Category: Communications


Pastor Cassie Wade introducing me

Pastor Cassie Wade introducing me

I would like to thank the congregation of Jacksboro FUMC for their gracious welcome, and their generosity with the love offering at my show. They invited Cyndy and I to worship with them at the service, and I sang Follow the Angels for the offertory and played on the two closing hymns. Following the service, Pastor Cassie Wade and her husband, Kelly, served lunch at the parsonage for the four of us, and Karlene Boucher, the Choir Director. We had a nice visit over a lunch of hamburgers and potato salad, with strawberries, angel food cake, and whipped cream for dessert.

Cyndy and I have known Cassie and Kelly for years. Among other things, it was a day of Dan Roark playing in worship service 1-31-'16interesting facts and occurrences. My family lived on Hollandale Avenue in Wichita Falls in the late ‘60s. It turns out that Karlene Boucher lives on Hollandale – and has for many years -although after we lived there. She drives down on Wednesdays and Sundays to Jacksboro.

But wait, there’s more. While we were in the worship service, our granddaughter, Kelley, was sitting with the Wade’s daughter, Amber, and her daughter (the Wade’s granddaughter – if you’re keeping score), at our home church, Christ UMC, Farmers Branch. Our son, Cameron, was keeping an eye on Kelley from the A/V booth. Interesting, is it not?

Dan Roark show at FUMC 1-31-'16 fMy show was from 3-4 p.m. The audience was very receptive and attentive. It made performing for them all that much more enjoyable. A number of them had very kind words after the show. I will share a video of some of the show when it’s complete.

Peace be with you.

Dan Roark 2If you weren’t at the inaugural DSA Third Tuesday Showcase/Open Mic, you really missed out – seriously. You missed out a great show. You missed out on playing the open mic. And you missed out on hearing music in Sons of Hermann Hall, a historic building with a history preceding Elm St./Deep Ellum and even country music (obviously not Elm St. the street, but the Elm St. of the blues). The acoustics in the Old Bowling Alley Ballroom need to be experienced. And, yes, it used to be a bowling alley.

Host Dan Roark played an abbreviated set due to circumstances. He included the Hitchhiking Song which is about an actual occurrence. Dan ended with River That Flows, one of his signature songs that he co-wrote with Tim Duggins.

Cat McGee

Cat McGee

Cat McGee (don’t you love that name) played next and presented an excellent set of songs and stories. The soft-spoken nature of her speaking voice belies the power in her singing voice. She talked of the fellow worker who was pregnant and shared her experiences with Cat. Nine months later, she had a baby, and Cat had a song. You can hear her music and find out more on her website and her Facebook page.

Terry Bloss mentioned how lucky he was to be there. Sunday night he had no voice at all. But thanks to the tag team of God and his doctor, he was ready to sing. He did not play a full set, electing to ere on the side of caution. Terry did, however, perform some of his best songs. Which included a new song

Terry Bloss

Terry Bloss

entitled I’m Being Terrorized.

John Mason was the only singer/songwriter who signed up for the open mic. Which is a shame because there was a small, but enthusiastic crowd who enjoyed the songs and the music. John has a hypnotic voice and writes very good songs. He commented that he was there for the acoustics.

Those who didn’t come out missed the chance to play for that enthusiastic crowd and with the good acoustics. But never fear, you will have another chance on Tuesday, February 16th at the next Third Tuesday Showcase/Open Mic. The showcase performers will be announced later, but put it on your calendar so you can plan to join us for the showcase and play in the open mic.

John Mason

John Mason

 

Peace be with you.

 

Platonic Mistress

Platonic Mistress

Mr. Troll’s birthday is January 18th, which means this year it was on a Monday and coincided with the Poor David’s Pub open mic, which is hosted by …wait for it … Mr. Troll. As usual Carlos Sanchez was on sound with Samantha Sanders behind the bar. Poor David and the Mrs. even made an appearance. Again – as per usual – Troll took the “dreaded first slot.”

