Tag Archive: Association


The Dallas Songwriters Association’s annual song contest awards ceremony and Christmas party takes the place of the monthly meeting. Which was Tuesday, December 13th this year (The meeting day is changing in the new year – just to give you a heads up.) The event was once again held at Sons of Hermann Hall. What follows is from the program for the event with the pictures I took included. Because a couple of performers were stuck in traffic, the order was altered somewhat, but was essentially the same in the individual categories.

The winners are listed following the program. Congratulations to all the winners!

Keep writing the songs that are in your heart.

Peace be with you.

 

Barbe McMillen - DSA President Emeritus

Barbe McMillen – DSA President Emeritus

WELCOME – Barbe McMillen Founding President Emeritus, Newsletter Editor, Administration & Song Contest Director Barbara founded the DSA in 1987 after running the group for several years as part of the now defunct Texas Music Association. Currently a working Music Therapist, performer, and Associate Professor of Songwriting at Collin College, Barbara is caring for the admin duties and editing a newsletter for DSA. She is a voting member of the Recording Academy and a member of the Producers and Engineers Wing of the Academy. She has produced a number of albums for other artists and her own. Her songwriting spans the genres of Rock, Pop, R&B to Americana. Her rock musical, Give Me A Break, has been performed in the metroplex and off Broadway. To get to know more about Barbe or to sign up for an online Songwriting Class, visit her website, http://www.barbaramcmillen.com.

PERFORMANCE by multi-semifinalist DeDe Wedekind, Houston, Tx
Stronger from Dream of You, My Unsung Hero, A
Leaning on Heaven , Sell Me Out, Recipe of Love, Love Lives On
DeDe’s music is a mix of pop, Americana, and jazz, with some Gospel thrown in and has been compared todedewedekind everyone from Michael Buble to Adele, and from Linda Rondstadt to Emmylou Harris.
Her music has been and remains on several WORLD TOP 10 CHARTS on Broadjam.com Although she writes mainly pop, she’s also a Crossover Gospel artist. Recognizing that a lot of the current popular music out there is focused on young teens, and also may have depressing, violent, or negative messages, she decided to “fill the gap”, and write positive music She writes beautiful melodies, powerful and inspiring lyrics, and good clean music full of hope. Breathecast.com’s Timothy Yap says, ” When it comes to song interpretation, she is without peer.’

PERFORMANCE by multi-semifinalist Rick Babb, Dallas, Tx
Lucky In Love, Praise You, Roly Poly , Walk Away
Born and raised in Tulsa, OK, Rick was introduced to music and the guitar by his Uncle Don. 3
Rick began writing his own tunes and started performing them at family reunions as a teen. When he moved to Texas in 1969, he began performing in coffee houses and working behind the scenes in the concert industry in the early 1970s. In the 1990s, Rick moved to Nashville

Rick Babb and his wife Paula McClanahan

Rick Babb and his wife Paula McClanahan

to pursue a song-writing career and, during that time, also worked various odd jobs from radio DJ and dishwasher to bartender and circus wrangler.He returned to Dallas in 2003, performing again in the Dallas/ Ft Worth area. He now performs regularly with Royce David James on mandolin and Paula McClanahan on upright bass and vocals.
PERFORMANCE by Americana semifinalist John Mason, Grand Prairie, Tx California   For 30 years gifted singer-songwriter, John Mason, has been a musical inspiration. During the 1970’s and 80’s, John recorded and performed in Southern California. Now living in Grand Prairie Texas John writes and plays a contemporary style of folk, country and Americana.

Dan Roark, Director of Showcases and Workshops In addition to being a singer/songwriter, Dan Roark is an author, writer, and poet. He played in the band, Southern Plains, for twenty-five years prior to the death of bandmate and musical partner, Joel Nichols. After

Dan Roark

Dan Roark, Showcase Director

taking time off from performing while he and his wife, Cyndy raised their three boys, he has returned to performing and the Dallas Songwriters Association.  You can find out more and listen to his music at danroark.com. Follow his blog at chasingafterwind.net. He also writes posts for the dallassongwriters.org blog.
Dan Roark presents AMERICANA Semifinalists
California by John Mason, Grand Prairie, TX
Just Can’t Drown a Broken Heart by Jared LoStracco, Nacogdoches, TX
Lucky in Love by Rick Babb, Dallas, TX
My Unsung Hero by DeDe Wedekind, Houston, TX
Two Trains by Renee Saffier, Andy Hill and Hard Rain, LA, CA

AMERICANA AWARD

PERFORMANCE by Pop semifinalist Richie Smith, Richardson, TX
For A Reason
At the age of 3, the first instrument Richie learned was the bass then later on he learned to play the

John Mason

John Mason

piano, violin, ukulele, guitar, harmonium, and more. While attending Collin College, he was a student in Barbe McMillen’s songwriting class where his love of singing and writing music matured. Towards the end of that semester, he underwent brain surgery and was diagnosed with stage 4 brain cancer which he is still battling.
On this journey for 4 years now, he’s written music through all of it. Ritchie says, “God does everything for a reason”.

