Category: Current events


DSC06834When you take on the “job” of hosting an open mic, you know it’s going to be an uphill climb. You create an event on Facebook, send out emails, post updates, and hope for the best. Each week you hope enough people show up to satisfy the owner or manager of the venue. You live with the fact that it can be canceled at any moment.

You also know that there will be a night when no one shows up. Hopefully, again, the owner/manager will overlook it for now. Then there is that nightmare open mic. I know, because it happened to me this past month. I am the Showcase Director for the Dallas Songwriters Association. I was at Sons of Hermann Hall for the third Tuesday open mic.

The month before was less than well attended. This past third Tuesday, there was a meeting of the Dallas Historical Society from 6 – 8 p.m. in the bar, and the open mic was to start in the bowling alley ballroom at 7:30. I sat in the ballroom, eating a sandwich, tuning my guitar, and having conversations with myself in my head. The nightmare had begun.

No one showed up. Every so often someone in the DHS meeting would wander into the bowling alley seeking a quiet place to talk on their phone. They would look at me and turn around and go back toward the bar area. I played a few songs for practice. After an hour and a half, I packed up. I talked to the manager of the hall and we agreed to meet and brainstorm new ideas.

I put my stuff in the car. As I was loading my guitar, a guy walked out of the hall and came toward me.

“Do you need any help loading anything? I was coming back to play with you.”

My heart sank. I sat alone for an hour and a half wishing someone would show up and when I hung it up and packed up, someone shows up. We could have gone back in, but the Hall was winding down and would not be open much longer. And I was packed.

“I’m sorry. I sat there for an hour and a half and nobody came.”

“No worries. Are there other open mics around?”

“There are two other open mics in Deep Ellum on Tuesday. I’m not exactly sure where but they should still be going on for a while.”

I handed him my card and apologized again. As I went around to the driver’s side, I watched him turn right out of the gate and head down the street.

We’ll work things out, make some changes, and try again – or something else. But that doesn’t clear the memory of my host’s nightmare open mic.

Peace be with you.

Okay, so it’s not really a tour. But since I wrote a song for Sack Summer Hunger, I have played it at every show and talked about SSH to increase awareness and support – both volunteers and donations – before the program begins on June 11. So it is, in a way, a tour. Several of the “shows” consisted of playing “What the Lord Intends” for congregations of churches. Which included the congregation of The Norkirk Presbyterian Church Sunday morning. The tour ends this coming Sunday, June 5th, with the Sack Summer Hunger Concert.
[The video is of my show at Angela’s during the DSA Showcase. The SSH song is third.]

The Norkirk is a very friendly church. I felt welcome right away. I was looking forward to seeing Nancy Pratt, who is the Christian Education Director. Nancy and I went to high school together. I wrote for the school paper and Nancy was my first in a long line of editors throughout the years.

I wrote a music review column for the paper. I reviewed albums, books, concerts, and so forth. Since it was for school, my parents paid for most of the concerts. I saw a lot of concerts. I would write my column in the style of Hunter S. Thompson or Tom Wolfe – as a participant rather than an observer.

I never knew how much space was available in the next issue. So I would write until the column was finished. Usually on deadline day, or rather deadline hour. The newspaper office had a manual typewriter. After an hour or more of frantic typing, my fingers were sore, but I had a finished column. She would tell me she had room for 250 words. I would hand her the final copy.

“Here’s 400. You choose the 250.”

I actually think I said that to her once. I hope it was only once, but I doubt it. I wasn’t really trying to be pompous. I had written it as a complete piece and would have a hard time cutting it down. Mainly because I was covering a lot of events, depending on the month. I don’t know that she even remembers, but I will apologize when I get a chance.

I walked into the church to smiles and hellos. I set my guitar down when I spotted the restroom. On my way, Rev. Bill Parr approached me.

“You must be here for our minute for mission.”

“I am.”

“Bill Parr,” he said as he shook my hand. “ We’re glad you’re here.”

