Category: Sound


Cat McGee

Cat McGee

Are you confused yet? Or did you figure out that we had the Dallas Songwriters Association 4th Saturday showcase at Angela’s at the Crosswalk a week early this month – and last month as well – due to Thanksgiving and Christmas. This was my first showcase as the new host. As showcase director for the DSA, I have been a guest host before. But with both Buck Morgan and Harry Hewlett having life changes coming about, I became the host.

I had the sound system set up by 7:15. Despite a problem I did not discover until I was breaking down the system, everyone sounded good to the audience, except me on part of my set.

The show began with Cat McGee – after a few technical adjustments. She delivered her show in her usual humble sincerity. Cat doesn’t take herself all that seriously, but her songwriting is a different matter. That alone lends a certain urgency to her lyrics juxtaposed with the casualness of her delivery. I have known Cat a while and consider her a good friend. I have read the press on her website before, but it evades me now. But simply thinking about it while replaying her set in my mind, her songwriting and performance remind me of Judy Collins and Joan Baez. The decidedly female perspective, with self-assurance and purpose. One of my favorite songs of hers – and there are a few – is Mydan-roark-3Tribe. Her tribe, of course, is songwriters.

Then the host, some guy named Dan Roark, came on and played his set. Which included several songs from his new cd of live songs. As well as the bonus song on the cd, What the Lord Intends. Which is also the song in his first music video which you can find on his YouTube channel.

Mark Evans, who followed me (the moment has past, if you catch my drift), has a band called Safety Meeting. Alone, on acoustic guitar – as he was at the showcase – Mark comes through as folk with a bit of an edge – albeit with a positive outlook. And a love song is simply a love song. The band’s description of Safety Meeting’s music is “alternative, americana, and pop.” Having heard them live and recorded, I can say that sums them up fairly well. I’m not exactly sure how alternative they are, as far as lyrics and music are concerned. But pertaining to their live show, I can hear alternative to a point. Listening to

Mark Evans

Mark Evans

their recorded songs on Reverbnation before writing this, I caught a John Cougar Mellencamp feel to their songs. Hence the americana and pop distinctions. Catch one of their shows when you can. Their music deserves a good crowd.

Baylis Laramore ended the evening’s line up. Baylis‘ music is folk and americana. He’s a laid-back type of guy, and his music reflects that. He was born in Galveston and grew up around east Texas as a child. He “spent [his] teenage years living in Australia and Indonesia.” He has traveled to other places as well. Some of Baylis’ songs come from those years, such as Blonde Spanish Girls, written while he was in Spain. Other songs, like Ghosts of Galveston, are from stories he has heard and read. He also has written some humorous songs as witnessed by the song Junk Food Highway, written from a song prompt at the Southwest Regional Folk Alliance.

It was a good show. I’m sorry you missed it. Do yourself a favor and make it to the next DSA 4th

Baylis Laramore

Baylis Laramore

Saturday showcase at Angela’s at the Crosswalk on January 28. I’ll have the list of songwriters who will by playing in the next couple of weeks. But you can be sure it will be a good show.

Keep writing the songs that are in your heart.

Peace be with you.

 

 

 

 

Mark Evans followed me

The Dallas Songwriters Association’s annual song contest awards ceremony and Christmas party takes the place of the monthly meeting. Which was Tuesday, December 13th this year (The meeting day is changing in the new year – just to give you a heads up.) The event was once again held at Sons of Hermann Hall. What follows is from the program for the event with the pictures I took included. Because a couple of performers were stuck in traffic, the order was altered somewhat, but was essentially the same in the individual categories.

The winners are listed following the program. Congratulations to all the winners!

Keep writing the songs that are in your heart.

Peace be with you.

 

Barbe McMillen - DSA President Emeritus

Barbe McMillen – DSA President Emeritus

WELCOME – Barbe McMillen Founding President Emeritus, Newsletter Editor, Administration & Song Contest Director Barbara founded the DSA in 1987 after running the group for several years as part of the now defunct Texas Music Association. Currently a working Music Therapist, performer, and Associate Professor of Songwriting at Collin College, Barbara is caring for the admin duties and editing a newsletter for DSA. She is a voting member of the Recording Academy and a member of the Producers and Engineers Wing of the Academy. She has produced a number of albums for other artists and her own. Her songwriting spans the genres of Rock, Pop, R&B to Americana. Her rock musical, Give Me A Break, has been performed in the metroplex and off Broadway. To get to know more about Barbe or to sign up for an online Songwriting Class, visit her website, http://www.barbaramcmillen.com.

PERFORMANCE by multi-semifinalist DeDe Wedekind, Houston, Tx
Stronger from Dream of You, My Unsung Hero, A
Leaning on Heaven , Sell Me Out, Recipe of Love, Love Lives On
DeDe’s music is a mix of pop, Americana, and jazz, with some Gospel thrown in and has been compared todedewedekind everyone from Michael Buble to Adele, and from Linda Rondstadt to Emmylou Harris.
Her music has been and remains on several WORLD TOP 10 CHARTS on Broadjam.com Although she writes mainly pop, she’s also a Crossover Gospel artist. Recognizing that a lot of the current popular music out there is focused on young teens, and also may have depressing, violent, or negative messages, she decided to “fill the gap”, and write positive music She writes beautiful melodies, powerful and inspiring lyrics, and good clean music full of hope. Breathecast.com’s Timothy Yap says, ” When it comes to song interpretation, she is without peer.’