Barbe Presents
CHRISTIAN/ INSPIRATIONAL Semifinalists
Only A Prayer Away (Acoustic) by John Nelson Kullberg, Rivervale, NJ
Stronger from Dream of You by DeDe Wedekind, Houston, TX
Once Again by Jeff Moore, Dallas, TX
I WILL SING by Matt Stemme, Castaic, CA
It Could Be You by Robert Graham, Toronto, Can.
Love Lives On by DeDe Wedekind, Houston, TX
Praise You by Rick Babb, Dallas, TX
On the Breath of God by Len Seligman, Sarasota, FL
God is Too Big for Any One Religion by Len Seligman, Sarasota, FL

Richie Smith

Richie Smith

Hearts Wide Open by Michael Roth, Arlington, VA

CHRISTIAN/ INSPIRATIONAL AWARD

PERFORMANCE by COUNTRY SEMIFINALIST finalist Chris Michael (Sjostrom), Bedford, TX Wanted Man
He began singing and performing and developed his songwriting skills at a young age. A recent graduate of Dallas Baptist University with a degree in Music Business and an emphasis in songwriting, Chris has traveled across Texas and has performed shows, events, venues, clubs, bars, festivals and sororities. Many of his songs

Bobby Montgomery and Chris SJostrom

Bobby Montgomery and Chris SJostrom

and lyrics are embedded with Texas Culture and way of life in which he was raised,
DSA Executive Vice President, Bobby Montgomery, 2014 Songwriter of the Year, has been writing songs since he was a teenager. He says songwriting is a form of therapy and is his reason for writing. He has performed his songs at private parties, festivals, local venues and church. Recording his songs at JoMusik studios this past year, many have won the monthly critiques. Many thanks to Bobby for leading our fundraising drive and helping DSA stay afloat. He was Songwriter of the Year last year and is in the running for Song of the Year tonight. Thanks to Bobby for organizing our buffet tonight.

COUNTRY Semifinalists presented by Bobby Montgomery
Still Enough by Tim Sharp, Tomball, TX
Pills by Tim Sharp, Tomball, TX
I’m Singing My Heart Out by Charles Carter, Dallas, TX
Behind Bars by T Edwin Doss, Silver Spring, MD
90 Proof by Amy Abernathy, Canton, GA
Small Town Masquerade by Hayley McDaniel, Denton, TX
It Ain’t Half Bad by John Swantner, Bellville, TX
Wanted Man by Christopher Sjostrom, Bedford, TX
Coal Dust by Nitanee Paris, Jean-Pierre Williams, Clarence Lawson, Malibu, CA
Malibu, CA
Just Want My Baby Back by Rick Babb, Dallas, TX
COUNTRY AWARD

DSA President, Michael Brandenberger has been involved in music for over 40 years playing blues and jazz

James Pappas and the Christmas tree sculpture he made for the event.

James Pappas and the Christmas tree sculpture he made for the event.

guitar since his high school days in San Antonio.  His most recent band in Dallas was Big Daddy and the Swell-Tones who made the Hole In The Wall their home base up until its demise.  He only started writing songs several years ago but has had a few on local and internet radio stations.  The Dallas Songwriters Association has given him many opportunities to play his original songs at open mics plus the Deep Ellum Arts Festival, the Wildflower Festival and the House of Blues.
INSTRUMENTAL Semifinalists presented by Michael Brandenberger
Aural Therapy by Al Marcy, Downers Grove, IL
Analyze by Al Marcy, Downers Grove, IL
Russian Odyssey by Marc Tilson, Sacremento, CA
Enchanted Kingdom by Bill Wren, Port Aransas, TX
Recipe of Love by DeDe Wedekind, Houston, TX
Sell Me Out by DeDe Wedekind, Houston, TX
Shoot Out by Conrad Swartz, Vancouver, WA
Welcome Home by John Miltano, Miller Place, NY
INSTRUMENTAL AWARD

Jeff Palmer, Sean Layer, and Carlos Silva

Jeff Palmer, Sean Layer, and Carlos Silva

PERFORMANCE – Love semifinalist Sean Layer, vocals, keys, Carlos Silva, guitar, Plano, Tx
Under a Starlit Sky
Virginia born, Sean has lived in Iowa, England, and Texas. He is a multi instrumentalist who’s played both in orchestra and a rock band though out middle school and high school. His influences include Ed Sheeran, The Flipside, Marvin Gaye, and Passenger.

LOVE SONGS/ EASY LISTENING Semifinalists presented by Michael
Under a Starlit Sky by Sean Layer, Plano, TX
Let My Heart Take It From Here by Randy Overton, Waxahachie, TX
Sanctuary by Nitanee Paris Lawson, Rachelle Lynn Gislason, Malibu, CA
The Warmth of Your Love by Don Coyne, LA, CA
River of Memories by Charles Carter, Dallas, TX
Hate That I Love You by Deborah Gussin, Brian Bell, Luther Russell, LA, CA
Recipe of Love by DeDe Wedekind, Houston, TX
Let Me Love You by Mimi Balkey, Plano, TX
LOVE SONGS/ EASY LISTENING AWARD

PERFORMANCE – Novelty/Childrens semifinalist Ireland, Casteel, Grapevine, TX Eenie Meenie

Ireland Casteel

Ireland Casteel

Ireland is a local singer songwriter who, even at the young age of 15, is a storyteller at heart that effortlessly captivates listeners with lyrics that speak directly to the audience.  She started writing songs and playing guitar and ukulele at age 12 and has over 20 originals already under her belt!