After I did what was necessary, I picked my guitar up and went into the sanctuary. I didn’t know what to do, so I set my guitar down at the rear of the sanctuary. I looked up and there was Charlotte and Bruce Gibson. I went over and hugged Charlotte and shook Bruce’s hand.

I was in a band with Bruce’s dad and Charlotte’s ex, Bruce, and Joel Nichols, named Southern Plains. Joel and I were a duo for twenty-five years, with Bruce joining in when we played in Dallas and he was able. Joel and I had a band when we made enough money to pay them. Joel died in 1999. Bruce and I played at his funeral.

I went up in the front of the sanctuary and set my guitar case down out of the way. I pulled out my guitar and quickly tuned it. Several people greeted me and thanked me for being there. Then Nancy came up and gave me a hug. She introduced other members that had gone to W.T. White.

The service was an experience in fellowship. John Reas gave me a very nice introduction. I played What the Lord Intends (Sack Summer Hunger) and the congregation appreciated it, judging from the applause.

I appreciate all of the old friends I meet, and I hope I continue to run into old friends. As well as meet new friends who will become old friends. Far too many old friends are no longer with us.

Peace be with you.

 

Dan at WildflowerI was running late for the Wildflower Arts and Music Festival last Sunday. My scheduled time at the DSA booth by the Courtyard Stage was 4 – 6 p.m. I was to play at 5:30. At 2 p.m., I had to set up the sound for Cat McGee at Mercy Wine Bar where she would play a show at 7 p.m. Then I had to take my son to work. A friend, Raquel Lindemann, said she would cover for me at the booth until I got there. I finally found the yellow tag parking lot. It was in the blue parking garage – go figure.

I entered the festival and proceeded to look for the Courtyard Stage. It is easy to become disoriented in a sea of white booths. I was standing in an intersection of lines of white booths, deciding in which direction I should turn. Suddenly, a big bearded man grabbed me by the shoulders.

“Are you Dan Roark?”

“Yes,” I nodded, searching his face to figure out who he was.

“I’m John Welch. Do you remember me?”

“John, of course I do,” I replied, putting my guitar down to shake his hand. I recognized him from what little I could of his face around his eyes. There’s more than one reason I look people in the eyes when I talk to them.

To cut a rambling conversation short, he asked how we knew each other. It didn’t take but a minute to remember our mutual friend Jim Salerno, who played bongos with me for a few years. I told him I was playing at 5:30 and had to leave. He was still amazed we’d run into each other. We hadn’t seen each other for about thirty-five years. I still wasn’t where I was supposed to be. And it was getting later by the second.

I finally got good directions from someone. I was turning the corner to my left when someone grabbed my left arm. My mind was reeling at this point.

“Dan Roark?”

“Yes,” I nodded. It was getting to be a habit.

“Randy Box, remember me?”

“Absolutely, Randy, how are you doing?” I had recognized him instantly. We talked for just a minute. I told him I was playing at 5:30 and he also said he would try to come listen to me. We hadn’t seen each other in forty-two years.

I finally made it to the booth. I thanked Raquel, and took my place at the booth. Mr. Troll who

Mr. Troll

Mr. Troll

was scheduled to play at 5, started a little early because there was a lull in the lineup. I followed Troll and closed out the stage for 2016. The videos that Harry Hewlett – who also ran sound for the weekend – took of my show can be found on my youtube channel.

After I finished my set, Troll and I walked to the parking garage. I loaded up my guitar and bag and headed for Mercy Wine Bar. Cat’s show was great. The sound was better for her second set. It had been a long day and for some reason, I had trouble with her vocals. I reset everything between sets and it worked out okay. I say all that because, despite any problems I may have had with the sound, Cat’s performance was relatively flawless.

Cat McGee

Cat McGee

You can hear Cat and myself, along with John Mason, at the Sack Summer Hunger Concert on June 5th from 5-6:30 p.m. at Christ United Methodist Church in Farmers Branch. Tickets are $20 with $12 going directly to Metrocrest Social Services and the Sack Summer Hunger program. The SSH program distributes food to children who receive free or reduced lunches during the school year, but don’t get anything during the summer.

