Tag Archive: songs


Dan - Ukulele Open MicI played a ukulele open mic on Father’s Day at Los Jalapenos restaurant with the Dallas Ukulele Headquarters (DUH) Meetup community. It was my first time with the group. I didn’t know what it would be like to play with a room full of ukulele players. They are an accepting bunch. I made some new musical friends.

I had replied as soon as I received the invitation for the open mic, saying that I would like to play. I got to the restaurant at what I thought was an early time. Most of the group that was coming was already there. I ordered food and was fixing my tea when Mark Levine, organizer of DUH, announced that the open mic would start shortly with the Happy Hour Ukes group. After the group we would start with the open mic list.

Dan on ukulele and drummer
Which was when I first realized that the list was on a white board next to the stage. I got closer to see the list and found that I was first after the group. I got my ukulele out of the case and made sure it was tuned. The Happy Hour Ukes were pretty good. One of the guys was playing a ukulele bass. If you haven’t heard one before, it sounds like an upright bass. The drummer had a nice setup with a cajon and other percussion instruments. I’m blurry in the picture, but you can see his setup.

Being a complete newcomer, I was apprehensive about being the first one to play in the open mic. Open mics are nothing new, but most of the crowd could play ukulele better than me. However, I was pretty sure few of them had written songs. I was hoping that would help me be accepted by the ukulele crowd.

We were each to play two songs. I played the Aardvark Song – a song I wrote with my daughter when she was twelve. Then I played Love is The Thing – a song I wrote for the ukulele. Both songs seemed to go over well. But they really liked the Aardvark Song.

I returned to my table to applause, which is always nice. As I ate my food and listened to the other performers, I gradually became one of the group. Shared looks when laughing at jokes. People telling me they liked my song.

If you have a ukulele or ever thought about getting one, there are a lot of choices. But get it out of the closet or pick one up. Then join the Dallas Ukulele Headquarters Meetup Group. Download the songbooks from the files and go to town. If you’re a songwriter, it will give you another avenue to explore in writing songs. A new instrument also gets the writing juices flowing.

Then join us/them for events having ukulele jams. The places where they have their meetups always have good food. And these folks have a good time.

Peace be with you.

 

VBS BandI played in the Vacation Bible School (VBS) band week before last, and we wrapped it up at the 11 a.m. service on Sunday. Christ UMC in Farmers Branch is like most churches. We get packaged VBS kits, with scripts, ideas for decorations, crafts, and games, cds and corresponding music charts. Then we decorate the church ourselves and add our own unique touches. I don’t know about other churches, but we usually decorate most of the church – immersing the congregation in the concept.

This year it was Cave Quest VBS. The church became one big cave. My son, Cameron, built a cave in the sanctuary, replacing the pulpit, made of pvc pipe and other materials. VBS began on Sunday and ended on Thursday – with the wrap up on Sunday. It is a grueling VBS Caveweek for the volunteers, who have to show up early. It’s the same with the band, except that they might have a little more down time. Although practicing for half an hour before VBS (an hour and a half on the first Sunday), starting off at full tilt for an hour, then down time for an hour and a half before cranking it up again for half an hour can take it’s own toll.

I picked up the cd and charts a week early to run through the songs ahead of time. Just to avoid surprises when practice starts. There were not many surprises. VBS songs usually follow a pattern, which includes no slow songs. Oddly enough, there were two slower songs this year.

But my point is that the band plays these songs day after day for five days – six if you include the Sunday VBS Service. The theme song is played at least six times each night. Other key songs or catchier songs get played at least three times each night. The band shows up the Wednesday evening before to run through the songs we’ll play first – and the most in some cases. Then we arrive early on Sunday and each consecutive night to learn new songs.

Some of the songs are fun to play, so the repetition is not all that tough. But some of them get on your nerves night after night. Jokes and camaraderie help to keep it fun. Then some songs you just don’t like playing.

Regardless, I find that I develop an attachment to the songs. Less so the ones that got on my nerves, but an attachment nonetheless. After all, I spent two weeks with them. And when you play in a band, and the sound is  right, you hate for it to end. It’s like when you spent two weeks in camp when you were a teenager and you met friends that were very special during the camp, but then you never really saw them again (the songs, not the band members).

It needs to be mentioned that despite the grueling schedule, the repetition of the songs, and any problems that arose, there were fun times along the way. All the volunteers simply adjusted to sudden changes and did what needed to be done to carry on with VBS. Sunday school classes and Bible study groups brought light food for the volunteers each night. But above all, seeing the children happy and pumped, having fun and learning valuable life lessons, made the problems seem rather trivial.

Peace be with you.