PERFORMANCE by multi-semifinalist Rick Babb, Dallas, Tx
Lucky In Love, Praise You, Roly Poly , Walk Away
Born and raised in Tulsa, OK, Rick was introduced to music and the guitar by his Uncle Don. 3
Rick began writing his own tunes and started performing them at family reunions as a teen. When he moved to Texas in 1969, he began performing in coffee houses and working behind the scenes in the concert industry in the early 1970s. In the 1990s, Rick moved to Nashville

Rick Babb and his wife Paula McClanahan

Rick Babb and his wife Paula McClanahan

to pursue a song-writing career and, during that time, also worked various odd jobs from radio DJ and dishwasher to bartender and circus wrangler.He returned to Dallas in 2003, performing again in the Dallas/ Ft Worth area. He now performs regularly with Royce David James on mandolin and Paula McClanahan on upright bass and vocals.
PERFORMANCE by Americana semifinalist John Mason, Grand Prairie, Tx California   For 30 years gifted singer-songwriter, John Mason, has been a musical inspiration. During the 1970’s and 80’s, John recorded and performed in Southern California. Now living in Grand Prairie Texas John writes and plays a contemporary style of folk, country and Americana.

Dan Roark, Director of Showcases and Workshops In addition to being a singer/songwriter, Dan Roark is an author, writer, and poet. He played in the band, Southern Plains, for twenty-five years prior to the death of bandmate and musical partner, Joel Nichols. After

Dan Roark

Dan Roark, Showcase Director

taking time off from performing while he and his wife, Cyndy raised their three boys, he has returned to performing and the Dallas Songwriters Association.  You can find out more and listen to his music at danroark.com. Follow his blog at chasingafterwind.net. He also writes posts for the dallassongwriters.org blog.
Dan Roark presents AMERICANA Semifinalists
California by John Mason, Grand Prairie, TX
Just Can’t Drown a Broken Heart by Jared LoStracco, Nacogdoches, TX
Lucky in Love by Rick Babb, Dallas, TX
My Unsung Hero by DeDe Wedekind, Houston, TX
Two Trains by Renee Saffier, Andy Hill and Hard Rain, LA, CA

AMERICANA AWARD

PERFORMANCE by Pop semifinalist Richie Smith, Richardson, TX
For A Reason
At the age of 3, the first instrument Richie learned was the bass then later on he learned to play the

John Mason

John Mason

piano, violin, ukulele, guitar, harmonium, and more. While attending Collin College, he was a student in Barbe McMillen’s songwriting class where his love of singing and writing music matured. Towards the end of that semester, he underwent brain surgery and was diagnosed with stage 4 brain cancer which he is still battling.
On this journey for 4 years now, he’s written music through all of it. Ritchie says, “God does everything for a reason”.

Barbe Presents
CHRISTIAN/ INSPIRATIONAL Semifinalists
Only A Prayer Away (Acoustic) by John Nelson Kullberg, Rivervale, NJ
Stronger from Dream of You by DeDe Wedekind, Houston, TX
Once Again by Jeff Moore, Dallas, TX
I WILL SING by Matt Stemme, Castaic, CA
It Could Be You by Robert Graham, Toronto, Can.
Love Lives On by DeDe Wedekind, Houston, TX
Praise You by Rick Babb, Dallas, TX
On the Breath of God by Len Seligman, Sarasota, FL
God is Too Big for Any One Religion by Len Seligman, Sarasota, FL

Richie Smith

Richie Smith

Hearts Wide Open by Michael Roth, Arlington, VA

CHRISTIAN/ INSPIRATIONAL AWARD

PERFORMANCE by COUNTRY SEMIFINALIST finalist Chris Michael (Sjostrom), Bedford, TX Wanted Man
He began singing and performing and developed his songwriting skills at a young age. A recent graduate of Dallas Baptist University with a degree in Music Business and an emphasis in songwriting, Chris has traveled across Texas and has performed shows, events, venues, clubs, bars, festivals and sororities. Many of his songs

Bobby Montgomery and Chris SJostrom

Bobby Montgomery and Chris SJostrom

and lyrics are embedded with Texas Culture and way of life in which he was raised,
DSA Executive Vice President, Bobby Montgomery, 2014 Songwriter of the Year, has been writing songs since he was a teenager. He says songwriting is a form of therapy and is his reason for writing. He has performed his songs at private parties, festivals, local venues and church. Recording his songs at JoMusik studios this past year, many have won the monthly critiques. Many thanks to Bobby for leading our fundraising drive and helping DSA stay afloat. He was Songwriter of the Year last year and is in the running for Song of the Year tonight. Thanks to Bobby for organizing our buffet tonight.

COUNTRY Semifinalists presented by Bobby Montgomery
Still Enough by Tim Sharp, Tomball, TX
Pills by Tim Sharp, Tomball, TX
I’m Singing My Heart Out by Charles Carter, Dallas, TX
Behind Bars by T Edwin Doss, Silver Spring, MD
90 Proof by Amy Abernathy, Canton, GA
Small Town Masquerade by Hayley McDaniel, Denton, TX
It Ain’t Half Bad by John Swantner, Bellville, TX
Wanted Man by Christopher Sjostrom, Bedford, TX
Coal Dust by Nitanee Paris, Jean-Pierre Williams, Clarence Lawson, Malibu, CA
Malibu, CA
Just Want My Baby Back by Rick Babb, Dallas, TX
COUNTRY AWARD

DSA President, Michael Brandenberger has been involved in music for over 40 years playing blues and jazz

James Pappas and the Christmas tree sculpture he made for the event.

