Tag Archive: Dallas


[Re-posted from DSA blog]
Bobby Montgomery at DSA BoothThe second special event of October was the DSA booth at the Arlington Guitar Show on Saturday, October 17, and Sunday, the 18th. Bobby Montgomery set up the table on Saturday – and worked all day both days, God bless him! I joined him shortly thereafter – after waiting in line to park. I helped with the booth until about 12:30.

I was watching the booth when Bobby stepped out for a bit. I looked at my phone and saw a notification from Facebook. It was one of those “what you were doing last year” posts that Facebook does, with a picture from a year ago. It was the picture I took of Bobby behind the booth last year at the guitar show. It looked similar to the picture above, but I think the table looked better this year.

After a couple of hours I had to leave in order to host the DSA Showcase at the Farmers Branch Manske Library. I don’t know if any volunteers showed up to help Bobby after I left. I didn’t have a chance to browse the booths before I left. I did do one thing, but that is a different post.

On Sunday, Bobby and I opened the booth again with a little help from my son, Cameron. Then I had the chance to wander around and drool at the guitars, amps, and accessories. Among the wandering and drooling, I stopped at the Guitars for Vets booth. I met George Jordan, head of the Dallas Chapter.

George told me how the program worked. They give each vet ten guitar lessons. If the vet completes all ten lessons and shows interest, they give him a guitar. When I told him I was with the Dallas Songwriters, he got excited. They were trying to come up with something, after giving the vet the guitar, to keep the interest and effectiveness going.

I told him the DSA would be happy to support them in any way we could. We have worked with many veterans over the years. If music and playing guitar can help them maintain, then surely songwriting would help. Without a doubt, they have stories to tell. For several years, Dallas Songwriters distributed a cd entitled Songs from the Soul of Service: A Collection of Songs written by U.S. Soldiers, Sailors, Airmen, and Marines. Surely telling those stories through song – or even spoken word over guitar – would be comforting in nature. I will be contacting George soon. Stay tuned for future development.

Dickey Johnson and Michael Brandenberger arrived at the booth before I left in time to get Cameron back home to go to work. We talked to quite a few people at the booth over the two days. We have two pages of names and emails to enter into the mailing list and into a drawing for a chance to win a free year’s membership. If you are on that list, you should receive an email from me before too long.

Keep writing the songs that are in your heart.

11064659_10152721017857172_5984720308632017596_n [Re-posted from DSA blog] October has been a busy month for Dallas Songwriters Association (DSA). There were several special events in addition to the regular weekly events (all of which went well). The first was a visit by Skype with Tirk Wilder at the 2nd Tuesday meeting at the Center for Community Cooperation. Board member, Ken Duren, invited Wilder to speak at the meeting and Tirk graciously accepted.

Once the technical difficulties – such as they were – were worked out and we could see him and he could see us, the presentation began. Ken introduced him by saying that they had been friends since the 70s. The two of them reminisced a bit before Wilder told the story about writing the theme song to Walker: Texas Ranger. During the meeting, he told several stories about songwriting and Nashville – some hilarious and some horrifying.

After answering questions from the attending group, Tirk critiqued three members’ songs. He had offered to do song critiques and they were the songs he was sent. He had each songwriter move to a chair in front of the computer so the two of them could talk face to face. Wilder had some very helpful suggestions for the songwriters. According to the three songwriters, Tirk was right on with his critique.

Wilder also recommended Broadjam for songwriters wanting to get an honest critique of their songs. Tirk himself is one of the pro reviewers listed on the site. Then it was time to wrap things up. After those in attendance expressed our thanks to him for visiting with us, the Skype connection was broken.

As the meeting wound down, Harry Hewlett said that Wilder was right about Broadjam. Harry had paid to have Tirk review his song. While it had taken some time – he’s a busy man – his review of Harry’s song was right on the mark as well. Not only is Tirk Wilder a good songwriter, but he is a very likeable person and tells a good verbal story as well. He even took time to go into another room and come back with one of the BMI awards for the “Eyes of the Ranger” to show us.

Stay tuned for the other special events….

Keep writing the songs that are in your heart.

[Peace be with you.]

Tracie MerchantOn almost every night of the week, an open mic can be found in the Dallas area and often more than one, sometimes several. Some of the open mics include spoken word, playing cover songs, etc. On the other hand, some may prefer original songs, but talented covers are usually allowed. The majority of open mic hosts are friendly and welcoming. Most open mics have their regulars, even if it’s just a few people that show up all the time.