 

 

Cat, Dan, and John 4Thanks to everyone who came out to see the Sack Summer Hunger Concert on Sunday at Christ United Methodist Church in Farmers Branch. We raised $98 for Sack Summer Hunger. It was a small, but enthusiastic, crowd, and they very much enjoyed the show. I don’t care for the word “awesome” because it’s so over-used. But when someone uses it to refer to my music, my friends’ music, and the show, it feels pretty good.

We played the show “in the round,” playing three rounds of two songs each, telling stories behind the songs. John Mason began the round, Cat McGee followed and I ended each round. We ended the show with the three of us playing Will the Circle Be Unbroken. I would like to thank John and Cat for coming out and playing in support of Sack Summer Hunger.

Thanks again to those who made it out. The list of those who wrote checks will be included in the report given to Metrocrest Social Services with the money raised.

Peace be with you.

Carlos and Dan Monday, November 30th, at Poor David’s Pub, was not only the regular open mic, but a birthday party for the sound man, Carlos Sanchez. Even though his birthday was actually on Sunday. Open mic started a little late, giving some of the band members time to get there and set up. There was to be a featured artist, Daze of the Moon at 8:30, with Carlos and the Ghoulies playing at 9.

The open mic started about 8 – rather than the customary 7:30 – with the host, Mr. Troll. He played two songs, one of which was Cry. It is my favorite of Troll’s songs. Cyndy made a point of telling Troll how much she liked the song – not knowing it was my favorite.

Troll then introduced PDP owner, David Card,

David Card

David Card

who played a song for Carlos. He had just finished the song a couple of hours earlier. It was a humorous, as well as touching, tribute to Carlos. Craig Langford played next. Craig is a good songwriter with a unique voice. Follow the link to hear his music or check out his music on iTunes.

I followed Craig. Before I played my two songs, I ask Carlos up to the stage. As Showcase Director for the Dallas Songwriters Association, I presented Carlos with the inaugural DSA Sound Man of the Year Trophy for his sound work on the DSA quarterly showcase/fundraisers and his work in general. Carlos recorded the shows and gave them to us on cds. He is easily one of the best sound men in Dallas.
Dan Roark 1
One of the songs I played was a new song I wrote with Carlos in mind, called the Sound Man. When Daze of the Moon finally came on they played a tight, rocking set. They call their music alternative rock, but it simply sounded like rock and roll to me. And that’s a good thing. Carlos and the Ghoulies jammed the house down, with open mic continuing after they left the stage.

It was a great night of music to celebrate Carlos Sanchez’s birthday. And his sound work. Congratulations to Carlos – DSA Sound Man of the Year!

Peace be with you.

IMG_1710[Re-post from DSA blog] Larry Beaird presented his “Arranging the Hit” songwriting workshop on Saturday, October 24 at the Kitchen Café. The workshop was held from noon – 4 p.m. The start was delayed for several minutes – through no fault of Larry’s. The restaurant offered a limited lunch menu for the workshop attendees. Quite a few people took advantage of the lunch offerings. The waitress, Maria, took care of business well, while taking care not to disturb the workshop.

When he began his presentation, he introduced himself while passing out entry forms for a drawing to win a $625 demo session at his Beaird Music Group recording studio in Nashville. He charted the number one country songs for the past two years. He used standards such as the Nashville number system, and the length of time between certain components of each song, as well as the structure of those components.

It was apparent at times, from the questions, that some of the songwriters in the room were concerned about their songs. Beaird was careful to point out several times that he was just talking about songs that had reached number one on the charts.

“Write your songs for you. I’m not telling you how to write your songs. I’m just talking about number one hits. There are aIMG_1711 lot of good songs out there. They just don’t make number one for whatever reason.”

I hesitate to give too much away out of respect to Larry and those in attendance. But I will let you in on a couple of key points. Every line of a song should point to the title. And the title should be in the last line of the chorus and the last line of the song.

Larry Beaird and DSA President, Michael Brandenberger

Larry Beaird and DSA President, Michael Brandenberger

Beaird spent the last hour of the workshop critiquing the songs that he had received beforehand. After locating the songwriter, he played the song, after which everyone applauded. Larry then critiqued the song, while also telling the songwriter what he liked. He made suggestions as to what they could do to improve the song. His suggestions were very good and well received.

The workshop went past 4 p.m. with people excited about the subject of songwriting. Question after question was asked. And answered fully by Larry. An enjoyable, successful day was had by everyone in attendance, with good food, good conversation, and an informative songwriting workshop. The workshop participants and DSA want to thank Larry for coming to Dallas to present his workshop for us. We will announce the winner of the drawing for the demo session when Larry lets us know.