James Pappas and the Christmas tree sculpture he made for the event.

guitar since his high school days in San Antonio.  His most recent band in Dallas was Big Daddy and the Swell-Tones who made the Hole In The Wall their home base up until its demise.  He only started writing songs several years ago but has had a few on local and internet radio stations.  The Dallas Songwriters Association has given him many opportunities to play his original songs at open mics plus the Deep Ellum Arts Festival, the Wildflower Festival and the House of Blues.
INSTRUMENTAL Semifinalists presented by Michael Brandenberger
Aural Therapy by Al Marcy, Downers Grove, IL
Analyze by Al Marcy, Downers Grove, IL
Russian Odyssey by Marc Tilson, Sacremento, CA
Enchanted Kingdom by Bill Wren, Port Aransas, TX
Recipe of Love by DeDe Wedekind, Houston, TX
Sell Me Out by DeDe Wedekind, Houston, TX
Shoot Out by Conrad Swartz, Vancouver, WA
Welcome Home by John Miltano, Miller Place, NY
INSTRUMENTAL AWARD

Jeff Palmer, Sean Layer, and Carlos Silva

Jeff Palmer, Sean Layer, and Carlos Silva

PERFORMANCE – Love semifinalist Sean Layer, vocals, keys, Carlos Silva, guitar, Plano, Tx
Under a Starlit Sky
Virginia born, Sean has lived in Iowa, England, and Texas. He is a multi instrumentalist who’s played both in orchestra and a rock band though out middle school and high school. His influences include Ed Sheeran, The Flipside, Marvin Gaye, and Passenger.

LOVE SONGS/ EASY LISTENING Semifinalists presented by Michael
Under a Starlit Sky by Sean Layer, Plano, TX
Let My Heart Take It From Here by Randy Overton, Waxahachie, TX
Sanctuary by Nitanee Paris Lawson, Rachelle Lynn Gislason, Malibu, CA
The Warmth of Your Love by Don Coyne, LA, CA
River of Memories by Charles Carter, Dallas, TX
Hate That I Love You by Deborah Gussin, Brian Bell, Luther Russell, LA, CA
Recipe of Love by DeDe Wedekind, Houston, TX
Let Me Love You by Mimi Balkey, Plano, TX
LOVE SONGS/ EASY LISTENING AWARD

PERFORMANCE – Novelty/Childrens semifinalist Ireland, Casteel, Grapevine, TX Eenie Meenie

Ireland Casteel

Ireland Casteel

Ireland is a local singer songwriter who, even at the young age of 15, is a storyteller at heart that effortlessly captivates listeners with lyrics that speak directly to the audience.  She started writing songs and playing guitar and ukulele at age 12 and has over 20 originals already under her belt!

NOVELTY / CHILDREN Semifinalists presented by Barbe
Today I’ll Marry My Friend by DeDe WedeKind, Houston, TX
Dreamland by Charles Carter, Dallas, Tx
The Christmas Song No One Knows by Renee Saffier, Andy Hill and Hard Rain, LA, CA
Chicken or Beer by T. Edwin Doss, Silver Spring, MD
Grow Up by Lauren Paley, Lauren Paley, Cedar Hill, Tx
Roly Poly With You by Rick Babb, Dallas, TX
Eenie Meenie by Ireland Casteel, Grapevine, TX
Cool To Be Kind by Randy Sauer, Hays, KS
What Would I Do by Randy Sauer, Hays, KS
NOVELTY / CHILDRENS AWARD

Harry Hewlett and Richie Smith

Harry Hewlett and Richie Smith

Harry Hewlett, Director of A&R, Co-Director of Song Contest, Harry grew up near Lubbock, Tx, and went to Texas Tech, where he sang and played guitar in the quintessential 1960’s 4-piece garage band, performing mostly for frat parties and HS dances. He began songwriting years later, while living in NYC, where he joined the Songwriters Guild and Nashville Songwriters AssocHe’s been writing and entertaining with his own songs and humor ever since. Now retired, he lives in Dallas, and has two CDs, World Class Dirty Old Man and Tahoka Daisy. He is currently serving as A/R Director on the DSA board of directors. We thank him tonight for providing the song cues of the winning songs.

POP/ROCK Semifinalists presented by Harry Hewlett
Break Me Open by Debra Gussin, Brian Bell, Luther Russell, LA, CA
Find Myself by Jonathan Ditto, Kona, Hawaii
For A Reason by Richie Smith, Richardson, TX
Insignificant Other by Andy Hill, Renee Safier and Hard Rain, LA, CA
I’m Alright by Jeff Moore, Baton Rouge, LA
I’m Looking at You by Clark Ford, Ames, IA

Harry Hewlett and Hayley McDaniel

Harry Hewlett and Hayley McDaniel

Leaning On Heaven by DeDe Wedekind, Houston TX
Mystery Girl by Andre Kerek, Miami, FL
Never Come by Sebastien Parentin, Strasbourg, Lorraine, France
Oh Jenny by Debra Gussin, Brian Bell, Nate Shaw,LA, CA
Ordinary Day by Susan Odella, Virginia, MN
Sell Me Out by DeDe Wedekind, Houston, TX
She’s A Pistol by Vicki Lee, Pine Bluff, AK
Sunrise by Pamela Olivia, Santa Clarita, CA
This Means War by Mary Jennings, Nashville, TN
Word Man by Stefanie Johnson, Allentown, PA
Dear Fear by Katie Riley, Poetry, TX
KIcks by Jacquelyn Schwartz, Dallas, TX
Lost by Jacquelyn Schwartz, Dallas, TX
Walk Away by Rick Babb, Dallas, TX
POP/ROCK AWARD