NOVELTY / CHILDREN Semifinalists presented by Barbe
Today I’ll Marry My Friend by DeDe WedeKind, Houston, TX
Dreamland by Charles Carter, Dallas, Tx
The Christmas Song No One Knows by Renee Saffier, Andy Hill and Hard Rain, LA, CA
Chicken or Beer by T. Edwin Doss, Silver Spring, MD
Grow Up by Lauren Paley, Lauren Paley, Cedar Hill, Tx
Roly Poly With You by Rick Babb, Dallas, TX
Eenie Meenie by Ireland Casteel, Grapevine, TX
Cool To Be Kind by Randy Sauer, Hays, KS
What Would I Do by Randy Sauer, Hays, KS
NOVELTY / CHILDRENS AWARD

Harry Hewlett and Richie Smith

Harry Hewlett and Richie Smith

Harry Hewlett, Director of A&R, Co-Director of Song Contest, Harry grew up near Lubbock, Tx, and went to Texas Tech, where he sang and played guitar in the quintessential 1960’s 4-piece garage band, performing mostly for frat parties and HS dances. He began songwriting years later, while living in NYC, where he joined the Songwriters Guild and Nashville Songwriters AssocHe’s been writing and entertaining with his own songs and humor ever since. Now retired, he lives in Dallas, and has two CDs, World Class Dirty Old Man and Tahoka Daisy. He is currently serving as A/R Director on the DSA board of directors. We thank him tonight for providing the song cues of the winning songs.

POP/ROCK Semifinalists presented by Harry Hewlett
Break Me Open by Debra Gussin, Brian Bell, Luther Russell, LA, CA
Find Myself by Jonathan Ditto, Kona, Hawaii
For A Reason by Richie Smith, Richardson, TX
Insignificant Other by Andy Hill, Renee Safier and Hard Rain, LA, CA
I’m Alright by Jeff Moore, Baton Rouge, LA
I’m Looking at You by Clark Ford, Ames, IA

Harry Hewlett and Hayley McDaniel

Harry Hewlett and Hayley McDaniel

Leaning On Heaven by DeDe Wedekind, Houston TX
Mystery Girl by Andre Kerek, Miami, FL
Never Come by Sebastien Parentin, Strasbourg, Lorraine, France
Oh Jenny by Debra Gussin, Brian Bell, Nate Shaw,LA, CA
Ordinary Day by Susan Odella, Virginia, MN
Sell Me Out by DeDe Wedekind, Houston, TX
She’s A Pistol by Vicki Lee, Pine Bluff, AK
Sunrise by Pamela Olivia, Santa Clarita, CA
This Means War by Mary Jennings, Nashville, TN
Word Man by Stefanie Johnson, Allentown, PA
Dear Fear by Katie Riley, Poetry, TX
KIcks by Jacquelyn Schwartz, Dallas, TX
Lost by Jacquelyn Schwartz, Dallas, TX
Walk Away by Rick Babb, Dallas, TX
POP/ROCK AWARD

PERFORMANCE by Singer Songwriter semifinalist Haley McDaniel, Denton, Tx Aaron See, Guitar
Small Town Masquerade
Haley has taken the Texas Country Music Scene by storm since the release of her hit, “Small Town

Aaron See and Hayley McDaniel

Aaron See and Hayley McDaniel

Masquerade” and shows no sign of slowing! Her writing style is authentic, conversational and reminiscent of 90’s Traditional Country; When steel guitars and story-telling lyrics ruled the airwaves. Her Hosting gig for The ETX ROCKS Show Podcast and YouTube channel has even further solidified her as a truly influential VOICE in Texas! She has received numerous awards and accolades for her Songwriting. Please welcome Hayley McDaniel performing Small Town Masquerade.
SINGER SONGWRITER Semifinalists presented by Harry Hewlett
10 Feet Under by M’Lynn Musgrove, Dallas, TX
Cleansing Rain by Jared LoStracco, Nacogdoches, TX
Crash by M’Lynn Musgrove, Dallas, TX
Halleluyah Today by Denise Rosier, Lake Forest, CA
I’ll Be Coming Home Soon by Edwin T. Doss, Silver Springs, MD
Let My Heart Take It From Here by Randy Overton, Waxahachie, TX
Running Throuhg The New Brown Corn by Edwin T. Doss, Silver Springs, MD
Small Town Masquerade by Haley McDaniel, Denton, TX
Soft Place To Fall by Debra Gussin, Jonathan Bluth, LA, CA
Wilted Flower by Erin James, Nashville, TN
SINGER SONGWRITER AWARD presented by David Card

GRAND PRIZE WINNERS Anounced- presented by Barbe McMillen
Roy Elkins of Broadjam.com was our grand prize judge. You can read his detailed comments on the DSA website.
Explanation of the process.
All three winners in each category were placed in dropbox for our Grand Prize judge to listen to and pick the Grand Prize Winners. It is unknown to the judge how each song placed in it’s category. In the past we’ve had an HM win the grand prize. Also, he does not know who the songwriter and singer is. It’s very blind judging.