A number of open mics and similar events are hosted by members of the Dallas Songwriters Association (DSA). There is a supportive songwriting community in the Dallas area, a good number of whom are members of DSA. Some of us have been writing songs for years. Some are younger and just getting started playing live at open mics. Quite a few members of the DSA perform at other open mics in addition to DSA events.

But it’s the community that I want to emphasize here. The songwriting and open mic communities are very supportive in every way a community can be. One good example is the open mic at Poor David’s Pub (PDP), hosted by Mr.Troll. It helps, of course, that it is one of best listening rooms in town, and Carlos Sanchez is one of the best sound men in town. Samantha Sanders is one of the best bartenders, too.

A good illustration of my point came about recently. On Monday, I arrived at PDP, ready to play in the open mic. I said hi to a couple of people from DSA at the bar. Troll asked me to step aside and talk to him privately. He needed to go home to take care of his dad, and asked me to guest host the open mic. Of course I said I would.

Troll played first, as usual. He played two songs, but we persuaded him to play a third song. Then he introduced me and slipped out, and I took over as host. On the list were regulars – some older, some newer. The featured artist was Tracie Merchant. I introduced her about 8:45. In the middle of her set, Tracie picked up her phone and began to make a call.

“Does everybody know my friend, Bill Nash?” Many of us did. Bill is a singer/songwriter with MS. He has been in the folk scene in Dallas for quite some time. He has come up with different tunings using capos and key changes to enable him to keep playing the guitar and writing songs. He had to leave SWRFA a little early due to health issues and within a week was in the hospital. He was hoping to get out of the hospital soon when Tracie called.

“We’re here at the open mic at Poor David’s Pub. We wanted to tell you something,” she said when Bill answered. She motioned to all of us and at the same time we said:

“Get well, Bill!” He asked her if we would do it again so he could record it. Which we gladly did.

During the evening a harmonica player was hanging around, hoping to join someone. Vince Alexander is from Atlanta and is here working at the State Fair. He was looking for a break from the fair to do what he loved the most – playing music. Toward the end of the evening he got his chance and stayed on stage to play with Tin Man Travis. Vince had the pleasantness on his face and in his upbeat and friendly attitude of one who is away from home in an unfamiliar place and finds a music community to be a part of (albeit temporarily).

See what I mean about community? And you’re all welcome – to play or listen. At any of the open mics or DSA events.

Peace be with you.

asglogo    I attended the Texas Songwriters Conference in Austin a couple of weeks ago. I’m just now getting caught up enough to post about it. The conference is put on by the Austin Songwriters Group (ASG), of which I am a member. I am also a member of Dallas Songwriters Association (DSA), where I am on the board as the lyric contest director and the showcase director. The two organizations have not, as of yet, had a joint event, but they support each others organization and mission in various ways.

I spend a lot of my time talking to people in one form or another (in person, on the phone, email), promoting myself or either organization. When I am promoting DSA, for example, I can “brag” a little more openly since I am referring to a group of people. When promoting myself, it’s necessary to be a little more subtle to straddle the fine line between promotion and braggadocio. As a result, some people don’t understand what I’m trying to say and have blank looks on their faces. Then there are the condescending “of course you’re a songwriter” looks.

So it was nice to – not only get out of town – but to spend a weekend with people who know what I’m talking about. People who are like-minded, accepting, and non-judgmental. At music and songwriting conferences there are always things I already know – since the conference is for all levels of experience. However, since things are changing constantly, it’s nice to know what has changed. As to the things that haven’t changed, I enjoy being assured that what I’m doing is what I should be doing.

I like hearing other songwriters, publishers, and other music industry people tell their stories, making me think “thank God I’m not alone.” That, I think, is the main purpose of any conference – making the attendees realize they are not alone. And the ASG did that. They are an accepting and supportive group (as is the DSA – just saying). It was all about the songs and careers of the songwriters. A few of the events and conversations I would like to share with you – and will – in upcoming posts.

Peace be with you.

Dan at Pig 'n' WhistleBefore I went to the ASCAP conference, I wanted to line up a place to play while I was in LA. While I was checking,  I found that it so happened that  the Pig ‘n’ Whistle on Hollywood Blvd., a block from the hotel, had an open mic on Tuesday night.  Not having any kind of following in LA – other than fans on Reverbnation and Facebook – setting up a solo gig would have proved difficult. So an open mic was my best bet.