PERFORMANCE by Singer Songwriter semifinalist Haley McDaniel, Denton, Tx Aaron See, Guitar
Small Town Masquerade
Haley has taken the Texas Country Music Scene by storm since the release of her hit, “Small Town

Aaron See and Hayley McDaniel

Aaron See and Hayley McDaniel

Masquerade” and shows no sign of slowing! Her writing style is authentic, conversational and reminiscent of 90’s Traditional Country; When steel guitars and story-telling lyrics ruled the airwaves. Her Hosting gig for The ETX ROCKS Show Podcast and YouTube channel has even further solidified her as a truly influential VOICE in Texas! She has received numerous awards and accolades for her Songwriting. Please welcome Hayley McDaniel performing Small Town Masquerade.
SINGER SONGWRITER Semifinalists presented by Harry Hewlett
10 Feet Under by M’Lynn Musgrove, Dallas, TX
Cleansing Rain by Jared LoStracco, Nacogdoches, TX
Crash by M’Lynn Musgrove, Dallas, TX
Halleluyah Today by Denise Rosier, Lake Forest, CA
I’ll Be Coming Home Soon by Edwin T. Doss, Silver Springs, MD
Let My Heart Take It From Here by Randy Overton, Waxahachie, TX
Running Throuhg The New Brown Corn by Edwin T. Doss, Silver Springs, MD
Small Town Masquerade by Haley McDaniel, Denton, TX
Soft Place To Fall by Debra Gussin, Jonathan Bluth, LA, CA
Wilted Flower by Erin James, Nashville, TN
SINGER SONGWRITER AWARD presented by David Card

GRAND PRIZE WINNERS Anounced- presented by Barbe McMillen
Roy Elkins of Broadjam.com was our grand prize judge. You can read his detailed comments on the DSA website.
Explanation of the process.
All three winners in each category were placed in dropbox for our Grand Prize judge to listen to and pick the Grand Prize Winners. It is unknown to the judge how each song placed in it’s category. In the past we’ve had an HM win the grand prize. Also, he does not know who the songwriter and singer is. It’s very blind judging.

WINNER OF THE IPOD – Jeffery Moore, Baton Rouge, LA

LYRIC CONTEST WINNERS 2016
FALL 2015 Memories of the Future by David Byboth
WINTER In His Hands by Lauren Smith, Livermore, CA
SPRING Fences by Bill Kapac, Williamstown, PA
SUMMER  Addiction by Ireland Casteel, Grapevine, TX

Harry Hewlett, Mr. Troll, Rio King, Michael Brandenberger

Harry Hewlett, Mr. Troll, Rio King, Michael Brandenberger

PERFORMANCE by critique finalist Rio King, Plano, Tx Last Chance to Dance, Play Sump’n Like Dat & That Window Closes Fast
After early successes with his college rock and roll band, The Techniques out of Lubbock, and as a solo singer songwriter at Kerrville, Rio King has re-emerged from musical retirement. With deep affection for his native state, Rio has recently recorded his album, I’d Love To See Texas Again with Chris Gage of MoonHouse Studio in Austin to bring a great collection of original Texas Music. He is performing songs that were winners of the Best Songs of the Second Tuesday Meeting.
BEST SONGS OF THE 2016 SECOND TUESDAY MEETING

SONG OF THE YEAR presented by Harry Hewlett

Michael Brandenberger and Rio King

Michael Brandenberger and Rio King

Explanation of the process
Each month songs of members are critiqued at the 2nd Tuesday meeting. Winners each month are published in Songwriters Notes. At the end of each year, the songs are judged by industry pros and the Song of the Year is awarded to the songwriter whose song garnered the most points from the judges.
SONG OF THE YEAR FINALISTS
1 Time to Leave by Beth Murphy, Richardson, TX
2 My Pickup Truck She Never Lets Me Down by Charles Carter, Dallas, TX
3 Last Chance To Dance In Texas by Rio King, Plano, TX
4 I’m Singing My heart Out in Dallas Tonight by Charles Carter, Dallas, TX
5 Play Sump’n Like Dat by Rio King, Plano, TX
6 That Window Closes Fast by Rio King, Plano, TX
ANNOUNCEMENT OF WINNER

SONGWRITER OF THE YEAR presented by Michael Brandenberger
Explanation of the process.
The songwriter who has won the most Best Songs of the Meeting throughout the year becomes our songwriter of the year.

