Tag Archive: music


Summer NAMM opening party.

Summer NAMM opening party.

I hope everyone had an enjoyable fourth of July weekend. I took the time to catch up on some things, like posts. My son, Cameron, and I went to Nashville a week ago to attend Summer NAMM. NAMM is the National Association of Music Merchants. They have Winter NAMM in LA and Summer NAMM in Nashville. They will have one in Russia soon.

The three events are where music merchants – and prospective music merchants – come to show their products to buyers representing companies country-wide (and worldwide in some cases). There are also companies that fall into the category of the House of Worship area. They cater to everyone, but houses of worship in particular. Which is why Cameron and I were there.

We were representing our church, Christ UMC in Farmers Branch. The church is making some changes and we were there for information pertaining to the potential remodeling of the sanctuary. The A/V team, in particular. But don’t get the idea that as a singer-songwriter I couldn’t glean some information and contacts for myself. And having fun at the same time never hurts.

Cameron and I left home at 6 a.m. Thursday morning. We wanted to arrive in time to check into the hotel before going to Music City Center. Hopefully, we’d have some time after picking up our badges to wander around before Charlie Daniels was to play for the opening party. He had been inducted into the Country Music Hall of Fame earlier in the day.

Which is exactly what we did and how it went. We had time to walk around the exhibit hall and get an idea where we needed to go on Friday morning. Then we went out on the terrace and tried to find shade and not move a lot waiting for things to begin at 6 p.m. The food and drinks were free. Fortunately, Cameron and I were near a food table.

When it was time, we got some fruits and pulled pork sliders. We went to another table later for grilled corn on the cob and other things. There were only a few choices for beer, but when it’s free you just suck it up. They had water as well so that helped.

Charlie Daniels came on while we were eating our sliders. I have yet to hear any outdoor concert sound that is not lacking. Then there is the fact that it was downtown and sound was also bouncing off of the surrounding buildings. We may not have been able to understand him when he talked, but we could hear him when he sang, and that is more important. I haven’t seen Charlie Daniels in thirty years and he still sounds the same. They played a great set. We went back to the hotel, watched the Rangers game, and called it a day.

Peace be with you.

Dan - Ukulele Open MicI played a ukulele open mic on Father’s Day at Los Jalapenos restaurant with the Dallas Ukulele Headquarters (DUH) Meetup community. It was my first time with the group. I didn’t know what it would be like to play with a room full of ukulele players. They are an accepting bunch. I made some new musical friends.

I had replied as soon as I received the invitation for the open mic, saying that I would like to play. I got to the restaurant at what I thought was an early time. Most of the group that was coming was already there. I ordered food and was fixing my tea when Mark Levine, organizer of DUH, announced that the open mic would start shortly with the Happy Hour Ukes group. After the group we would start with the open mic list.

Dan on ukulele and drummer
Which was when I first realized that the list was on a white board next to the stage. I got closer to see the list and found that I was first after the group. I got my ukulele out of the case and made sure it was tuned. The Happy Hour Ukes were pretty good. One of the guys was playing a ukulele bass. If you haven’t heard one before, it sounds like an upright bass. The drummer had a nice setup with a cajon and other percussion instruments. I’m blurry in the picture, but you can see his setup.

Being a complete newcomer, I was apprehensive about being the first one to play in the open mic. Open mics are nothing new, but most of the crowd could play ukulele better than me. However, I was pretty sure few of them had written songs. I was hoping that would help me be accepted by the ukulele crowd.

We were each to play two songs. I played the Aardvark Song – a song I wrote with my daughter when she was twelve. Then I played Love is The Thing – a song I wrote for the ukulele. Both songs seemed to go over well. But they really liked the Aardvark Song.

I returned to my table to applause, which is always nice. As I ate my food and listened to the other performers, I gradually became one of the group. Shared looks when laughing at jokes. People telling me they liked my song.

If you have a ukulele or ever thought about getting one, there are a lot of choices. But get it out of the closet or pick one up. Then join the Dallas Ukulele Headquarters Meetup Group. Download the songbooks from the files and go to town. If you’re a songwriter, it will give you another avenue to explore in writing songs. A new instrument also gets the writing juices flowing.

