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??????????Thinking while driving is something of which I am excessively guilty. But it is completely legal. In fact, I wish more drivers were guilty of that. Unfortunately, they insist on doing everything they can to avoid actually paying attention to the road and the vehicles around them. Not to mention the drivers who consider traffic signs, such as “left lane for passing only,” mere suggestions and therefore they do not apply to them.

I drove to Nacogdoches last week to pick up our youngest son, J.D., from SFA. On the drive out there, I recalled a trip I made to Nashville in the late 70’s. Joel Nichols and I had just begun playing music together. Joel was going to school in Nashville and I moved out there while he finished his last year and we played music. I had to drive out to SFA and back on the same day. It wore me down. I remembered that Joel and I did not think anything about driving back and forth from Nashville – even though it’s a twelve hour drive.

The first time we drove to Nashville – Joel to return and I to move – I was following Joel in my Comet. My tailpipe had come loose and Joel rigged it with a piece of wire if I remember correctly. It was not too long into the drive before the tailpipe fell loose. Fortunately, the wire kept it from falling off completely.

I would signal Joel and pull over to the side of the road. He would pull over behind me. Then he would grab a towel he had in his car, run up, lay down under my car, shove the pipe back in and tighten the wire. I waited for Joel to get back in his car before we hit the road again.

I would be listening to my 8-track player and cruising right along. Eventually, the tailpipe would come loose again. I would turn the volume up as loud as I could. I would speed up, then slow down so I could hear the radio. When I could not stand the sound anymore, I would signal Joel. Then we would go through the process all over again.

At one point in the journey, we pulled over again as was becoming frequent. When Joel walked up to my car, he was grinning. I asked him what was funny. Joel had been listening to the CB radio in his car. I was driving the truck drivers crazy, speeding up and slowing down. I didn’t think it was so funny at the time. As far as I was concerned, I was doing what I had to do to hear the music.

We went through the process numerous times, but finally made it to Nashville. The reason we didn’t think anything about driving back and forth long distances was because we were young enough to not have anything to worry about but getting to where we were going. I was still concerned about getting where I was going when I was picking J.D. up, but I wasn’t nearly as relaxed as I was driving to Nashville that day. I enjoyed the solitary confinement in the car because it gave me time to think, but it also gave me time to think about problems and worry.

What is the point, you ask, besides just the story? And that is a legitimate question. I was wondering myself for a while. But I think I have the answer. Driving back and forth from Nacogdoches, I was thinking about what I could be doing and what I had to do. When I was driving back and forth from Nashville -as I said earlier – all I had to worry about was getting there and wondering what would happen when I got there.

Sometimes I wish the times could be like they were when Joel and I drove to Nashville. Then I wonder if anything has really changed. Then I think about what has changed. Then I think I might not really wish that at all. Then I get to where I’m going.

Peace be you.

Mark-Twain-Tonight-006-240x300 Cyndy and I had tickets to see Hal Holbrook’s “Mark Twain Tonight” performance at Bass Hall in Fort Worth last night. Unfortunately, we had to miss J.D.’s last game in the Fall baseball tournament at the Ballfields at Craig Ranch in McKinney. He plays on the Stephen F. Austin State University Baseball Club Team. They won the game Friday afternoon, but lost the two games Saturday, so they did not advance. But, with the exception of the game they won, the scores had only a one or two run differential. I was able to see the Friday game. Cyndy, Cameron, and I went to the 2 p.m. game yesterday in which he played more than in the other two games.

The game went a little past the time it was “supposed” to end, so Cyndy and I did not have time to eat before getting to Fort Worth. We parked in the free (on weekends and for Bass Hall events during the week) parking garage next door. This was the first time we have been to Bass Hall. We went to see Brewer and Shipley in a smaller building run by Bass Hall. Which was why I received the email from them during the summer offering a pre-sale ticket price to see Hal Holbrook at something like half-price. With that deal, I figured, what the hell, “go for the gusto,” and I got seats in the orchestra pit. I knew we were close to the stage, but having never been there, I did not know how close.