ANNOUNCEMENT OF WINNER

Thank You
Special thanks to Harry Hewlett for co-directing the contest, and providing the audio clips tonight.
Dan Roark, Cameron Roark and Dave Lewis of Sons of Hermann Hall for our live sound reinforcement, .
Bobby Montgomery for catering, fundraising and many other things.
Lisa Byrn, SOH Manager, Our Song Contest and Lyric Judges, Nancy Rynders
Ginger Stanoiu for setting up, Ken Duren for helping at the door
Michael Brandenberger for ramroding DSA through 2016

DSA Board of Directors 2016
President / Membership Director – Michael Brandenberger
Executive Vice President, Program Director, Fundraising – Bobby Montgomery
Newsletter, Song Contest, Admin – Barbe McMillen
Workshop, Showcases and Open Mics & Lyric Contest Director – Dan Roark
Treasurer – Dickey Johnson
A&R and Co-Director Song Contest – Harry Hewlett
Secretary – Ginger Stanoiu
Technical Director – Rachel Wilhelm
Marcus Belmore – Webmaster
At-Large: Joe Milton, James Pappas, Ken Duren, Steve Sullivan

Directors for 2017
Michael Brandenberger, Bobby Montgomery, Barbe McMillen, Harry Hewlett, Dicky Johnson, Ginger Stanoiu, Rachel Wilhelm, Steve Sullivan, Ken Duren, Dan Roark, Joe Milton, Marcus Belmore, James Pappas, Malini Shaw

2016 SONG CONTEST JUDGES
Grand Prize Judge : ROY ELKINS, CEO of Broadjam, Inc.

CATEGORY JUDGES
Americana: KENDRA TERRY, Booking manager of Uncle Calvin’s Coffee House.
Christian/Inspirational:  KIMBERLY INGRAM – Open Heart Musicals
Country: ROD PHELPS – VP Global Music Development, the American Music Channel
Children’s/Novelty :MONTY HARPER , award-winning children’s performer, and songwriter http://www.montyharper.com
Instrumental: TERRY HANKINS, premier jazz guitarist
Love Songs/Easy Listening : TONY HAKIM , Jazz performer and owner of the jazz venue, Kitchen Cafe.
Pop/Rock – Music Director KATHY FORSTE, KC Café Radio   http://www.kccaferadio.com
Singer Songwriter: DAVID CARD, Owner, Poor David’s Pub

SONG OF THE YEAR JUDGE
MR TROLL, Open mic host and doer of things at Poor David’s Pub

AMERICANA

1. Two Trains by Renee Saffier, Andy Hill and Hard Rain, LA, CA

2. Just Can’t Drown a Broken Heart by Jared LoStracco, Nacogdoches, TX

3. My Unsung Hero by DeDe Wedekind, Houston, TX

CHRISTIAN

1. Hearts Wide Open by Michael Roth, Arlington, VA

2. It Could Be You by Robert Graham, Toronto, Can.

3. Praise You by Rick Babb, Dallas, TX

COUNTRY

1. Still Enough by Tim Sharp, Tomball, TX

2. Pills by Tim Sharp, Tomball, TX

3. Wanted Man by Christopher Sjostrom, Bedford, TX

LOVE / EASY LISTENING

1. The Warmth of Your Love by Don Coyne, LA, CA

2. Let My Heart Take It From Here by Randy Overton, Waxahachie, TX

3. Sanctuary by Nitanee Paris Lawson, Rachelle Lynn Gislason, Malibu, CA

INSTRUMENTAL

1. Shoot Out by Conrad Swartz, Vancouver, WA

2. Aural Therapy by Al Marcy, Downers Grove, IL

3. Enchanted Kingdom by Bill Wren and Frank Ralls, Port Aransas, TX

NOVELTY / CHILDRENS

1. Grow Up by Lauren Paley, Lauren Paley, Cedar Hill, Tx (email)

2. Cool To Be Kind by Randy Sauer, Hays, KS (email)

3. The Christmas Song No One Knows by Renee Saffier, Andy Hill and Hard Rain, LA, CA

3. Roly Poly With You by Rick Babb, Dallas, TX

HM Eenie Meenie by Ireland Casteel, Grapevine, TX    (email)

HM Dreamland by Charles Carter, Dallas, Tx

POP

1. INSIGNIFICANT OTHER by Andy Hill, Renee Safier and Hard Rain, LA, CA

2. BREAK ME OPEN by Debra Gussin, Brian Bell, Luther Russell, LA, CA

3. SUNRISE by Pamela Olivia, Santa Clarita, CA

HM FOR A REASON by Richie Smith, Richardson, TX

SINGER SONGWRITER

1. SMALL TOWN MASQUERADE by Haley McDaniel, Denton, TX

2. CLEANSING RAIN by Jared LoStracco, Nacogdoches, TX

3. HALLELUYAH TODAY by Denise Rosier, Lake Forest, CA

HM SOFT PLACE TO FALL by Debra Gussin, Jonathan Bluth, LA, CA

GRAND PRIZE WINNERS

1. Enchanted Kingdom by Bill Wren and Frank Ralls, Port Aransas, TX

2. Just Can’t Drown a Broken Heart by Jared LoStracco, Nacogdoches, TX

3. CLEANSING RAIN by Jared LoStracco, Nacogdoches, TX

WINNER OF THE IPOD

Jeffery Moore, Baton Rouge, LA  His entry, This Love, #102 was drawn.

 

Here is the video for my song, What the Lord Intends (Sack Summer Hunger). The video was filmed and produced by Marcus Belmore. The song was produced by my son, Daniel “Conner” Roark. It is the bonus song on my new cd of live songs, Peace Be With You. Please subscribe to my YouTube channel while you’re there. Also, please like my Facebook music page.

Peace be with you.

foreign-figuresThe featured artist at the Poor David’s Pub open mic, hosted by Mr. Troll, on Monday, October 24 was a band from Utah called Foreign Figures. Separately the band is Eric Michels – Vocals, Steve Michels – Drums, Seth Dunshee- Bass, and Johnny Tanner – Guitar. Collectively, they are one kickass ball of sound. For a band that has only been together for two years, the four young men seem naturally tight.