Keep writing the songs that are in your heart.

Tracie MerchantOn almost every night of the week, an open mic can be found in the Dallas area and often more than one, sometimes several. Some of the open mics include spoken word, playing cover songs, etc. On the other hand, some may prefer original songs, but talented covers are usually allowed. The majority of open mic hosts are friendly and welcoming. Most open mics have their regulars, even if it’s just a few people that show up all the time.

A number of open mics and similar events are hosted by members of the Dallas Songwriters Association (DSA). There is a supportive songwriting community in the Dallas area, a good number of whom are members of DSA. Some of us have been writing songs for years. Some are younger and just getting started playing live at open mics. Quite a few members of the DSA perform at other open mics in addition to DSA events.

But it’s the community that I want to emphasize here. The songwriting and open mic communities are very supportive in every way a community can be. One good example is the open mic at Poor David’s Pub (PDP), hosted by Mr.Troll. It helps, of course, that it is one of best listening rooms in town, and Carlos Sanchez is one of the best sound men in town. Samantha Sanders is one of the best bartenders, too.

A good illustration of my point came about recently. On Monday, I arrived at PDP, ready to play in the open mic. I said hi to a couple of people from DSA at the bar. Troll asked me to step aside and talk to him privately. He needed to go home to take care of his dad, and asked me to guest host the open mic. Of course I said I would.

Troll played first, as usual. He played two songs, but we persuaded him to play a third song. Then he introduced me and slipped out, and I took over as host. On the list were regulars – some older, some newer. The featured artist was Tracie Merchant. I introduced her about 8:45. In the middle of her set, Tracie picked up her phone and began to make a call.

“Does everybody know my friend, Bill Nash?” Many of us did. Bill is a singer/songwriter with MS. He has been in the folk scene in Dallas for quite some time. He has come up with different tunings using capos and key changes to enable him to keep playing the guitar and writing songs. He had to leave SWRFA a little early due to health issues and within a week was in the hospital. He was hoping to get out of the hospital soon when Tracie called.

“We’re here at the open mic at Poor David’s Pub. We wanted to tell you something,” she said when Bill answered. She motioned to all of us and at the same time we said:

“Get well, Bill!” He asked her if we would do it again so he could record it. Which we gladly did.

During the evening a harmonica player was hanging around, hoping to join someone. Vince Alexander is from Atlanta and is here working at the State Fair. He was looking for a break from the fair to do what he loved the most – playing music. Toward the end of the evening he got his chance and stayed on stage to play with Tin Man Travis. Vince had the pleasantness on his face and in his upbeat and friendly attitude of one who is away from home in an unfamiliar place and finds a music community to be a part of (albeit temporarily).

See what I mean about community? And you’re all welcome – to play or listen. At any of the open mics or DSA events.

Peace be with you.

The Hammond Organ

Hammond Organ

Cyndy and I went over to my Aunt Marie’s house a couple of weeks ago to help Dad take care of her possessions. Dad told us that anything we wanted for sentimental reasons and were going to keep, we could have. There was nothing I could think of that I actually wanted. I knew there were a few types of things I would like to keep just because they were hers. But I knew I would “know it when I see it.”

After my father first told me we were going to have to move Marie to an assisted living facility, I began thinking about the past – see previous post. When I was in junior high (not middle school – just saying) and high school, we would alternate between our house, Marie and Pick’s, or Jack and Juanita’s. When we were at Marie and Pick’s, it wasn’t long before I would start messing with her organ. She would come over and sit by me and help me play something that didn’t sound like zoo animals on the warpath.

But I thought the organ was really cool. The adults would be having a conversation that I was not invited to join. I would just sit at the organ and move the slides around and step on the pedals like I knew what I was doing. When Marie had the chance, she would slide onto the bench beside me and teach me a little something about playing the organ – before having to return to hostess duties.

Cyndy and I arrived at Marie’s where Dad was working to clear things out. We walked around the house. Some of the kitchen stuff we wanted. I spent time putting aside things we can sell online and make money for ourselves and the estate. Marie had so much that it was a little overwhelming.

I walked into another room and was rendered speechless. Against the wall was Marie’s Hammond organ.

“I’ll be damned,” I said out loud to myself, “she still has it.”

The organ is now in our living room. It needs a serious “tune-up,” as it were. I look forward to being able to play the organ (a little). Until then, I look forward to seeing her and playing my songs for her again – even though she may not recognize me.

Peace be with you.