I showed the woman at the door our tickets so she could scan them. We had a little time so we just wandered around. We came upon a bar and got a couple of beers. A lady came up to us and asked if we wanted to order and pay for our drinks for intermission then and have them waiting at intermission, bypassing the lines. Well, yeah!

When we finished our beers, it was about time to head on into the hall. I asked an usher in the hallway where our tickets were.

“Oh, you’re in the second row. Right down this way.”

We walked to an entrance of the hall and asked if we were in the right place.

“Yes, you’re on the second row. You’re on the other side and you might want to go through the seats where no one is sitting yet to get across.”

Which is what we did. We got to the other side and found that our seats were indeed in the second row. At which time I took a picture of the stage ( since pictures were forbidden during the performance). I posted to Facebook saying I was waiting for the show to start from the second row.

Before the show began, an usher walked up and asked if she could see my tickets. I said “sure” and showed them to her. Then I turned them right side up so she could actually read them.

“You’re in the wrong seats. You’re up here.”

We were in row BBB, seats one and two. According to the seats across the aisle, we were on the right row. But our section was lacking row AAA. Our seats were on the front row! Granted it was only a row difference, but I didn’t know we were that close anyway, and how often do you get to say you were on the front row? And that was not the best part!

We have seen Hal Holbrook’s performance on television and I have wanted to see the show for years. As a writer, humorist, and songwriter myself, he and Mark Twain were two of my mentors, so to speak. Although to be honest, I don’t think either one of them ever wrote a song, but you get my point. Hal Holbrook is also a terrific actor – I like every role I have seen him play (maybe not the character he played, but the way he acted the part).

He did not disappoint us, even though we were not expecting him to. Holbrook’s performance was precisely as good as I was expecting. Being on the front row really, really helped. There were only a very few times when we could not understand a word or two – which was another bonus. I do not know about the people in the back of the hall.

This is the actor’s 60th year doing Mark Twain. I am here to tell you that he puts as much into his performance and loves being Mark Twain as much as he has since he conceived of the idea in 1954. At 89 years old this year, he added three new “numbers,” adding another hour to the repertoire of material. It said in the program that Holbrook will not tell a venue what numbers he will do because he does not want to be limited. He often decides what is next during the performance.

Holbrook made eye contact with us – and others on the front few rows. I have been told that I am a good audience. As a performer myself, I try to watch everyone I see perform as I would want them to watch me. I rarely look away and I look intently – did I say I was a writer?

Cyndy and I popped up when they turned the lights on for intermission. We went to the east side of the building and, sure enough, our beers were waiting for us. The second half of the show was as excellent as the first. When he came out during the applause, he made eye contact with us again. Which I must say was not only thrilling, but the perfect end to a fine performance and a pleasant, intimate evening. And we finally got to eat when we got home.

Peace be with you.

Picture of Willis Alan Ramsey from Wikipedia taken by Ron Baker.

Picture of Willis Alan Ramsey from Wikipedia taken by Ron Baker.

Cyndy and I had the good fortune to see Willis Alan Ramsey Thursday night at the Shipping and Receiving Bar in Ft. Worth. His wife, Alison Rogers Ramsey, opened for him. I saw him quite a few times in the ‘70s. One time in particular was at a club called Mother Blue’s on Lemmon Ave.

His throat was sore and he had a bottle of Chloraseptic on a stool with a glass of water. After each song or so, he would spray his throat with the Chloraseptic. About half way through the show, he appeared frustrated. After the next song, he looked at the audience, said “to hell with it,” unscrewed the top and chugged part of the bottle. He made it through the rest of the show.

Thursday night, Alison played as good a set as she could play with an injured knee and constant pain. She was quite funny and the audience was supportive since she was obviously plagued with pain. They both talked about the 900 mile drive from Colorado they had just endured – with a stop in Childress for auto repairs.