The energy of the members of Foreign Figures seems to be boundless. One of the unique things about the band is that they all play percussion at different times. They have a tom-tom, a floor tom, and a snare drum outside of Steve’s trap set. There were times when Seth Dunshee and Johnny Tanner would play their respective drums. Eric as well.

On one particular song, Steve left his drum set, set the beat on the tom-tom, then Dunshee took over the beat. Steve moved the snare drum, set the beat, then his brother, Eric, took over. Next was the floor tom before Tanner took over the beat, then back to the trap set. What followed was a percussive explosion with a back beat. They took us just short of overwhelming and brought it back around to an explosive conclusion. I’ve always loved a good drum solo and this was a drum solo on steroids.

But it wasn’t all about percussion. Tanner played the guitar like the old familiar friend I’m sure it has been. Dunshee placed the bass notes foreign-figures-2between percussion, guitar, and piano seamlessly, emphasizing notes when necessary. Eric Michels sang and danced or moved around with seemingly reckless abandon that was actually very good timing and planning.

It was the band’s first gig in Texas. We showed them they were welcome. If you get the chance to see Foreign Figures, don’t pass it up. As I said earlier, for a band only together for two years, these young men are tight. And as Troll said when he posted a picture of himself and Samantha Saunders (Bar Manager) with the band – “these guys rocked it.”

Peace be with you.

ultimate-picksOn the weekend of the 15th, I was volunteering at the Dallas Songwriters Association booth at the Arlington Guitar Show. It was slower this year than it was last year – the booth and the guitar show. Bobby Montgomery and I were there for most of both days. Marcus Belmore helped out on Saturday with Harry Hewlett and Steve Sullivan helping out on Sunday.

There was plenty of time for each of us to wander around and see all the booths. As I tell people, if I bought another guitar I’d have to get divorce papers on the way home. So, while I look at the guitars while I’m walking around, I mainly concentrate on picks, capos, and accessories. I have impressive pick and capo collections.

Regardless of the collections, fortunately people are always coming up with something new. Despite the lower attendance, dsc08772there were more booths. At the same time, some of the regular booths weren’t there this year – V-Picks being one. So there wasn’t a whole lot of new booths. Then Gus Gustafson dropped by the DSA booth. He told me about the picks that he and Jim Cobb had created and told me to stop by his booth.

I stopped by the Ultimate Fingerpick booth at the first opportunity. I believe it was Gus’ brother, Bob, I talked to. He explained to me about dipping my fingers in water to get them to feel snug. The idea for them came from the making of prosthetics. With a couple of close friends with prosthetics, I was fascinated. And the picks – or “fingers,” as the case may be, felt comfortable.

I bought the show special which included two packages of two fingers (Ultimate Fingerpicks) and two one thumb packages (Pick Pocket Ultimate Thumb Pick). I liked the way the samples felt, and I was anxious to see how they worked. When my son, Cameron, and I got home, I tuned my guitar and put the picks on. The way the picks are on my fingers in the picture is not how I use them.

ultimate-fingerpickI wanted to illustrate the two ways you wear the fingerpicks. You can either wear them as extensions of your own fingernails or upside down – which is how I wear  them. You can also file the nails down to the shape you want. Gus said he takes his to the manicurist. If you’re picky (sorry), that would be the way to go. Particularly if you’re using them as extensions of your own fingernails – to keep the underside smooth. I use Cyndy’s bigass emery board. But it’s not easy or quick.

When you’re playing with them, they actually feel like your  fingers – as opposed to regular picks. With no chance of them falling, particularly the thumb pick. I used to finger pick with just my thumb and first finger because the fingerpick felt weird on my second finger and it just didn’t happen. When I was using these picks on Saturday night, it felt entirely natural and, of course, added to the sound. You can also use any regular shaped pick in the thumb pick. Just wet it a bit and slide it in. Wet your thumb before you put it on and it will slide on easier.

On Sunday at the Arlington Guitar Show, I went back by the booth. Bob was talking to a customer so I looked at the picks while they talked. I interjected that I had used them the night before and they worked great. Which I hope helped make the sale to the customer.

I tried them out in a live setting at the Poor David’s Pub open mic that next Monday, hosted by Mr. Troll. Overall, theyultimate-thumb-pick worked just fine, as expected. When I used the thumb pick as a regular pick – without the other two – it caught on the strings at times. But it was a blues tune, so it was more a matter of my not being used to them. As well as the fact that it was not designed for that. However, on one of my songs when I used the thumb pick alone on parts, it worked really well.

If you’re a guitar player and/or singer-songwriter, do your self a favor and try out these picks. The price is reasonable and it’s always fun to try new things. Who knows, it may even spark some creative juices to flowing and inspire a new song or style.

Peace be with you.

dan-at-swrfa-2016-bCatch up continues…This year’s edition of SWRFA in Austin began on Wednesday, September 28 with an open mic at Threadgill’s at night. Since I had the recording time at the Harman truck for the JBL contest at 4:30 p.m. (see previous post), I would not be able to get to Austin in time to sign up, so I couldn’t justify the extra night in the hotel. I arrived at the hotel on Thursday about 3:00 p.m. in time to check in, register, get my song prompt, and get ready for the dinner and open mic by the pool.

Berkalin Records provided the dinner and drinks – as they do each year. Butch Morgan hosted the open mic(s) – as he does each year. After the open mic was the official showcase alternates concert. Which were the performers who were finalists, but did not get chosen for the official showcases on Friday and Saturday night.