Then join us/them for events having ukulele jams. The places where they have their meetups always have good food. And these folks have a good time.

Peace be with you.

 

VBS BandI played in the Vacation Bible School (VBS) band week before last, and we wrapped it up at the 11 a.m. service on Sunday. Christ UMC in Farmers Branch is like most churches. We get packaged VBS kits, with scripts, ideas for decorations, crafts, and games, cds and corresponding music charts. Then we decorate the church ourselves and add our own unique touches. I don’t know about other churches, but we usually decorate most of the church – immersing the congregation in the concept.

This year it was Cave Quest VBS. The church became one big cave. My son, Cameron, built a cave in the sanctuary, replacing the pulpit, made of pvc pipe and other materials. VBS began on Sunday and ended on Thursday – with the wrap up on Sunday. It is a grueling VBS Caveweek for the volunteers, who have to show up early. It’s the same with the band, except that they might have a little more down time. Although practicing for half an hour before VBS (an hour and a half on the first Sunday), starting off at full tilt for an hour, then down time for an hour and a half before cranking it up again for half an hour can take it’s own toll.

I picked up the cd and charts a week early to run through the songs ahead of time. Just to avoid surprises when practice starts. There were not many surprises. VBS songs usually follow a pattern, which includes no slow songs. Oddly enough, there were two slower songs this year.

But my point is that the band plays these songs day after day for five days – six if you include the Sunday VBS Service. The theme song is played at least six times each night. Other key songs or catchier songs get played at least three times each night. The band shows up the Wednesday evening before to run through the songs we’ll play first – and the most in some cases. Then we arrive early on Sunday and each consecutive night to learn new songs.

Some of the songs are fun to play, so the repetition is not all that tough. But some of them get on your nerves night after night. Jokes and camaraderie help to keep it fun. Then some songs you just don’t like playing.

Regardless, I find that I develop an attachment to the songs. Less so the ones that got on my nerves, but an attachment nonetheless. After all, I spent two weeks with them. And when you play in a band, and the sound is  right, you hate for it to end. It’s like when you spent two weeks in camp when you were a teenager and you met friends that were very special during the camp, but then you never really saw them again (the songs, not the band members).

It needs to be mentioned that despite the grueling schedule, the repetition of the songs, and any problems that arose, there were fun times along the way. All the volunteers simply adjusted to sudden changes and did what needed to be done to carry on with VBS. Sunday school classes and Bible study groups brought light food for the volunteers each night. But above all, seeing the children happy and pumped, having fun and learning valuable life lessons, made the problems seem rather trivial.

Peace be with you.

 

 

Cat, Dan, and John 4Thanks to everyone who came out to see the Sack Summer Hunger Concert on Sunday at Christ United Methodist Church in Farmers Branch. We raised $98 for Sack Summer Hunger. It was a small, but enthusiastic, crowd, and they very much enjoyed the show. I don’t care for the word “awesome” because it’s so over-used. But when someone uses it to refer to my music, my friends’ music, and the show, it feels pretty good.

We played the show “in the round,” playing three rounds of two songs each, telling stories behind the songs. John Mason began the round, Cat McGee followed and I ended each round. We ended the show with the three of us playing Will the Circle Be Unbroken. I would like to thank John and Cat for coming out and playing in support of Sack Summer Hunger.

Thanks again to those who made it out. The list of those who wrote checks will be included in the report given to Metrocrest Social Services with the money raised.

Peace be with you.

Dan at WildflowerI was running late for the Wildflower Arts and Music Festival last Sunday. My scheduled time at the DSA booth by the Courtyard Stage was 4 – 6 p.m. I was to play at 5:30. At 2 p.m., I had to set up the sound for Cat McGee at Mercy Wine Bar where she would play a show at 7 p.m. Then I had to take my son to work. A friend, Raquel Lindemann, said she would cover for me at the booth until I got there. I finally found the yellow tag parking lot. It was in the blue parking garage – go figure.

I entered the festival and proceeded to look for the Courtyard Stage. It is easy to become disoriented in a sea of white booths. I was standing in an intersection of lines of white booths, deciding in which direction I should turn. Suddenly, a big bearded man grabbed me by the shoulders.