Then Willis Alan took the stage, with another round of applause for Alison.
He began with “Watermelon Man,” to the crowd’s delight. He played new songs and some of his classics, including Northeast Texas Women. He did not play “Muskrat Love.” Then again, no one in the audience expected – or even wanted – him to play it.

Ramsey did mention the song though. He said a teacher in college told him to write what he knew. At 19, he didn’t know anything. So he quit school to “go learn something.”

“I write songs about things I don’t know anything about. For instance, I didn’t know anything about Muskrats? Still don’t.”

Willis Alan talked about staying on Leon Russell’s land in Oklahoma soon after Russell had acquired it. It was while Russell and George Harrison, among others, were planning the Concert for Bangeladesh. Ramsey stayed in one of the small cabins on the lake – literally on the lake with a boat slip on the side – with his dog. At one point, he asked if anyone had a cough drop.

He took a short break, after which he returned to the stage to play a set of “mostly ballads.” The ballads included songs that were not on his first album, such as “Mockingbird,” “Desiree,” and “Boys Town.” Ramsey also played “Angel Eyes,” receiving a standing ovation, and ended with “Satin Sheets.”

Cyndy and I went to talk to Willis Alan and Alison where they were sitting on a couch. Cyndy had already talked to Alison when she went to the restroom. Alison had mentioned on stage that “in the ‘70s there was nothing to do in Dallas.” She went to Hockaday and Cyndy and I went to W. T. White which were not far apart, although not the same years.

“One of the only things to do in Dallas in the ‘70s was to hang out at the bowling alley at Preston Forest.”

“Oh my God,” Alison said. “I haven’t thought about that place in ages.”

When I got to the couch, Cyndy was talking to Alison again and introduced me to Alison. I told Willis Alan that I thought it was funny that he had asked for a cough drop, and I told him the story about the Chloraseptic incident. Alison got a kick out of the story. He looked at me with a knowing smile.

“I remember that, actually.”

Willis Alan Ramsey and Alison Rogers will be playing at Poor David’s Pub in Dallas on November 7 with Bob Livingston.

Hunting Catfish

Cyndy and the boys with fishIt is not a trick title . A friend of mine who is visiting in Tennessee at the moment was sitting in the house, minding his own business watching tv one evening. Suddenly, without warning, he heard shotgun bursts not far from the house. He was accustomed to his son-in-law firing shots into the woods and at trees to “calm down.” But the sounds did not emanate from one person.

My friend went out and discovered his son-in-law and compadres at the small pond. They had become irritated that the lone catfish in the pond had eluded capture. They were annoyed that the catfish was eating the smaller fish – which is a part of nature. They had worked themselves up to the point that they were shooting at this poor fish with shotguns. I cannot imagine that they did the smaller fish a whole lot of good themselves.

The friend said something I will not repeat here, but that seemed appropriate given the circumstances – and God’s tendency for forgiveness. It does seem rather excessive behavior to conceive of firing a shotgun at one catfish in a pond. Accidents do happen and people could be hurt. It is certainly a frame of mind that I would not entertain. And we will not mention the shooting at small animals with assault rifles.

(The picture is of Cyndy and the boys with fish they caught quite a few years ago. The fish were caught with fishing poles, not shotguns or AK-47’s.)

Peace be with you.

20140503_171118 One thing I noticed while working the Dallas Songwriters Association booth at the Dallas Guitar Show is something I notice most of the time when I visit a music store. Naturally, there are talented guitarists at the guitar show or store. The majority, I would think. But then there are the new guitarists who do not want anyone else in the store to know that they have not been playing very long or cannot play very well.

So they play the one riff they can play well from their favorite band. Unfortunately, that is the only cover tune riff they can do well enough to be heard in Guitar Center, Sam Ash, or any music store that sells guitars, as well as guitar shows. So, rather than risk embarrassment, they play that riff over and over. They change the settings each time so it sounds a little different and gives the impression that they are actually serious about buying a guitar. Which would work if they were not there three times a week and had never bought anything more than strings.