Friday began with the First Timers Advice – per usual, followed by various other breakout sessions. Lunch and dinner on Friday and Saturday, and the brunch on Sunday morning are covered in the quite reasonable registration price. One of the things always mentioned for first timers that everyone pretty much takes to heart is to sit at the meals with people you don’t know. So you meet new people and make new friends and contacts. It can be a little tough when you know a lot of the people there. So if we sit at a table and there happens to be someone we know, we simply put some people between us.

The first timer showcase(s) were from 1:30 to 3. Sponsored showcases were from 3:30 – 5:30 and

Baylis Laramore

Baylis Laramore

again from 10:30 p.m. until early in the morning. The DJ reception, welcoming party, and dinner, all preceded the official showcase concert from 7:30 to 10. Throughout the hotel there were spontaneous bursts of animated conversation and song circles until the wee hours.

Saturday was similar to Friday with the general exhibit area and various breakout sessions. The second pool party and open mic was held from 3:30 – 5:30, with Butch Morgan hosting. Followed by dinner and the second official showcase concert. Then more sponsored showcases, spontaneous outbursts, and song circles.

Sunday brought the brunch followed by the song assignment performances. If you will recall I said that I got my song prompt when I registered. The challenge is to write a song using the prompt during the weekend and play the resulting song on Sunday. As advertised, it’s one of the highlights of the weekend. This year 61 people sang the song they had written. Many were funny – you should have heard some of the prompts! Others were heart-reaching and thought-provoking. Especially with a group of sleep deprived individuals in the audience.

Bill Hook and Lynn McCracken

Bill Hook and Lynn McCracken

Good-byes were said throughout the morning as people from farther away had to leave. If it sounds like it was a whirlwind it was. A thoroughly enjoyable, powerful, musical whirlwind. Reuniting with friends, making new ones, learning about our craft and business, and hearing songs that inspire a songwriter to write other ones or just bring out emotions that need touching.

Dalis Allen and the volunteer staff did a marvelous job as always. Not to mention the hotel staff at the Holiday Inn Austin Midtown. Add to that a couple of hundred singer-songwriters and over fifty venue representatives, and for four days we were all one big happy, sleep deprived family. Join us next year. You will be welcome.

Peace be with you.

Dan at WildflowerI substituted for Mr. Troll at the Poor David’s Pub open mic last Monday night while he took care of personal business. Unlike other open mics I have hosted – including PDP open mic – Monday’s went relatively smoothly. One guy showed up after the show had started and wanted to sign up. But he wanted me to bump somebody from before the featured artist to after to accommodate him. Other than that though, it was a good show. It was as if we were doing it for Troll.

I opened the evening. I remembered to talk about the drink special, but I forgot to mention Carlos Sanchez on sound and to tell people to be sure to tip Leslie, the bartender. Shame on me. I told people about Carlos, just not on stage. Regardless, I played a good tight set. Mike Newkirk followed me. He performed well, despite having a sore throat previously. Jovani Flores played a good set, in his unassuming fashion.

Emma Walsh preceded the featured artist. As I said in my introduction, I have had the privilege of watching her grow in her musical career for the past few years. Her voice is mesmerizing, though it still has a ways to grow. She played a song she wrote about the shooting during the protest called I Said Hello to the Devil. It’s a nice song.

Sleepy Creek, the featured artist, took the stage next. I’ve been waiting to post for the names of the band members and haven’t heard back. I didn’t have a chance to write them down. But I do know that Joel Edgar Hill is the acoustic guitarist and lead singer. They are definitely a down home band. One of the songs I really liked was the song about cornbread and making it without sugar. A good time band with interesting stories to tell in a blues and Americana way.

Mike Freiley followed Sleepy Creek, then Wild Bill Skye before Darren Rozell played his three song set. Newcomers to the open mic, Travis Armes and Justin Kemp, both played a tight set. Gary Hurst and Tull Rea rounded out the evening. From first to last, it was an evening of good music. But that’s not uncommon at the Poor David’s Pub open mic. Just saying.

Peace be with you.

With Chris Martin

With Chris Martin

Cameron and I woke up early on Friday – although later than on Thursday – and stopped off for breakfast on our way to Music City Center. When we got to the exhibit hall, we visited the booths we had on our list that pertained to the church. It was going better than we thought it might. We found exactly the companies and services we had come to find out about.

We covered the majority of companies in the House of Worship area list in a little over an hour. We were walking out of the exhibit hall and we passed by the Martin Guitar booth. I noticed that Chris Martin, CEO, was at the booth. I waited until he was free, then said hi, shook his hand, and told him I’ve been playing Martin guitars for years. He thanked me and was kind enough to pose with me for a picture.

We found a seat in the hallway and went over the plan for the day. We decided it would be a shame to be across the street from the Country Music Hall of Fame Museum and not drop in for a visit. Actually, Cameron was planning to go and didn’t want to go by himself. Which I could understand. We had a couple of hours open before our next session anyway.

I was interested to see the “new” museum. I remember the original museum on music row from the ’70s. I

A piece of floor from the original Country Music Hall of Fame.

A piece of floor from the original Country Music Hall of Fame.

passed it all the time when I dropped songs off at music publishers who all had offices on music row. Some of the exhibits, I recognized. Particularly the older exhibits that haven’t changed. But there was plenty I hadn’t seen. If you visit Nashville and want to go to the Country Music HOF Museum, go during the week if you can. We drove by on Saturday and it was packed.