But it was good fortune that it was an open mic in a historical building. The Pig ‘n’ Whistle was founded in 1927, next to the Egyptian Theatre where the premiers of movies were shown.  You can imagine the movie stars and celebrities that ate there.  The restaurant  has been restored to its original glory. What is called Backstage or the Back Room is down a hall to the back of the restaurant. There was a bar, but it was only used for parties and special events.

Backstage is a funky little room with an even funkier stage. Which is a good thing. Again, you can imagine the private parties held back there over the years. Cameron and I got there before they had everything set up. I was one of the first people on the list. I prefer to go on after a couple of people or acts to get a feel for the crowd. I shouldn’t have been concerned.

When it came time to start, everyone in the room had to pay $3. Which was new for me. If Dan Roark at Pig'n' Whistle 2there is any charge at an open mic in the Dallas area, it is a request for a drink minimum. But it was also Hollywood  Blvd. – you don’t want just anybody wandering in and hanging out.  The McDonald’s has a security guard and police patrols drop around regularly.

The crowd was made up of mostly performers, although there were a few people there to listen. When the show began, the MC asked for the hands of those who wanted to play. I hesitated, to see how  it went. About three people raised their hands. They were the first three to play – with the order corresponding to the raising of hands. The next time around I raised my hand and played in the second batch of performers.

Dan at Pig 'n' Whistle 3It was an eclectic group of people and performers, to say the least. A man who sang cover tunes a capella – in stops and starts at times.  A girl playing her songs on a ukulele, and not too shabbily. A comedian who apparently calls into the Howard Stern show and had jokes that I’m surprised Stern would appreciate. One of those there to listen was a guy made up like Will Farrell in Semi-Pro. He had been out on Hollywood Blvd. near Grauman’s Chinese Theater, posing for pictures for tips.

When I played my songs, I told them I was from Dallas out for the ASCAP conference, and introduced the songs as I always do. I felt like the veteran of the group. I received a good reception from the audience. We listened to a few more performers after I played – including a blues player with an interesting style – before we headed back to the hotel.

It was a great way to end the first day in LA. It’s a more authentic trip when you get to mingle with local people as a traveler and performer. And the journey had just begun.

Peace be with you.

Loews Hollywood Hotel

I had the pleasure of attending the ASCAP (American Society of Composers, Authors, and Publishers) conference in LA last week at the Loews Hollywood Hotel. Things are just now getting back to normal enough that I can post about the trip and the conference. Our middle son, Cameron, went with me. The conference began on Wednesday evening with badge pick-up and opening networking reception. Cameron and I flew out on American Airlines from DFW Tuesday morning so I could show him a few things and see some sights.

We were all in our seats and ready to go at the departure time of 9:05. I was enjoying the fact that I had walked my guitar on without any problem and it was safely resting in the overhead bin. The plane had been started. We’re all thinking “here we go” and getting ready, when the pilot comes on the speakers.

“ Ladies and gentlemen, we have some liquid on the side of the plane. It’s probably just fluid that leaked when it was filled up, but we called the mechanics and they’re here to check on it so hopefully we’ll be taking off shortly.”

After a very pregnant pause, he came back on to tell us we would be changing planes. After we had all left the plane, we were sent to another gate. After we got there – some of us anyway – it was not long before they found us another plane. However, this was a considerably smaller plane. Cameron and I thought that some people would not be able to get on the plane, but there were empty seats on the plane when we took off. Some people, I’m sure, made other arrangements if they had connecting flights in LA.

The flight left without any further delays or problems. When we arrived in LA, we were just about to come in on the runway when the pilot suddenly jerked the nose up and hit the gas. We shot up and then headed out over the ocean. It wasn’t my first flight there so I was pretty sure I knew what he was doing.

Then he made a hard banking left. People were beginning to wonder if he was going to take us into the water. But he finally got turned around and told us that the air traffic controllers had switched runways on us at the last minute and we were circling around to try to land again. Which we actually did, thank God. We arrived at LAX almost exactly two hours late.

Cameron and I had a reservation for our GO Shuttle two hours earlier, so it didn’t take long to get on a shuttle. After the obligatory run back around through the airport to check for more passengers, we were on our way to the hotel. We checked in at the hotel and put our stuff in the room. Then we went to get something to eat before I played at Pig ‘n’ Whistle on Hollywood Blvd….

Peace be with you.