WINNER OF THE IPOD – Jeffery Moore, Baton Rouge, LA

LYRIC CONTEST WINNERS 2016
FALL 2015 Memories of the Future by David Byboth
WINTER In His Hands by Lauren Smith, Livermore, CA
SPRING Fences by Bill Kapac, Williamstown, PA
SUMMER  Addiction by Ireland Casteel, Grapevine, TX

Harry Hewlett, Mr. Troll, Rio King, Michael Brandenberger

Harry Hewlett, Mr. Troll, Rio King, Michael Brandenberger

PERFORMANCE by critique finalist Rio King, Plano, Tx Last Chance to Dance, Play Sump’n Like Dat & That Window Closes Fast
After early successes with his college rock and roll band, The Techniques out of Lubbock, and as a solo singer songwriter at Kerrville, Rio King has re-emerged from musical retirement. With deep affection for his native state, Rio has recently recorded his album, I’d Love To See Texas Again with Chris Gage of MoonHouse Studio in Austin to bring a great collection of original Texas Music. He is performing songs that were winners of the Best Songs of the Second Tuesday Meeting.
BEST SONGS OF THE 2016 SECOND TUESDAY MEETING

SONG OF THE YEAR presented by Harry Hewlett

Michael Brandenberger and Rio King

Michael Brandenberger and Rio King

Explanation of the process
Each month songs of members are critiqued at the 2nd Tuesday meeting. Winners each month are published in Songwriters Notes. At the end of each year, the songs are judged by industry pros and the Song of the Year is awarded to the songwriter whose song garnered the most points from the judges.
SONG OF THE YEAR FINALISTS
1 Time to Leave by Beth Murphy, Richardson, TX
2 My Pickup Truck She Never Lets Me Down by Charles Carter, Dallas, TX
3 Last Chance To Dance In Texas by Rio King, Plano, TX
4 I’m Singing My heart Out in Dallas Tonight by Charles Carter, Dallas, TX
5 Play Sump’n Like Dat by Rio King, Plano, TX
6 That Window Closes Fast by Rio King, Plano, TX
ANNOUNCEMENT OF WINNER

SONGWRITER OF THE YEAR presented by Michael Brandenberger
Explanation of the process.
The songwriter who has won the most Best Songs of the Meeting throughout the year becomes our songwriter of the year.

ANNOUNCEMENT OF WINNER

Thank You
Special thanks to Harry Hewlett for co-directing the contest, and providing the audio clips tonight.
Dan Roark, Cameron Roark and Dave Lewis of Sons of Hermann Hall for our live sound reinforcement, .
Bobby Montgomery for catering, fundraising and many other things.
Lisa Byrn, SOH Manager, Our Song Contest and Lyric Judges, Nancy Rynders
Ginger Stanoiu for setting up, Ken Duren for helping at the door
Michael Brandenberger for ramroding DSA through 2016

DSA Board of Directors 2016
President / Membership Director – Michael Brandenberger
Executive Vice President, Program Director, Fundraising – Bobby Montgomery
Newsletter, Song Contest, Admin – Barbe McMillen
Workshop, Showcases and Open Mics & Lyric Contest Director – Dan Roark
Treasurer – Dickey Johnson
A&R and Co-Director Song Contest – Harry Hewlett
Secretary – Ginger Stanoiu
Technical Director – Rachel Wilhelm
Marcus Belmore – Webmaster
At-Large: Joe Milton, James Pappas, Ken Duren, Steve Sullivan

Directors for 2017
Michael Brandenberger, Bobby Montgomery, Barbe McMillen, Harry Hewlett, Dicky Johnson, Ginger Stanoiu, Rachel Wilhelm, Steve Sullivan, Ken Duren, Dan Roark, Joe Milton, Marcus Belmore, James Pappas, Malini Shaw

2016 SONG CONTEST JUDGES
Grand Prize Judge : ROY ELKINS, CEO of Broadjam, Inc.

CATEGORY JUDGES
Americana: KENDRA TERRY, Booking manager of Uncle Calvin’s Coffee House.
Christian/Inspirational:  KIMBERLY INGRAM – Open Heart Musicals
Country: ROD PHELPS – VP Global Music Development, the American Music Channel
Children’s/Novelty :MONTY HARPER , award-winning children’s performer, and songwriter http://www.montyharper.com
Instrumental: TERRY HANKINS, premier jazz guitarist
Love Songs/Easy Listening : TONY HAKIM , Jazz performer and owner of the jazz venue, Kitchen Cafe.
Pop/Rock – Music Director KATHY FORSTE, KC Café Radio   http://www.kccaferadio.com
Singer Songwriter: DAVID CARD, Owner, Poor David’s Pub

SONG OF THE YEAR JUDGE
MR TROLL, Open mic host and doer of things at Poor David’s Pub

AMERICANA

1. Two Trains by Renee Saffier, Andy Hill and Hard Rain, LA, CA

2. Just Can’t Drown a Broken Heart by Jared LoStracco, Nacogdoches, TX

3. My Unsung Hero by DeDe Wedekind, Houston, TX

CHRISTIAN

1. Hearts Wide Open by Michael Roth, Arlington, VA

2. It Could Be You by Robert Graham, Toronto, Can.

3. Praise You by Rick Babb, Dallas, TX

COUNTRY

1. Still Enough by Tim Sharp, Tomball, TX

2. Pills by Tim Sharp, Tomball, TX

3. Wanted Man by Christopher Sjostrom, Bedford, TX

LOVE / EASY LISTENING

1. The Warmth of Your Love by Don Coyne, LA, CA

2. Let My Heart Take It From Here by Randy Overton, Waxahachie, TX

3. Sanctuary by Nitanee Paris Lawson, Rachelle Lynn Gislason, Malibu, CA

INSTRUMENTAL

1. Shoot Out by Conrad Swartz, Vancouver, WA

2. Aural Therapy by Al Marcy, Downers Grove, IL

3. Enchanted Kingdom by Bill Wren and Frank Ralls, Port Aransas, TX

NOVELTY / CHILDRENS

1. Grow Up by Lauren Paley, Lauren Paley, Cedar Hill, Tx (email)

2. Cool To Be Kind by Randy Sauer, Hays, KS (email)

3. The Christmas Song No One Knows by Renee Saffier, Andy Hill and Hard Rain, LA, CA

3. Roly Poly With You by Rick Babb, Dallas, TX

HM Eenie Meenie by Ireland Casteel, Grapevine, TX    (email)