At guitar shows, these guitarists are the same, but incredibly louder. Particularly at booths selling amps that purport to be louder than all other amps. Then it is just painful. And it is made worse by their insistence in hearing themselves over all the other guitarists who are doing the same thing. That and the fact that, for some reason, the sound men for the various stages seem to feel that good sound is not as important as being heard in the next universe.

In the ‘70s and ‘80s, there was a dual lick. By that I mean that the lick I refer to was useful to guitarists and also those who wanted to “prove” they could play bass. That lick was from the song, Smoke On the Water, by Deep Purple. Whether you liked Deep Purple or not, you got tired of it quick – just because someone could play the riff did not mean they could do it well. These days, these irritating guitarists’ riffs span the scale of genres.

I was in a Guitar Center in the past week or so to pick up a couple of things. A guy was playing his favorite heavy metal riff. As the clerk was ringing up my purchase, the guy played it a couple more times, pausing for a few minutes between to change settings.

“I think you’ve got it down now,” I said outloud to the guy (who couldn’t hear me).

The clerk made a face that said he agreed with me.

“At least it wasn’t Smoke On the Water!” I said, and he laughed.

“Oh, he was in yesterday,” he replied.

It was my turn to laugh, but I was surprised that people still play that riff in public. I shouldn’t have been surprised, really. The song is still played on classic rock stations. And the riff is relatively simple to play. The funny thing, though, is that most people play it wrong. Which makes the pretense of displaying their talent all the more sad.

Peace be with you.

Dans article - Texas Beat 1995I was working at the Dallas Songwriters Association booth at the Dallas Guitar Show last weekend. Cameron, our middle son, was with me for a while on Saturday. Across from the booth was a display of all kinds of music stuff – literally. There was one box on the end of one of the tables that had a sign on the side reading “Vintage Texas Music Magazines.”

“I wonder if any of the magazines I wrote for are in that box?” I asked myself offhand, talking more to myself than Cameron.

But Cameron went over and looked. He didn’t check them all out, yet he found a couple of issues of Texas Beat with my column in it from 1995. That particular column – Music As You Read It (one of which is pictured) – was a music book review column. I had different columns over the years.

When Cameron found the magazines, I was surprised. I wasn’t surprised that he found them. Somewhere at home I have some myself. But what surprised me was that when I was writing for magazines over the years, I never considered that the magazines would be classified as “vintage.”

My friends, you have before you the writing of a vintage writer, songwriter, guitarist. Sadly enough, it simply means I have been around long enough for my writing, etc., to achieve the distinction of being vintage – or even part of vintage. Which, when you think about it, is actually a good thing. I’m just not used to being classified under the term. But if vintage means good enough to hang on to, I’m in.

Peace be with you.

Randy and the Big Shoe for Amputee Advocacy

Randy and the Big Shoe for Amputee Advocacy

I was in LA last week for the American Society of Composers, Authors, and Publishers (ASCAP) conference at the Loews Hollywood Hotel. I registered last November. A few months ago, Randy Mecca, an old friend and amputee, moved with Kelley and youngest daughter, Kaleigh, to Tennessee to stay with their oldest daughter and her family for an extended visit. Two weeks ago, Randy called from Tennessee. I knew he was trying out for America’s Got Talent, but I hadn’t heard anything since he did his amputee comedy for the Texas auditions.

When I answered the phone, he told me that he had made it to the LA auditions. He was telling me the dates when I stopped him mid-sentence. I asked him to repeat the dates. Which he did.

“Conner and I are going to be in LA on the 22nd!” I told him.