“Are you Dan Roark?”

“Yes,” I nodded, searching his face to figure out who he was.

“I’m John Welch. Do you remember me?”

“John, of course I do,” I replied, putting my guitar down to shake his hand. I recognized him from what little I could of his face around his eyes. There’s more than one reason I look people in the eyes when I talk to them.

To cut a rambling conversation short, he asked how we knew each other. It didn’t take but a minute to remember our mutual friend Jim Salerno, who played bongos with me for a few years. I told him I was playing at 5:30 and had to leave. He was still amazed we’d run into each other. We hadn’t seen each other for about thirty-five years. I still wasn’t where I was supposed to be. And it was getting later by the second.

I finally got good directions from someone. I was turning the corner to my left when someone grabbed my left arm. My mind was reeling at this point.

“Dan Roark?”

“Yes,” I nodded. It was getting to be a habit.

“Randy Box, remember me?”

“Absolutely, Randy, how are you doing?” I had recognized him instantly. We talked for just a minute. I told him I was playing at 5:30 and he also said he would try to come listen to me. We hadn’t seen each other in forty-two years.

I finally made it to the booth. I thanked Raquel, and took my place at the booth. Mr. Troll who

Mr. Troll

Mr. Troll

was scheduled to play at 5, started a little early because there was a lull in the lineup. I followed Troll and closed out the stage for 2016. The videos that Harry Hewlett – who also ran sound for the weekend – took of my show can be found on my youtube channel.

After I finished my set, Troll and I walked to the parking garage. I loaded up my guitar and bag and headed for Mercy Wine Bar. Cat’s show was great. The sound was better for her second set. It had been a long day and for some reason, I had trouble with her vocals. I reset everything between sets and it worked out okay. I say all that because, despite any problems I may have had with the sound, Cat’s performance was relatively flawless.

Cat McGee

Cat McGee

You can hear Cat and myself, along with John Mason, at the Sack Summer Hunger Concert on June 5th from 5-6:30 p.m. at Christ United Methodist Church in Farmers Branch. Tickets are $20 with $12 going directly to Metrocrest Social Services and the Sack Summer Hunger program. The SSH program distributes food to children who receive free or reduced lunches during the school year, but don’t get anything during the summer.

Peace be with you.

Pastor Cassie Wade introducing me

Pastor Cassie Wade introducing me

I would like to thank the congregation of Jacksboro FUMC for their gracious welcome, and their generosity with the love offering at my show. They invited Cyndy and I to worship with them at the service, and I sang Follow the Angels for the offertory and played on the two closing hymns. Following the service, Pastor Cassie Wade and her husband, Kelly, served lunch at the parsonage for the four of us, and Karlene Boucher, the Choir Director. We had a nice visit over a lunch of hamburgers and potato salad, with strawberries, angel food cake, and whipped cream for dessert.

Cyndy and I have known Cassie and Kelly for years. Among other things, it was a day of Dan Roark playing in worship service 1-31-'16interesting facts and occurrences. My family lived on Hollandale Avenue in Wichita Falls in the late ‘60s. It turns out that Karlene Boucher lives on Hollandale – and has for many years -although after we lived there. She drives down on Wednesdays and Sundays to Jacksboro.

But wait, there’s more. While we were in the worship service, our granddaughter, Kelley, was sitting with the Wade’s daughter, Amber, and her daughter (the Wade’s granddaughter – if you’re keeping score), at our home church, Christ UMC, Farmers Branch. Our son, Cameron, was keeping an eye on Kelley from the A/V booth. Interesting, is it not?

Dan Roark show at FUMC 1-31-'16 fMy show was from 3-4 p.m. The audience was very receptive and attentive. It made performing for them all that much more enjoyable. A number of them had very kind words after the show. I will share a video of some of the show when it’s complete.

Peace be with you.

West Texas Mammoths 1In a previous open mic tales post, I talked about the two guitarists of West Texas Mammoths. David Kapsner and Michael Jekot played an acoustic set that night. Michael sat in with me on my song, Chocolate Eclairs and Apple Fritters. Monday night I had the pleasure – as did all those in attendance at the Poor David’s Pub open mic, hosted by Mr. Troll, to see the whole band play. There was a decent crowd, there for both the band and the open mic.