HM Dreamland by Charles Carter, Dallas, Tx

POP

1. INSIGNIFICANT OTHER by Andy Hill, Renee Safier and Hard Rain, LA, CA

2. BREAK ME OPEN by Debra Gussin, Brian Bell, Luther Russell, LA, CA

3. SUNRISE by Pamela Olivia, Santa Clarita, CA

HM FOR A REASON by Richie Smith, Richardson, TX

SINGER SONGWRITER

1. SMALL TOWN MASQUERADE by Haley McDaniel, Denton, TX

2. CLEANSING RAIN by Jared LoStracco, Nacogdoches, TX

3. HALLELUYAH TODAY by Denise Rosier, Lake Forest, CA

HM SOFT PLACE TO FALL by Debra Gussin, Jonathan Bluth, LA, CA

GRAND PRIZE WINNERS

1. Enchanted Kingdom by Bill Wren and Frank Ralls, Port Aransas, TX

2. Just Can’t Drown a Broken Heart by Jared LoStracco, Nacogdoches, TX

3. CLEANSING RAIN by Jared LoStracco, Nacogdoches, TX

WINNER OF THE IPOD

Jeffery Moore, Baton Rouge, LA  His entry, This Love, #102 was drawn.

 

Samantha as we sang to her.

Samantha as we sang to her.

On Monday, December 12th, the Poor David’s Pub open mic, hosted by Mr. Troll, was a celebration of Samantha Sanders’, birthday. Samantha Sanders is the bar manager at PDP, a hairdresser, a mother of three talented baseball playing boys, and an all around beautiful person.

Keith Crow started the show. He had to leave early, so Troll let him start. Troll followed Keith with Billy Keith Bucher joining him on cajon.  When Troll and Billy Keith finished, I took the stage – with a box rather than a guitar.

I asked Carlos to come up to the stage. While he was coming to the stage, I announced that Carlos was the 2016 Best Sound Man of the Year Award. When he reached the stage, I announced that, as showcase director for the Dallas Songwriters Association, I was presenting Carlos with the 2017 Best Sound Man of the Year award.carlos-sanchez-and-dan-roark

I was not trying to take away from Samantha’s celebration by giving Carlos the trophy. I was guest hosting when it was Carlos’ birthday celebration and I wanted Troll to be there when I gave Carlos the award. And, as in Carlos’ case, it wasn’t the actual birthday.

After the presentation and the two of us leaving the stage, David Card and Mr. Troll took our place. David expounded for a bit about Samantha’s talents as a bar manager and her charms as a person. Which we all echoed with shouts of agreement and applause. Then David and Troll led us all in singing Happy Birthday.

Poor David Card and Mr. Troll

Poor David Card and Mr. Troll

Then it was back to the open mic with the featured artist, Eric Sommer. Sommer is originally from Boston and now pretty much from the road. He has an old style blues guitar setup – from the amps to the acoustic guitars to the telecasters to the Shure iconic unidyne vocal mic. Eric reminds one of the blues players who came before him. Mixed, however, with a punk, salty, edge.

Sometimes being late to post works out right. Today is Samantha’s actual birthday. Go to her Facebook page and say Happy Birthday!

And the music plays on….

Peace be with you.

Richie Smith and I

Richie Smith and I

I was hosting the Angela’s at the Crosswalk Monday night open mic on Halloween when I first met Richie Smith. He came in with his mom and dad, waving to people as they came by the tables – just saying hi. His dad, Rick, came over and told me who he was so I knew when his slot came up. I asked him what he needed, sound-wise. He said Richie just needed a mic because he was going to play the song on a small Bose iPod/iPhone player.

When his time came, Rick helped Richie up to the microphone. Richie’s left leg was in a brace and his left arm was in a sling. I got him set up with the mic and his dad helped him start the songs. I adjusted the sound and Richie introduced himself.

“I’m Richie Smith. I had surgery for brain cancer to remove a tumor and what was left was diagnosed as grade 4 brain cancer. After surgery, I came out I was like this. This isn’t part of my costume.”

The crowd erupted in laughter. That is a perfect introduction to Richie. He is a twenty-two year old young man who has always loved music. He could play piano as well as other instruments. Music came to him naturally. He performed in cafes for charity.

Then he was diagnosed with brain cancer in 2011. No one outside of his family knew he had brain cancer. When it worsened in 2012, he had two

Richie and his father, Rick.

Richie and his father, Rick.

days to live without immediate brain surgery. After the surgery on November 24, 2012, what could not be removed was diagnosed as grade 4 brain cancer, and he was given two years to live. “The fight raged on, and in 2013 there were two brain tumors growing in size, leading Richie to lose most mobility on the left side of his body, but he never gave up.”1

Richie thanks God for his music even after all that has happened. His positive attitude and faith in God is infectious. There were a number of his close friends there, but, as far as Richie is concerned, everyone there was his friend. He had everyone laughing and dancing along to one of his songs. Even me – and I don’t dance – used to long ago,  but not anymore. Except for Halloween night.