Randy was naturally surprised and said he would see about getting two more tickets. Kelley’s siblings live near LA and they were using the tickets he had been given. Which was okay. It was enough that we might be able to get together. It wasn’t until Monday, the 21st, when I was packing and finalizing plans, that it dawned on me that the Dolby Theatre attached to the hotel is the home of the Academy Awards. I began to wonder …

I sent Randy a text asking where the auditions were going to be held. Since he has spotty service in east Tennessee, the reply came a good while later. I’m sure you have figured out that he replied that it was the Dolby Theatre. Which we could not freaking believe. But as they say in the commercials – “but wait, there’s more.”

Conner and I should have arrived at the hotel about 1 p.m. But we got the Super Shuttle driver from hell. He took us through parts of Los Angeles that I could have skipped altogether. Places where I was praying he would not stop and open the door. And his sense of direction had taken an extended vacation. We passed within frisbee throwing distance of our hotel at least twice – or so it seemed.

We arrived just shortly after 2 p.m. The hotel had not received my request to change from a king to two queen beds. They had a room with the two beds, but it would not be ready until 4 p.m. So we went to look at the Musician’s Institute – the school Conner plans to attend – and get something to eat. When we got back to the hotel around 4, the room was ready. Wouldn’t you know that we were on the floor just below Randy and Kelley?

We went up to visit with them after the auditions were over. They were leaving early the next morning. What are the odds that Randy and I would end up in LA at the same time? What do you think? Have you ever had this type of experience happen to you?

Peace be with you.

Dan and Dirk Cyndy and I were in the folk club when we were in high school. It was where we first became friends, actually. As you would imagine, we played folk music, usually some of the most popular songs at the time. We would play at malls during the holidays and perform in an assembly for the entire school. We also held “coffee house” shows a couple of times a year. They were shows in one of the portable buildings in the evening so parents could attend.

The pictures are from my senior annual and is from one of the coffee houses. I am on the left and Dirk Hardy is on the right. The stage was a riser from the gym or the auditorium. When I thought about writing this post, I knew about the picture of me, but I didn’t remember that Dirk’s picture was next to mine. And this post is as much about him as it is me.

The song I was playing when the picture was taken was Okie from Muskogee, with a couple of alternate phrasings thrown in. The guitar was the one I bought with the insurance after our house burned. I may still have the shirt in a box somewhere. I know I wore it several years after Cyndy and I were married in ‘92.

When Dirk got up to do his song, he sat on the stool you can see to the right of him. He settled in the stool and leaned toward the mic. He started to talk, but, unfortunately, the back legs of the stool slipped off the back of the riser. The stool, Dirk, and his guitar fell off the stage – pretty much in that order.

Dirk was holding his guitar up above him until he figured out how to get up without scratching his guitar. When he got back up on the riser, he opted for standing up. The song he played was Sweet Misery. It happened so perfectly it seemed almost staged – even to me and I was in the show. But I knew Dirk wouldn’t take a chance on scratching his guitar on purpose.

I’ve never forgotten that incident – it is actually the only thing I remember about the evening. Except, of course, for the song I played. But the shows we did with the folk club taught me a few things about live shows.

When you are playing a live show, you have to see it as an adventure. “It’s all part of the show.” And you have to treat it that way. “Go with the flow,” as we used to say. There are always forgotten lyrics, missed licks, and stumbles. But if you act like it was part of the show, few people will remember.

While I said that the shows taught me a few things, I did not say they all sunk in at the time. I played shows for several years in which I would screw up a verse of a song and actually apologize to the audience when the song was over. Fortunately, I didn’t screw up too much, but I kept apologizing, until it finally dawned on me that the audience probably had no idea that I made a mistake.

If you don’t act like you screwed up a song, chances are the audience will never know it. Particularly if they have never heard the song. If they have heard the song, they’ll just think it’s your current spin on it.

Peace be with you.

scan0050 As I meet other creative types on reverbnation.com and other channels of social media, I often wonder at what point they felt they were meant to be or called to do whatever it is they do: write, paint, sing, play, or whatever the case may be.