After the museum, we attended the sessions we needed to, including one on acoustical considerations for houses of worship and another on easy live recording (easy being relative). Then we headed back to the hotel and watched the Rangers game as we looked over information we had picked up from exhibitors.

Peace be with you.

Summer NAMM opening party.

Summer NAMM opening party.

I hope everyone had an enjoyable fourth of July weekend. I took the time to catch up on some things, like posts. My son, Cameron, and I went to Nashville a week ago to attend Summer NAMM. NAMM is the National Association of Music Merchants. They have Winter NAMM in LA and Summer NAMM in Nashville. They will have one in Russia soon.

The three events are where music merchants – and prospective music merchants – come to show their products to buyers representing companies country-wide (and worldwide in some cases). There are also companies that fall into the category of the House of Worship area. They cater to everyone, but houses of worship in particular. Which is why Cameron and I were there.

We were representing our church, Christ UMC in Farmers Branch. The church is making some changes and we were there for information pertaining to the potential remodeling of the sanctuary. The A/V team, in particular. But don’t get the idea that as a singer-songwriter I couldn’t glean some information and contacts for myself. And having fun at the same time never hurts.

Cameron and I left home at 6 a.m. Thursday morning. We wanted to arrive in time to check into the hotel before going to Music City Center. Hopefully, we’d have some time after picking up our badges to wander around before Charlie Daniels was to play for the opening party. He had been inducted into the Country Music Hall of Fame earlier in the day.

Which is exactly what we did and how it went. We had time to walk around the exhibit hall and get an idea where we needed to go on Friday morning. Then we went out on the terrace and tried to find shade and not move a lot waiting for things to begin at 6 p.m. The food and drinks were free. Fortunately, Cameron and I were near a food table.

When it was time, we got some fruits and pulled pork sliders. We went to another table later for grilled corn on the cob and other things. There were only a few choices for beer, but when it’s free you just suck it up. They had water as well so that helped.

Charlie Daniels came on while we were eating our sliders. I have yet to hear any outdoor concert sound that is not lacking. Then there is the fact that it was downtown and sound was also bouncing off of the surrounding buildings. We may not have been able to understand him when he talked, but we could hear him when he sang, and that is more important. I haven’t seen Charlie Daniels in thirty years and he still sounds the same. They played a great set. We went back to the hotel, watched the Rangers game, and called it a day.

Peace be with you.

Dan at WildflowerI was running late for the Wildflower Arts and Music Festival last Sunday. My scheduled time at the DSA booth by the Courtyard Stage was 4 – 6 p.m. I was to play at 5:30. At 2 p.m., I had to set up the sound for Cat McGee at Mercy Wine Bar where she would play a show at 7 p.m. Then I had to take my son to work. A friend, Raquel Lindemann, said she would cover for me at the booth until I got there. I finally found the yellow tag parking lot. It was in the blue parking garage – go figure.

I entered the festival and proceeded to look for the Courtyard Stage. It is easy to become disoriented in a sea of white booths. I was standing in an intersection of lines of white booths, deciding in which direction I should turn. Suddenly, a big bearded man grabbed me by the shoulders.

“Are you Dan Roark?”

“Yes,” I nodded, searching his face to figure out who he was.

“I’m John Welch. Do you remember me?”

“John, of course I do,” I replied, putting my guitar down to shake his hand. I recognized him from what little I could of his face around his eyes. There’s more than one reason I look people in the eyes when I talk to them.

To cut a rambling conversation short, he asked how we knew each other. It didn’t take but a minute to remember our mutual friend Jim Salerno, who played bongos with me for a few years. I told him I was playing at 5:30 and had to leave. He was still amazed we’d run into each other. We hadn’t seen each other for about thirty-five years. I still wasn’t where I was supposed to be. And it was getting later by the second.

I finally got good directions from someone. I was turning the corner to my left when someone grabbed my left arm. My mind was reeling at this point.

“Dan Roark?”

“Yes,” I nodded. It was getting to be a habit.

“Randy Box, remember me?”

“Absolutely, Randy, how are you doing?” I had recognized him instantly. We talked for just a minute. I told him I was playing at 5:30 and he also said he would try to come listen to me. We hadn’t seen each other in forty-two years.

I finally made it to the booth. I thanked Raquel, and took my place at the booth. Mr. Troll who

Mr. Troll

Mr. Troll

was scheduled to play at 5, started a little early because there was a lull in the lineup. I followed Troll and closed out the stage for 2016. The videos that Harry Hewlett – who also ran sound for the weekend – took of my show can be found on my youtube channel.

After I finished my set, Troll and I walked to the parking garage. I loaded up my guitar and bag and headed for Mercy Wine Bar. Cat’s show was great. The sound was better for her second set. It had been a long day and for some reason, I had trouble with her vocals. I reset everything between sets and it worked out okay. I say all that because, despite any problems I may have had with the sound, Cat’s performance was relatively flawless.

Cat McGee

Cat McGee

You can hear Cat and myself, along with John Mason, at the Sack Summer Hunger Concert on June 5th from 5-6:30 p.m. at Christ United Methodist Church in Farmers Branch. Tickets are $20 with $12 going directly to Metrocrest Social Services and the Sack Summer Hunger program. The SSH program distributes food to children who receive free or reduced lunches during the school year, but don’t get anything during the summer.

Peace be with you.