flows was a staple of our set and it remains in my set list today. Joel Nichols and I added leads and flurries, but the song you hear now is the same song we wrote that day.

Unfortunately, Timothy James Duggins died of lung cancer a few years ago. I got in touch with him again

Tim Duggins on the left with his brother, Mike.

before he died. We were going to try to get together, but the last couple of years were tremendously hard on him. It was tough for him to get around.

Rest in Peace Tim!

 

 

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Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

I’ve been playing in the Monday night Zoom/Facebook open mic hosted by Rob Case and benefiting Poor David’s Pub and the Kerrville Folk Festival (PayPal@ David@poordavidspub.com if you would like to support those venues – 50% goes to each) since it began the first of June. So naturally, the guy that mows the yard next door changed his time to Monday evening. Mowing the yard itself is not the issue. It’s the leaf blower that sets the dogs off. Then they’re hyped up and barking about the time I’m trying to do my sound check.

And I keep wondering – it’s August, what the hell is he blowing around? I am convinced that they run the leaf blowers so they can charge more because it sounds like they’re working harder. It would help if they knew how to use them in the first place. They seem to think they can just blow the grass, etc. into oblivion. When actually, it ends up in the street or someone else’s yard.

Ever heard of a leaf catcher, dumbass? Or even better, mow the yard in such a way that you end up mulching it as you go. It would take less time so you might have to adjust your rate, but you could mow more yards in a day. Not to mention the environmental benefit of less gas leaf blowers polluting the air. Cutting down on the noise pollution is a plus for me. The whrrrr, silence, whrrrr, silence, and on and on and on, not only sets the dogs off, but raises my blood pressure at the same time. Not good when I’m getting ready for the open mic.

But I did get the sound check done, I did calm down (so did the dogs), and the open mic went well – all around, not just my part. Check it out next Monday at 7 – 10:30 p.m. on Facebook at Rob Case’s Open Mic page. You won’t be disappointed with music of varying styles to enjoy!

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark

 

 

 

 

Picture of a bad picture of The Villager from the ’70s

[Read part I, part II and Nashville part I] [When we had to have the film developed, we never knew if the picture was blurry until we got the pictures back.]

The Villager is one of the first places we played in Nashville – and one of only two venues we played that are still open. The other is the Exit/Inn. Joel had been jamming with a Nashville musician named Cat Waldeman. So Southern Plains was a trio again, with Bruce Gibson (the original third member) still in Dallas.

One of many things that hasn’t changed in Nashville is that most of the time when you play it is open mics or showcases. Meaning you only get to play one to three songs. We had three core songs that we played – two originals and one cover. We began each set with those three, which meant those were often the three songs we played, period.

The three songs were Cold Wind Blows, River That Flows, and Can’t You See. Kind of rolls off the tongue, doesn’t it? It was a sort of mantra. If you read the previous posts, you know that the last recorded version of River That Flows that Joel and I recorded just came out as a single this week. Cold Wind Blows is also on the Southern Plains Revisited and will be released as a single.

We called Cold Wind Blows our “Suite: Judy Blue Eyes”. Only because of the style of the song. We were jamming one day and we had a poem by a local street poet named Mostly Williams. If you let him crash at your place for a few days, he paid you with poems. So we wrote the music together and I added a few lyrics to Mostly’s poem. It’s a long jam song so we primarily played it live. But I found this version recorded and produced by George Turner. I made a few edits and re-mastered it for the album. There are other songs on the album that he recorded.

At the Villager, we played at least one full set. Of course we were paid in beer. It’s a small place and the crowd wasn’t near what you would call large. They seemed to enjoy the music, nonetheless.

Next up…well, you’ll just have to wait…it’s a good story….

Keep writing the songs that are in your heart.

Peace be with you.

paypal.me/danroark