The regular suspects were in attendance and on the list – myself, Baylis Laramore, Darren Rozell, Tin Man Travis, and John Mason. Joe the Bear and David Lavinette played for the first time. Mike Randolph with his Moog Etherwave Theremin, made his second appearance. Scott Thornton was in the Philippines on an Zen retreat and was unable to make it.

Happy Birthday, Mr. Troll!

Happy Birthday, Mr. Troll!

The featured artist was Platonic Mistress out of Ft. Worth. The trio of Fernando Page, guitarist and instigator, Rob Blevins on bass, and Dylan Rocamontes on drums played in-your-face rock and roll. On their Facebook page, they call it power pop or new wave with stinging alternative rock undertones, but, as Billy Joel said, “it’s still rock and roll to me.” Call it what you want, they did it well.

You can find their music on SoundCloud. At one point, Page told the crowd that he realized his finger was bleeding, and he apologized. Apparently a few days before he had played his fingernail to the quick. But why he apologized – and he apologized at least twice – I’ll never know. No one really noticed it before he said something. And after he mentioned it, it was all we could see. F.Y.I. to performers – don’t apologize – most of the audience will never know.

Regardless of the apologies, Platonic Mistress kept up the groove going and rocked the house. The trio has an undeniable chemistry combined with youthful energy. The singer-songwriters on the list provided an interesting counterpoint of age and wisdom. Not to mention the celebration of Troll’s birthday with two candles on a cookie cake (provided by Samantha) and a rousing Happy Birthday song. The evening ended – as open mics often do – with a jam.

Peace be with you.

Space Gringos 2The first open mic tales post of the new year is about the featured artist at the last open mic at Poor David’s Pub – hosted by Mr. Troll – of 2015. The featured artist was Space Gringos. Troll wrote a post about them being the featured artist, but their music is not online – yet, read on. So I had no idea what to expect.

Troll kicked off the open mic, as usual. Three other songwriters played their songs. Then Space Gringos set up on stage. The serious electronic drum set that Tim Moffet was setting up made me wonder what type of music we were about to hear. Then his brother, Dan, set up their personal monitors and broke out his AX-Synth Synthesizer and looper which took my thoughts of what we were about to hear in a totally new direction.                                                                                                                          Space Gringos

When they kicked off their set, there was a familiarity with some of their music I couldn’t place. Then either Tin Man Travis or Troll said the synthesizer reminded him of Edgar Winter. Which explained the familiarity I felt. Except that the keyboard, then synthesizer, that Winter first played was much bigger and bulkier than the sleek AX-Synth.

Space Gringos is an apt name. With the driving beat of Tim’s drums, and Dan’s synthesizer and looping finesse, the result is full sounding in-your-face rock –  with a liberal dose of otherworldly quality reminiscent of not only Edgar Winter, but some of David Bowie’s work. Which you will be able to hear soon – I told you to read on – their album will be on CD Baby soon. In the meantime, you can find them on Facebook and Bandmix. Be sure to catch their show when you can.

Peace be with you.

DSC07035Most recipes for the mix that I have known are all similar. I think my mom called it Chex mix when I was younger – which makes sense. Cyndy’s mom’s recipe calls it Texas Nibbles. It consists of three kinds of Chex cereal, Cheerios, Kix, pretzel sticks, and mixed nuts. And spices, but you’re on your own there – I’m not allowed to give that away.

Cyndy usually makes two batches each year. The first batch sits on the stove and we all eat on it for days. The second batch gets divvied up and put in plastic bags for each of us.

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Pardon my absence there for a bit, I couldn’t write about the mix without going in and having some. Besides, it’s research for the post.
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Each year I have observed different people eating the mix. But that’s all I did. This year I decided to name and describe the methods for eating the mix.

The Scoop Method – This is the care-free, take what you get, style of grabbing a bowl and haphazardly scooping up a bowl full. The ratio of ingredients is torn asunder. Then they just randomly eat some until they can just shake some into their mouths. This could actually be hazardous if they don’t keep an eye out for the pretzel sticks.

The Handful Method – This method is similar to the scoop method. However, the handful people pick the pretzel sticks out first to eliminate the hazard. But then they still throw caution to the wind as to the ingredient ratio and funnel it into their mouths.