The duo played a very good acoustic set the previous time. The full band played a fantastic set equally as impressive as the acoustic show, but on a different level. That level was set by the punch and drive of Tyler Rosa on bass and Joseph Noga on drums. The set began with Backwoods, and One More Beer, from their three song EP. And every band needs a beer song. Red Dress, and Moth to Flame, preceded Wasted Days, the third song from the EP. So Cold came next.

Pistol Point was the next to last song, but was easily the best song of the set. All of WTM’s songs are steady West Texas Mammoths 2driving songs with the nicely timed leads of Michael Jekot. Kapsner kept the rhythm in his own right as his vocals blended seamlessly into the songs. But, in Pistol Point, they pulled out all the stops. The band whipped into jam mode, with the two guitarists playing duel leads reminiscent of the Allman Brothers. Queen of Diamonds nicely wrapped up the set.

It is refreshing to hear a young rock band that is more into playing good music than outer trappings and a spastic stage show. They took control with the first song and never let go, with one song driving into the next. You have a chance to hear them for yourselves. They are playing at Trees tomorrow night with Bart Crow, Madison King, and Marcus Woolverton. Don’t miss the chance for a really good show.

Peace be with you.

1 Last Chance 1There were two featured artists at the Poor David’s Pub open mic on Monday night, January 11, hosted by Mr. Troll. Actually more like a featured artist and special guest. 1 Last Chance was the featured artist. The band, from Oxford, Mississippi, consists of Brandon McDaniel on lead guitar, Jacob Hampton on guitar, and Johnathan Ray on drums.

They call themselves a combination of punk, alternative, and progressive, rock. I detected a smattering of grunge as well. With Ray’s driving force on drums and Brandon’s rythmnic control on guitar, it was easy to forget there was no bass player. From one high intensity song to1 Last Chance 2 another, the intensity did not waiver throughout the set.

They played all three songs from their EP, This Nowhere – A Perfect Machine, Changes, and Devin. The EP was released in July of 2015. They ended the set with a punk version of (I’m not your) Steppin’ Stone that Mickey Dolenz of the Monkees would call “interesting.” 1 Last Chance is headed to Norman, Oklahoma, Amarillo, and Fort Stockton, Texas before heading back toward Mississippi. They are scouting potential studios for their next recording sessions while they are on the road.

Ghoulies 1The “special guest” was sound man Carlos Sanchez and the Ghoulies. They are a six piece band. I don’t have any names, other than Carlos. Hopefully, Troll will post in the comments with their names. They covered Eric Clapton and Texas Tornadoes, and did them well. At the end of the open mic, a few members of the Ghoulies joined Scott Thornton and Tin Man Travis for an all out jam.

Peace be with you.

Space Gringos 2The first open mic tales post of the new year is about the featured artist at the last open mic at Poor David’s Pub – hosted by Mr. Troll – of 2015. The featured artist was Space Gringos. Troll wrote a post about them being the featured artist, but their music is not online – yet, read on. So I had no idea what to expect.

Troll kicked off the open mic, as usual. Three other songwriters played their songs. Then Space Gringos set up on stage. The serious electronic drum set that Tim Moffet was setting up made me wonder what type of music we were about to hear. Then his brother, Dan, set up their personal monitors and broke out his AX-Synth Synthesizer and looper which took my thoughts of what we were about to hear in a totally new direction.                                                                                                                          Space Gringos

When they kicked off their set, there was a familiarity with some of their music I couldn’t place. Then either Tin Man Travis or Troll said the synthesizer reminded him of Edgar Winter. Which explained the familiarity I felt. Except that the keyboard, then synthesizer, that Winter first played was much bigger and bulkier than the sleek AX-Synth.

Space Gringos is an apt name. With the driving beat of Tim’s drums, and Dan’s synthesizer and looping finesse, the result is full sounding in-your-face rock –  with a liberal dose of otherworldly quality reminiscent of not only Edgar Winter, but some of David Bowie’s work. Which you will be able to hear soon – I told you to read on – their album will be on CD Baby soon. In the meantime, you can find them on Facebook and Bandmix. Be sure to catch their show when you can.

Peace be with you.