 

20131103_132007I recently joined the Board of the Dallas Songwriters Association (DSA) after having been a member for several years. I am now the Lyric Contest Director, as well as helping out in other areas. I was given the entries to the recently completed contest (it is run quarterly). My job is to read all the lyrics and pass along to another member of the board the songs I think are worthy to be considered in the final judging. After reading the lyric contest entries, I have a few thoughts to pass along to those planning to enter a lyric/songwriting contest.

If you are just writing lyrics, find someone to write or play the melody. Make sure that it is a song, not just a poem. Granted, sometimes the line between the two is blurred. But even in those instances, one can tell the difference between a poem and song. Read it out loud.

If it sounds good to you, then have a few other people read your song. It is your choice to accept or reject suggestions or criticism. But if more than one person says the same thing, it would be prudent to follow their advice. If you read your song out loud and it sounds “sing-song-y,” you might want to work on it a little more.

At the very least – and I mean the very least – read your song several times before you submit your entry. Use spell checker and check the grammar. When I’m reading the song entries, I can forgive a misspelled word or single grammatical error. But if you misspell the same word in the chorus each time you type out the chorus, the song instantly goes in the rejection pile. It’s the same with the gramatical errors. If you are using slang purposely, or  are misspelling words to imitate an accent, use quotation marks. But make sure  it fits the song.

If you are going to take the time, make the effort, and spend the money, you might as well make it worth it. Present yourself and your song in as professional a manner as possible. A song should fit on one page, maybe one and a half. Certainly not more than two pages. You do not need to type out the chorus each time it occurs, if it is the same each time. Using 12 pt. type is quite sufficient – anything larger is unnecessary.

The first thing you should consider before submitting an entry is whether or not you have written an actual song. I do not have time to tell you how to write a song. There is so much already written on the subject, I do not need to. If you’re in the Dallas area, you could join the DSA and attend meetings. Every major city should have a songwriting association. Keep writing and learning as you go along.

Along the journey, when you decide to submit to a lyric or songwriting contest, you need to do four things. Make sure it is actually a decent song. Present yourself and your song professionally. Read it over carefully a couple of times before sending it. And follow the entry rules  to the letter.

Peace be with you.

Picture of Willis Alan Ramsey from Wikipedia taken by Ron Baker.

Picture of Willis Alan Ramsey from Wikipedia taken by Ron Baker.

Cyndy and I had the good fortune to see Willis Alan Ramsey Thursday night at the Shipping and Receiving Bar in Ft. Worth. His wife, Alison Rogers Ramsey, opened for him. I saw him quite a few times in the ‘70s. One time in particular was at a club called Mother Blue’s on Lemmon Ave.

His throat was sore and he had a bottle of Chloraseptic on a stool with a glass of water. After each song or so, he would spray his throat with the Chloraseptic. About half way through the show, he appeared frustrated. After the next song, he looked at the audience, said “to hell with it,” unscrewed the top and chugged part of the bottle. He made it through the rest of the show.

Thursday night, Alison played as good a set as she could play with an injured knee and constant pain. She was quite funny and the audience was supportive since she was obviously plagued with pain. They both talked about the 900 mile drive from Colorado they had just endured – with a stop in Childress for auto repairs.

Then Willis Alan took the stage, with another round of applause for Alison.
He began with “Watermelon Man,” to the crowd’s delight. He played new songs and some of his classics, including Northeast Texas Women. He did not play “Muskrat Love.” Then again, no one in the audience expected – or even wanted – him to play it.

Ramsey did mention the song though. He said a teacher in college told him to write what he knew. At 19, he didn’t know anything. So he quit school to “go learn something.”

“I write songs about things I don’t know anything about. For instance, I didn’t know anything about Muskrats? Still don’t.”

Willis Alan talked about staying on Leon Russell’s land in Oklahoma soon after Russell had acquired it. It was while Russell and George Harrison, among others, were planning the Concert for Bangeladesh. Ramsey stayed in one of the small cabins on the lake – literally on the lake with a boat slip on the side – with his dog. At one point, he asked if anyone had a cough drop.

He took a short break, after which he returned to the stage to play a set of “mostly ballads.” The ballads included songs that were not on his first album, such as “Mockingbird,” “Desiree,” and “Boys Town.” Ramsey also played “Angel Eyes,” receiving a standing ovation, and ended with “Satin Sheets.”

Cyndy and I went to talk to Willis Alan and Alison where they were sitting on a couch. Cyndy had already talked to Alison when she went to the restroom. Alison had mentioned on stage that “in the ‘70s there was nothing to do in Dallas.” She went to Hockaday and Cyndy and I went to W. T. White which were not far apart, although not the same years.