Two weeks later, when I once again hosted the open mic, Richie was on the list. His left arm hung by his side rather than held up in a sling. He played piano with his right hand while he sat behind it and sang. His father, Rick, played the cajon. Once again, his laughter and infectious spirit filled the room. He played a hilarious cover of Skinny Girl Jeans with some additions of his own. Richie had the crowd singing along on Lean on Me by Bill Withers.

Veronica, Richie, and Rick Smith

Veronica, Richie, and Rick Smith

And, naturally, he played his song, For A Reason. Not only is it the name of his song, but it is also the name of his For A Reason Foundation. For A Reason is also Richie first official song release, produced by multi-platinum producer, John Kurzweg. The song was released this past Thursday, the fourth anniversary of his first brain surgery. It was also – as Richie pointed out at Angela’s – Thanksgiving, his mother, Veronica’s, birthday, and his re-birth. His re-birth is how he refers to the immediate emergency surgery.

For A Reason is available on iTunes, Amazon, and the usual online music distribution sites. You can also check out Richie’s Facebook page and his YouTube channel. You can see Richie on Mondays at Angela’s or  at the fourth Saturday Dallas Songwriters Association (DSA) showcase on December 17.

Peace be with you.

                                                                                        1  Quoted from ournewmonarch.com

ultimate-picksOn the weekend of the 15th, I was volunteering at the Dallas Songwriters Association booth at the Arlington Guitar Show. It was slower this year than it was last year – the booth and the guitar show. Bobby Montgomery and I were there for most of both days. Marcus Belmore helped out on Saturday with Harry Hewlett and Steve Sullivan helping out on Sunday.

There was plenty of time for each of us to wander around and see all the booths. As I tell people, if I bought another guitar I’d have to get divorce papers on the way home. So, while I look at the guitars while I’m walking around, I mainly concentrate on picks, capos, and accessories. I have impressive pick and capo collections.

Regardless of the collections, fortunately people are always coming up with something new. Despite the lower attendance, dsc08772there were more booths. At the same time, some of the regular booths weren’t there this year – V-Picks being one. So there wasn’t a whole lot of new booths. Then Gus Gustafson dropped by the DSA booth. He told me about the picks that he and Jim Cobb had created and told me to stop by his booth.

I stopped by the Ultimate Fingerpick booth at the first opportunity. I believe it was Gus’ brother, Bob, I talked to. He explained to me about dipping my fingers in water to get them to feel snug. The idea for them came from the making of prosthetics. With a couple of close friends with prosthetics, I was fascinated. And the picks – or “fingers,” as the case may be, felt comfortable.

I bought the show special which included two packages of two fingers (Ultimate Fingerpicks) and two one thumb packages (Pick Pocket Ultimate Thumb Pick). I liked the way the samples felt, and I was anxious to see how they worked. When my son, Cameron, and I got home, I tuned my guitar and put the picks on. The way the picks are on my fingers in the picture is not how I use them.

ultimate-fingerpickI wanted to illustrate the two ways you wear the fingerpicks. You can either wear them as extensions of your own fingernails or upside down – which is how I wear  them. You can also file the nails down to the shape you want. Gus said he takes his to the manicurist. If you’re picky (sorry), that would be the way to go. Particularly if you’re using them as extensions of your own fingernails – to keep the underside smooth. I use Cyndy’s bigass emery board. But it’s not easy or quick.

When you’re playing with them, they actually feel like your  fingers – as opposed to regular picks. With no chance of them falling, particularly the thumb pick. I used to finger pick with just my thumb and first finger because the fingerpick felt weird on my second finger and it just didn’t happen. When I was using these picks on Saturday night, it felt entirely natural and, of course, added to the sound. You can also use any regular shaped pick in the thumb pick. Just wet it a bit and slide it in. Wet your thumb before you put it on and it will slide on easier.

On Sunday at the Arlington Guitar Show, I went back by the booth. Bob was talking to a customer so I looked at the picks while they talked. I interjected that I had used them the night before and they worked great. Which I hope helped make the sale to the customer.

I tried them out in a live setting at the Poor David’s Pub open mic that next Monday, hosted by Mr. Troll. Overall, theyultimate-thumb-pick worked just fine, as expected. When I used the thumb pick as a regular pick – without the other two – it caught on the strings at times. But it was a blues tune, so it was more a matter of my not being used to them. As well as the fact that it was not designed for that. However, on one of my songs when I used the thumb pick alone on parts, it worked really well.

If you’re a guitar player and/or singer-songwriter, do your self a favor and try out these picks. The price is reasonable and it’s always fun to try new things. Who knows, it may even spark some creative juices to flowing and inspire a new song or style.

Peace be with you.

Joe Cat

Joe Cat

And on we go… The September 19th and 26th editions of the Poor David’s Pub Open Mic demonstrated what you are missing. That is, if you enjoy hearing good music. And it’s just one open mic of over 165 each month. That includes the Dallas Songwriters Association events – just saying. In fact, I didn’t do my DSA spiel on the 19th because most of the several present were members.