The Handful But Picky Method – As you would expect it is similar to the handful method. They still eliminate the pretzel stick situation. But then they eat the rest in order of favorite ingredients – all of the Cheerios, then all of the Kix, all of the Chex, and so on, ending with their “best” ingredient.

The Selfish Picky Method – This type stands over the mix and picks out all of their favorite ingredients, leaving the ones they don’t like as much. Such as eating all of the nuts and the pretzels, leaving the rest. Which renders the ratio of ingredients unrepairable for everyone else.

The Handful But Reasonable Method – This is of course my type of eating the mix, which naturally makes the most sense. I too have a few pretzels first to eliminate the hazard, and have a nut or two. Then I get a proper ratio of the rest of the ingredients. I pick out the same number of each cereal each time until I grow weary and dump the rest in my mouth – staying true to the ratio theory.

Sporadically, I will throw caution to the wind and just randomly grab a handful of mix and funnel it gradually into my mouth. Then I try to not think about it and go back to whatever I was doing when I stopped for mix. And that works for a couple of minutes. Inevitably though, I give up, and go back to do the process right to make me feel better.

Most of you have eaten from a snack mix, whether it be a bag of mix from the store, or a homemade mix like I’m referring to. What is your preferred method of eating from a mix? And also, what habits of other people irritate you at a get together or party? Inquiring minds want to know.

Peace be with you.

Caroling 4A week ago yesterday, I accompanied the children, and my granddaughter Kelley, as they went to the youth and adult Sunday school classes and sang Christmas carols at Christ United Methodist Church. After gathering, and coloring with crayons, the children left the gym and headed upstairs. We gathered in the hall of the youth wing above the gym. The children sang a couple of Christmas carols as the youth and leaders came out of their classrooms to listen and join along.

Then the children went to each adult Sunday school class. After entering each class they sang  one  carol and Caroling 1then filed out singing a second song. Many of the adults sang along. The glow on their faces at times rivaled that on the children’s faces. When the children had visited all of the Sunday schools, they headed for the gym. In the gym, the children sat at tables, colored pictures, and talked as the leaders served Jesus’ birthday cake to each table. They also had water or juice to drink.

As the Sunday school time came to a close and parents began picking up the children, one thing was clear. With seeing St. Nick the morning before, and putting on the Christmas Cafe musical the evening before, going caroling, and celebrating Jesus’ birthday, the children definitely had a good head start on the spirit of Christmas. Their eyes displayed the tired joy of celebration (albeit with sugar rush). And the best part of it? Christmas is yet to come!

Peace be with you.    Birthday party for Jesus

Brett Dillon and Ian Dickson

Brett Dillon and Ian Dickson

I went last Tuesday to week one of the auditions for the Rusty Weir Songwriting Contest, put on by KHYI and Love and War in Texas in Plano. I went to support friends, and Dallas Songwriters Association (DSA) members, Mr. Troll, and Ian Dickson. All eight songwriters had very good songs to perform.

Host, Brett Dillon, introduced the songwriters two at a time and they would switch off for each song.

Mr. Troll

Mr. Troll

Each songwriter played three songs. I arrived just as Brian Lambert and Charley Smith were wrapping up their songs. Byron Dowd and Mr. Troll were the second pairing.

Ian Dickson

Ian Dickson

Trace Bivens and Alex Lease switched songs next. Then Ian Dickson and Marina Rocksu ended the auditions with their three songs. The contest, or comradarie, as Dillon put it, is enjoyable on the entertainment side, but tough on the performer and competition side. For the audience, it’s a lot of good music for no cover with good food and beer.

I won’t be going to tonight’s auditions, because of the DSA 2nd Tuesday meeting. But there are excellent songwriters again tonight. Bayliss Laramore will be playing in next week’s auditions.

Peace be with you.

Tracie MerchantOn almost every night of the week, an open mic can be found in the Dallas area and often more than one, sometimes several. Some of the open mics include spoken word, playing cover songs, etc. On the other hand, some may prefer original songs, but talented covers are usually allowed. The majority of open mic hosts are friendly and welcoming. Most open mics have their regulars, even if it’s just a few people that show up all the time.