“One of the only things to do in Dallas in the ‘70s was to hang out at the bowling alley at Preston Forest.”

“Oh my God,” Alison said. “I haven’t thought about that place in ages.”

When I got to the couch, Cyndy was talking to Alison again and introduced me to Alison. I told Willis Alan that I thought it was funny that he had asked for a cough drop, and I told him the story about the Chloraseptic incident. Alison got a kick out of the story. He looked at me with a knowing smile.

“I remember that, actually.”

Willis Alan Ramsey and Alison Rogers will be playing at Poor David’s Pub in Dallas on November 7 with Bob Livingston.

Have you ever wondered while watching NCIS, The Closer, or any of the CSI shows, whether actual investigative units can really do some of the things they do on TV?

Duane Boy will answer that question during his presentation at the King Of Glory Lutheran Church as part of their GUSTO! series of events. Boy will speak at 10 a.m. on Tuesday morning, April 10. (Normally held on the second Monday of each month, the meeting will be held on Tuesday due to the Easter weekend.) Boy, a retired DPD police detective, will walk the audience through the process of investigation, from conducting the initial interviews to presenting the case to the district attorney.

Boy, a long-time member of King of Glory, spent 33 years with the Dallas Police Department, retiring in 2011. During that time he handled such diverse cases as the 1991 Asian restaurant robberies, the SMU water-hazing case, and the gang arrest that cleared up 71 home invasion robberies, three kidnappings and the attempted murder of a police officer—not to mention the recovery of Elvis Presley’s motorcycle jacket, which had been stolen from Graceland.His investigation and arrest of a huge-scale counterfeit-music group earned him a Gold Record from the Recording Industry Association of America.

Boy is a South Dakota native, Vietnam veteran, and graduate of Oklahoma State University with a degree in entomology. He worked as a marine biologist at Texas Instruments until 1977, when he was sidelined with a broken neck. Interestingly, that led to his joining the Dallas Police Department a year later. He served as a patrol officer and undercover operator until 1988, when he became an investigator. He worked property crimes for a few years before moving to robbery cases.

Boy will touch on such steps as processing the crime scene, collecting evidence, developing and interviewing suspects, and compiling the case for prosecution. He’ll also cover what you can do to help an investigation if you are a victim and what you can do to lessen your chances of becoming a victim.

Come at 9:45 a.m. for coffee and conversation, and join us for a reception following the  presentation. The GUSTO! program was created to provide interesting and enlightening experiences for the mature adult community, but all are welcome.

Peace be with you.

Forty-four percent of residents in Dallas/Fort Worth are New Americans—foreign-born and their children. Over 1 million immigrants moved to the metroplex during the past 10 years. They came from Europe, Asia, South America, Africa and, of course, Mexico and other Latin American countries. They speak 239 languages, and in 32 percent of the region’s homes English is not the language spoken.

Dallas’s strength lies in its diversity, according to Anne Marie Weiss-Armush, who will speak to GUSTO! on Monday, March 12, at 10 a.m. Weiss-Armush is founder and president of DFW International Community Alliance, an umbrella organization for 1,600 internationally themed groups across North Texas. Her presentation will bring the metroplex’s demographics into focus and reveal where these New Americans live and work and how they contribute to the community.

Through its web site, DFW International offers hundreds of links to global organizations and artists plus a calendar of 500 global cultural events each month. The organization also sponsors the annual Dallas International Festival and other special events and produces yearly demographic reports that give insight into the new global face of North Texas.

A Fulbright scholar to Mexico, a Spanish teacher, and an author of four books on Middle Eastern culture, Weiss-Armush lived 11 years in Saudi Arabia, where she lectured on Arabic culture for the national media. Her 20 years of work on behalf of North Texas refugees and immigrant communities have earned her numerous awards, including that of Dallas Peacemaker of the Year for 2003.

For more information or to see what’s going on in Dallas/Fort Worth’s multicultural and ethnic communities, visit the organization’s extensive web site, dfwinternational.org.

Come for coffee and conversation at 9:45 a.m. Everyone is welcome. More information about GUSTO! is at www.kingofglory.com/GUSTO.

NOTE: The follow-on activity, a tour of Dallas’s ethnic communities, has been rescheduled for Monday, April 23. Sign-up for the tour will begin at the April 10 GUSTO! meeting.

Peace be with you.