The regulars alone are enough to bring you back to hear some more good music the next week. And as I usually make clear, this applies to a good number of open mics, if not most, or all, of them. Then there are the irregulars and the touring songwriters who happen to be traveling through the area. Not to mention the welcoming hosts, such as Mr. Troll at PDP.

In particular, the PDP open mic has a weekly featured artist. Joe Cat was the featured artist on Monday the 19th. Joe’s songs are songs of the land. Telling the stories of people and places he has seen on his travels around the country while touring. Songs such as Roads Never Traveled, Dark Texas Oil, and Heart Made of Clay. My particular favorite is Silver Thread City. On his cd, How Are You? Where Are You?, the song has piano without guitar. While it’s a very good version, I like the acoustic version with Joe on guitar better. You can decide for yourself. He posted the acoustic version on his Facebook page.

Allen Hurt was the featured artist the next week on the 26th. The title of his cd, Always

Allen Hurt

Allen Hurt

Country pretty much sums up his music. As do the songs Rambling Rita, She’s A Country Girl and Two Nights and A Heartache Later. With all the types of songs that are called country these days, it’s refreshing to hear “good ole” country music . Allen’s humor fills the time between songs on stage.

So if you’re wondering what to do tonight – on any night of the week, find an open mic and go play. Even better, if you’re a music lover, go listen. Speaking for the open mic community, we’d love to have you. Having someone to enjoy our music is at least half the fun. And you’ll always be welcome.

See you at an open mic.

Peace be with you.

the-audienceCatching up continues… On Saturday, September 16th, at Duncanville First Baptist Church, members of the Dallas Songwriters Association (DSA) presented a showcase in Fellowship Hall. Church members each gave a $10 donation and each couple brought a covered dish. Potluck dinners are always an adventure into home cooking and that dinner was no exception. There were the standard sides (albeit made differently) as well as some unique creations – all of it delicious.

During dinner, Dickey Johnson and Barbe McMillen played some standards in a couple

Dickie Johnson and Barbe McMillen

Dickie Johnson and Barbe McMillen

of genres. After dinner, following the announcements by Bobby Montgomery, the two played a few of Barbe’s original songs. Bobby is a DSA board member and member of Duncanville FBC.

Montgomery followed the duo and played his songs that other members consider “country standards.” Bobby’s songs take the listener back to simpler days, slamming screen doors, and family nights around the kitchen. There is a sense of smoothness and serenity in Montgomery’s songs.

Harry Hewlett

Harry Hewlett

Harry Hewlett took the stage next. Harry takes the smoothness and serenity in Bobby’s songs, dries them for days in the west Texas sun, drags them through the dirt, and tops them off with dry humor. Hewlett’s songs make listeners laugh at themselves while blushing because they did so.

DSA President Michael Brandenberger then played some jazzy originals. I followed Michael. I played my song for those on the autism spectrum, Hello Out There, followed by What the Lord Intends, about the Sack Summer Hunger program. I ended with Peace Be With You, about the police shootings during the protest among other events of this strange year, and Will the Circle (Be Unbroken).                                                                                                                                     dan-roark-2

Ian Dickson and Paul Martin Zander concluded the show. They played for about thirty minutes and switched between songs by Ian and songs by Paul. Their set included my favorite song of Ian’s, his song about a pickup line that includes Jimmy Hoffa, the Loch Ness monster, Bigfoot, and Amelia Earhart.

Those in attendance enjoyed the show immensely and told us so. This is the second year for the DSA fundraiser, and it continues to be successful. Check out the calendar on the DSA website and follow the association on Facebook – where you will find more pictures from this event. Visit us at any DSA events.

Peace be with you.

jared-and-the-jewelers

I’m taking a break from recording to catch up on posts. When Troll posted the event page for Poor David’s Pub open mic that said Jared and the Jewelers were the next featured artist for open mic, I was naturally curious. Obviously, Jared was making use of his name. Was it his first name or last name? Did he have anything to do with the jewelry store?

After Troll began the evening – as usual – and Chris Weising and Rickey Gene Wright played their sets, my questions were answered. Troll had informed me earlier that Jared was his first name. Either way, if my name was Jared, that is exactly what I would call my band. The band consists of Jared Caraway on guitar and vocals, Arik Harris on bass, and Francisco Gonzalez on drums.

They define their music as heartfelt alternative rock with pop sensibilities. I would like to add energetic and kick-ass. Caraway put as much into his stage moves as he did into guitar playing and vocals, without detracting from either. Harris kept the low end going smoothly, with Gonzalez steady on the backbeat.

Larry Pevey followed the band. Regulars wrapping up the evening included myself, Gary Hurst, Darren Rozell, Scott Thornton and John Mason. It was a good show, regardless of the small crowd. If you get a chance, and want to hear some good music, check out the Poor David’s Pub open mic. Then check out other open mics – including Dallas Songwriter events. If you get a chance to see Jared and the Jewelers, definitely do that, too. You won’t regret it if you do any of them, but you might as well do them all. Just saying.

Peace be with you.

 

Chocolate Eclair and Apple Fritter

To take it in order – besides, it’s the first picture – Chocolate Eclairs and Apple Fritters is a song of mine. I call it my pastry song. I always play it when I play at Angela’s because they’re known for their tasty pastries. As I was waiting for the showcase to get started, Bayliss Laramore, a friend and fellow songwriter, brought me a box from Dunkin Donuts. In it – as you see in the picture- was a chocolate eclair and apple fritter with a candle in each one.