A number of open mics and similar events are hosted by members of the Dallas Songwriters Association (DSA). There is a supportive songwriting community in the Dallas area, a good number of whom are members of DSA. Some of us have been writing songs for years. Some are younger and just getting started playing live at open mics. Quite a few members of the DSA perform at other open mics in addition to DSA events.

But it’s the community that I want to emphasize here. The songwriting and open mic communities are very supportive in every way a community can be. One good example is the open mic at Poor David’s Pub (PDP), hosted by Mr.Troll. It helps, of course, that it is one of best listening rooms in town, and Carlos Sanchez is one of the best sound men in town. Samantha Sanders is one of the best bartenders, too.

A good illustration of my point came about recently. On Monday, I arrived at PDP, ready to play in the open mic. I said hi to a couple of people from DSA at the bar. Troll asked me to step aside and talk to him privately. He needed to go home to take care of his dad, and asked me to guest host the open mic. Of course I said I would.

Troll played first, as usual. He played two songs, but we persuaded him to play a third song. Then he introduced me and slipped out, and I took over as host. On the list were regulars – some older, some newer. The featured artist was Tracie Merchant. I introduced her about 8:45. In the middle of her set, Tracie picked up her phone and began to make a call.

“Does everybody know my friend, Bill Nash?” Many of us did. Bill is a singer/songwriter with MS. He has been in the folk scene in Dallas for quite some time. He has come up with different tunings using capos and key changes to enable him to keep playing the guitar and writing songs. He had to leave SWRFA a little early due to health issues and within a week was in the hospital. He was hoping to get out of the hospital soon when Tracie called.

“We’re here at the open mic at Poor David’s Pub. We wanted to tell you something,” she said when Bill answered. She motioned to all of us and at the same time we said:

“Get well, Bill!” He asked her if we would do it again so he could record it. Which we gladly did.

During the evening a harmonica player was hanging around, hoping to join someone. Vince Alexander is from Atlanta and is here working at the State Fair. He was looking for a break from the fair to do what he loved the most – playing music. Toward the end of the evening he got his chance and stayed on stage to play with Tin Man Travis. Vince had the pleasantness on his face and in his upbeat and friendly attitude of one who is away from home in an unfamiliar place and finds a music community to be a part of (albeit temporarily).

See what I mean about community? And you’re all welcome – to play or listen. At any of the open mics or DSA events.

Peace be with you.

asglogo    I attended the Texas Songwriters Conference in Austin a couple of weeks ago. I’m just now getting caught up enough to post about it. The conference is put on by the Austin Songwriters Group (ASG), of which I am a member. I am also a member of Dallas Songwriters Association (DSA), where I am on the board as the lyric contest director and the showcase director. The two organizations have not, as of yet, had a joint event, but they support each others organization and mission in various ways.

I spend a lot of my time talking to people in one form or another (in person, on the phone, email), promoting myself or either organization. When I am promoting DSA, for example, I can “brag” a little more openly since I am referring to a group of people. When promoting myself, it’s necessary to be a little more subtle to straddle the fine line between promotion and braggadocio. As a result, some people don’t understand what I’m trying to say and have blank looks on their faces. Then there are the condescending “of course you’re a songwriter” looks.

So it was nice to – not only get out of town – but to spend a weekend with people who know what I’m talking about. People who are like-minded, accepting, and non-judgmental. At music and songwriting conferences there are always things I already know – since the conference is for all levels of experience. However, since things are changing constantly, it’s nice to know what has changed. As to the things that haven’t changed, I enjoy being assured that what I’m doing is what I should be doing.

I like hearing other songwriters, publishers, and other music industry people tell their stories, making me think “thank God I’m not alone.” That, I think, is the main purpose of any conference – making the attendees realize they are not alone. And the ASG did that. They are an accepting and supportive group (as is the DSA – just saying). It was all about the songs and careers of the songwriters. A few of the events and conversations I would like to share with you – and will – in upcoming posts.

Peace be with you.