Dan and Dirk Cyndy and I were in the folk club when we were in high school. It was where we first became friends, actually. As you would imagine, we played folk music, usually some of the most popular songs at the time. We would play at malls during the holidays and perform in an assembly for the entire school. We also held “coffee house” shows a couple of times a year. They were shows in one of the portable buildings in the evening so parents could attend.

The pictures are from my senior annual and is from one of the coffee houses. I am on the left and Dirk Hardy is on the right. The stage was a riser from the gym or the auditorium. When I thought about writing this post, I knew about the picture of me, but I didn’t remember that Dirk’s picture was next to mine. And this post is as much about him as it is me.

The song I was playing when the picture was taken was Okie from Muskogee, with a couple of alternate phrasings thrown in. The guitar was the one I bought with the insurance after our house burned. I may still have the shirt in a box somewhere. I know I wore it several years after Cyndy and I were married in ‘92.

When Dirk got up to do his song, he sat on the stool you can see to the right of him. He settled in the stool and leaned toward the mic. He started to talk, but, unfortunately, the back legs of the stool slipped off the back of the riser. The stool, Dirk, and his guitar fell off the stage – pretty much in that order.

Dirk was holding his guitar up above him until he figured out how to get up without scratching his guitar. When he got back up on the riser, he opted for standing up. The song he played was Sweet Misery. It happened so perfectly it seemed almost staged – even to me and I was in the show. But I knew Dirk wouldn’t take a chance on scratching his guitar on purpose.

I’ve never forgotten that incident – it is actually the only thing I remember about the evening. Except, of course, for the song I played. But the shows we did with the folk club taught me a few things about live shows.

When you are playing a live show, you have to see it as an adventure. “It’s all part of the show.” And you have to treat it that way. “Go with the flow,” as we used to say. There are always forgotten lyrics, missed licks, and stumbles. But if you act like it was part of the show, few people will remember.

While I said that the shows taught me a few things, I did not say they all sunk in at the time. I played shows for several years in which I would screw up a verse of a song and actually apologize to the audience when the song was over. Fortunately, I didn’t screw up too much, but I kept apologizing, until it finally dawned on me that the audience probably had no idea that I made a mistake.

If you don’t act like you screwed up a song, chances are the audience will never know it. Particularly if they have never heard the song. If they have heard the song, they’ll just think it’s your current spin on it.

Peace be with you.

Dan '13 I hope everyone had a merry Christmas and is looking forward to a new year. With recording, producing, and releasing a new cd, Chasing After Wind, and the busy Christmas season with church and family, little time remained to tend to other affairs such as posting on this blog. But today I am able to say that my new cd is available for order and download on my website. You can hear different versions of two of the songs on my Facebook fan page and Reverbnation page, as well as download my app, which will be updated as regularly as possible. The cd will also be available soon on iTunes, Amazon, etc. Thank you for your support.

Peace be with you.

Dan in Studio The ice almost gone here in Dallas. Of course people still drive like there is ice on the road. And others are too busy talking on their cell phone to be bothered with other drivers and those pesky pedestrians. Does it sound like I’ve been holed up with teenagers for several days? With Conner – who lives by himself – calling at night to complain about the people who did not tip after he had slid from curb to curb at times to get there. And he had a point – when you order delivery in inclement weather, you need to keep in mind that you’re making the driver do what you don’t want to. And show appreciation.

All that is to say that not having to go into work is not much comfort to someone who works at home, which applies to both Cyndy and myself. Add to that a cold, and that I had to postpone a recording session on Saturday, and let’s just say I’m glad this patch of bad weather is behind us. Unfortunately, the same cannot be said for folks in the northeast. The weather we had was light in comparison to what they’re experiencing now.

Be that as it may, the recording resumes tomorrow. When we were in the studio theConner - Studio last time, I played the acoustic songs on guitar without vocals. Which was not what I previously had in mind. But my Alvarez acoustic doesn’t have a pickup and sound would bleed between the two mics.

Playing without singing is harder than one would imagine. Particularly when that’s the way you’ve been playing for years. At first I tried to hear the song in my head, but that did not work. So I had to mouth the words while playing – which led to some vocal bleed over into the guitar track when I actually made sounds instead of merely mouthing the words. But it can be fixed in the mixing process.

Band in Studio And when the band arrived at 2 p.m. and Steve began setting up the drums, we discovered that the studio drum kit lacked a snare drum. We had to wait for Cameron to go to Guitar Center and buy one. When we finally got to recording, things went back to running smoothly and we got the songs recorded.

Tomorrow I will add guitar and vocal parts, as well as other instruments. Hopefully, everything will go well. I’d be interested to hear how others have handled recording snafus. I’ve never been in the studio when there was not a problem of some sort.

Peace be with you.Studio