With apologies to the Bills for interrupting the song, I busted out laughing. Thanks to Bayliss for the gift, it was perfect. I’m sorry he couldn’t hang around to play, but it was getting late and the crowd was beginning to thin. If you get a chance to hear Bayliss’ music, you’ll enjoy it.

The Dallas Songwriters Association 4th Saturday Showcase at Angela’s at the Crosswalk began with Bill Sibley and Bill Hudson. Their set started off well except for some red-headed guy laughing his ass off. Bill Sibley’s down to earth songs relate hard knocks, lost loves, and motorcycle rides. His voice sounds like the result of those experiences. If I were to make a voice comparison, I would say Kris Kristofferson. A voice that relays hardships and experience. Thanks to Harry Hewlett, you can see his set here.

Loralee Pearman’s songs and voice, in contrast to Bill Sibley, evoked a youthful spirit and the hope in what lies ahead. Her lyrics show a maturity beyond her youthful looks. Loralee is a ball of energy and cute as a button. See her set here.

It was during my set that things began to get weird. You probably saw that coming – I didn’t. But it’s good in a way, because it gives me a chance to talk about my set since I can’t review myself. Well I could, but that would be pompous and silly.

A few songs into my set, my back up band arrived outside. Two fire trucks and an EMT truck pulled up on the street outside with lights and sirens going full tilt. The sirens were turned off before very long. But the lights kept flashing for quite some time. Which made quite a backdrop for my songs. You can see some of the songs from my set here and another one here.

Harry Hewlett closed the show with a few songs after I finished. As they say – a good time was had by all.

Peace be with you.

Me playing at Poor David's Pub open mic

Me playing at Poor David’s Pub open mic

To recap (or see part 1), the first two qualities of an open mic that feels like a second home are – variety of performers (age, talent, and experience), and performers who lack egos and are willing to support those less experienced than themselves. It should be mentioned, however, that there will always be that visiting performer who thinks he’s all that and a bag of chips and wonders why everyone’s not telling him how good he played.

While I’m using the Poor David’s Pub open mic as an example, there are a number of open mics that have these qualities in varying degrees. The Dallas Songwriters Association (DSA) open mics and song swaps are welcoming and supportive. I’m hoping other open mic hosts will chime in with comments on their open mic. I’ve also tried to show that open mics have a hard time getting started. It takes the performing community to support it. Some members of DSA and their friends play at open mics several nights a week.

In fact, the third quality of an open mic that feels like a second home is a sense of community – like a weekly reunion as I mentioned in part one. An atmosphere of friendship and camaraderie. The fourth quality is friendly hosts, bartenders, and staff. Mr. Troll (host), Samantha Sanders, and Kevin Hale at PDP are excellent examples. The fifth quality – last, but no way in hell least – is a good sound man. Carlos Sanchez, in particular, is past good.

So there are the basic qualities of an open mic that feels like a second home. Yet for the first quality, variety of performers, something is missing. And that is you. Go to an open mic near you, or near where you are going to be. Sing your songs, sing covers, read your poems, do comedy, spoken word, whatever. Or just go and listen – performers need listeners, too.

Then spread the word. Open mics are places where young talent hones their performing and writing skills. They learn, not only from playing, but from watching more seasoned performers. Open mics are where songwriters go to try out new songs. When word gets out, people come to perform and bring their friends. People come to listen because of the combination of qualities I discussed. So play an open mic tonight or go and listen. Maybe I’ll see you there.

Peace be with you.

 

Mr. Troll - Host of Poor David's Pub Open Mic

Mr. Troll – Host of Poor David’s Pub Open Mic

Okay, I don’t mean you can spend the night. Or even raid the refrigerator. More like a weekly family reunion with people you are comfortable being with. Granted, there are always weird cousins or funky aunts and uncles – but it wouldn’t be the same without them.

There are a number of open mics that fit the criteria I’m going to relate. Among them are the Dallas Songwriters Association open mics – and, indeed, the organization as a whole. Those who lead an open mic that fits the category, please weigh in with a comment. Welcome to the world of open mics….

I’m using the Poor David’s Pub open mic hosted by Mr. Troll on Mondays as my example. As can be found in the Dallas Area Open Mics group on Facebook (Troll is administrator of the group), there are a number of open mics on every day of the week. As Troll says, call ahead to check the details before going to an open mic.

Bar, club, or restaurant owners, as a general rule, are notoriously impatient about getting results. Some have been known to cancel an open mic after only a couple of weeks. And sometimes, they’ve cancelled them at any time for any reason. Again, check before going to an open mic. Even poor David has had schedule conflicts and needed to postpone the open mic. But he usually tells Troll so people know in advance.

But the first criteria for a successful open mic is a good variety of talent. Some who have only been writing songs for a short time. Some who wish they were songwriters and just like to play and sing – they usually play covers. A variety of ages, as well. It’s a musically nurturing community with everyone being supportive of all performers and giving advice to those who are younger and just getting started.

Actually, that was two criteria – variety of talent, and performers without egos who support fellow singer-songwriters – rather than view them as competitors. Which means if you’re going to an open mic for the first time, be respectful and supportive of the other performers. If you’re experienced, use that experience to pass along advice and tell others how well they did. (Give them credit for potential.)

Stay tuned for part two. I don’t want to take too much of your time at once. I appreciate you being here.

Peace be with you.