My own story begins on the Friday before my senior year began on Monday. We had just had a new compressor installed for the air conditioner. I picked up my friend, Brian, and headed to Greenville Ave. to go to Milo Butterfingers. We had heard about Bowley and Wilson’s show and wanted to check it out.

The beer was the coldest I had ever had at the time and few times since. Bowley and Wilson was not my type of show, but they had other people playing in between sets who were more interesting to me. I was just glad that they could not see me from the stage because they made fun of everyone. I don’t remember staying all that long before we headed home, but it could have been a couple of hours. When we turned onto Snow White from Royal Lane, I saw smoke above the trees in the distance.

“That’s my house!”

Brian told me that we couldn’t tell from that distance which house it was. But I was sure it was my house. When we reached the end of my street, the police and firemen had the street blocked off and we had to park on the next street. We ran down the short street between the two in the middle of the block, relatively. When I turned the corner, the top of the house was in flames. My mom, my brother, Dennis, our dog Lady, some neighbors, and assorted onlookers were in the yard of the house across the street.

I asked mom what happened. She said that she and Dennis smelled the smoke, saw flames at the fuse box on the garage wall opposite the compressor, and got out of the house with Lady. I was standing there watching our house burn. I thought I knew which flames were coming from my guitars, but who really knows? I said something about my guitars and Brian tried to go up the firemen’s ladder to “save” my guitars. They had to hose him down and I concluded that he had a few more beers than I had. But I appreciated the effort, albeit misguided.

I heard someone watching the fire ask if anyone had any marshmallows. I did not take it well. I let them know that it was not at all funny and asked if they would think it was so funny if it was their house. Friends came over, calmed me down, and pulled me away.

After the fire.

After the fire.

My father returned from a trip about that time and had to walk up the street with his suitcase and suit bag when the taxi couldn’t get through on the street. After the fire was under control, so to speak, my parents and Dennis stayed with the couple next door. I stayed with a friend up the street.

In the days following the fire, we were going through the house, packing what was left that could go to storage. My mom, aunts, and grandmother were going through the kitchen – which was mostly intact – although the smoke had permeated what it could. Dad and my uncles were packing up the books which the firemen put on the couches they had shoved into the middle of the room and covered – during the fire. (A quick shout out to first responders!)

I was in the back yard looking at the pile of ashes that used to be my personal belongings. You would not believe how long a guitar string will stretch after it’s been through a raging inferno. Parts of items were left because the firemen had shoved everything out of my room into the yard before some of it burned completely. Talk about smoldering memories!

With older people around, I was trying to contain myself, but the tears came anyway. I felt better when I found my Neil Young songbook for the Harvest album, even though it was stiff, brittle, and burned around the edges. Then, when I spotted them, I was completely speechless. Okay, I wasn’t saying anything anyway, but if someone had said anything to me, I would have been speechless. It certainly took my breath away.

Earlier that day I had placed my stuff for school (which included a new notebook) on Monday in the center of this large table my uncle, Jack, made that I used as a desk – there was only one drawer. What I saw that took my breath away was what I had put in that notebook. There before me, burned around the edges but still intact and readable, was every poem and song I had written, except for the first page of the first song I wrote.

20140307_170525 With the exception of one book my grandmother on my mom’s side gave me and a high school annual, the poems and songs were the only thing I had left except the clothes on my back. Well, and my stereo, which I had in the bathroom so I could listen to music while I took a shower. In addition to the songs’ survival, my mother had loaned my first guitar to a friend for their son to learn to play – as you can see I still have it. I took that as a sign that writing and music was what I was meant to do. Granted, I was a teenager and thought that’s what I was meant to do anyway, but the “sign” sealed the deal. And, while it hasn’t been easy, I was right, it was a sign, and I’ve been writing ever since – whatever form life and the writing took.

Now it’s your turn. What’s your story? When did you know what you were meant to do? And I’m not asking just to get comments, clicks, or whatever. I really want to hear your story, because it’s worth hearing. And it might make a good song.

Peace be with you.