Peace be with you.

Since it is Autism Awareness Month, here is a video of my song about those on the autism spectrum – Hello Out There.

Dan at MichaelsIt’s odd how things turn out. You can attribute it to it being a small world, but that does not explain the timing of the incident. God has a hand in it, but he has a lot of things to deal with more important than a chance meeting. Then again, sometimes God’s hand is enough. Be that as it may, these instances are enjoyable to be part of. Reinforces your faith, as it were.

My first night playing at Michael’s Sports Grill on Josey in Farmers Branch, I was hoping someone would come. It had been raining for a couple of days. I was happy to see a friend from church walk in the door. It was Marthann Daft – the purple lady to those who know her (and some who don’t, come to think about it).

Marthann sat at the bar and struck up a conversation with a couple while I was playing. [I’ve been playing long enough to realize that – as long as you play well – they hear you and appreciate you.] Anyway, it turns out that the woman was not only in dentistry – as Marthann has been for decades – but she also knew Marthann’s son, David, who has not been with us for quite some time. Marthann felt as though she had a momentary time with David while connecting with part of his past. I know that through experience, but that is another post.

On another night when I was playing at Michael’s, my daughter, Jennifer, came to hear me. She also sat at the bar. And, again, a couple came in and sat at the bar – Justin and Monica Blackburn. After my last set, Justin helped me get everything in my car except my guitar. Then he and Monica bought me a beer while we talked for a while.

If you recognized the last name and have ever put Blackburn’s preserves, jellies, etc., on your toast, Justin is a part of that family. TJ Blackburn Syrup Company, Inc. is located in Jefferson, Texas. My wife, Cyndy,s, family on her mother’s side is from Jefferson. We own the part of the family land that her mother left her. Justin and I spent time talking about Jefferson before I left.

We all know it’s a small world. Come see me at Michael’s Grill (Fridays and Saturdays 7 – 9 p.m.) – or any of my shows – and you never know who you might run into. At the very least, we can run into each other. That works for me.

Peace be with you.

barbequeIn the shuttle on the way to LAX after the ASCAP Expo last year, Cameron and I were chatting with the driver. In the LA cross town traffic there was plenty of time to chat. There were the usual comments about the traffic, the weather, and the drought. When I told him we were from Texas, the conversation turned to food.

“What do you eat in Texas? I know it’s barbecue in Kansas and Tennessee, but what do you in Texas eat?”

When Cameron and I quit laughing, I decided to forego the pig-cow debate. He might not understand.

“We have barbecue, too. No matter what size town you go to in Texas, you can be sure there’s a barbecue place.”

“Oh, kind of like burritos out here, huh?”                                 Burrito

I guess it’s all in your perspective.

Peace be with you.

E-Flat Porch Band

E-Flat Porch Band

At the Poor David’s Pub Open Mic on Monday, February 15, we had the good fortune to hear the E-Flat Porch Band as the featured act. The band consists of Duane Brown on guitar and Rudy Littrell on the upright bass. Although Rudy sits while he plays, so it’s more like a leaning bass.
But the way he played it made how he played it irrelevant. And Duane was an excellent compliment on guitar.

The band opened the KNON Blues Fest at Poor David’s and Troll invited them to be featured at the open mic. Those who were there for the open mic were glad he did. They played a set that included some standard blues tunes, such as a Robert Johnson song, and Mance Lipscomb’s Relax Your Mind. The duo also played their own song, Sugarcane, that pretty much pulled out all the stops on both bass and guitar.

If you get the chance to see the E-Flat Porch Band, do yourself a favor and do so. From jokes to stories to dueling harmonicas, Duane and Rudy are the complete entertainment package. They have been playing together for twenty years and it shows in their natural camaraderie and harmonious musicality. Blues, Folk, Americana – roots music at it’s best. You need to check out the E-Flat Porch Band.

Peace be with you.

Mr. Troll - Host of Poor David's Pub Open Mic

Mr. Troll – Host of Poor David’s Pub Open Mic

As I mentioned in the last – and other – post(s), at open mics, the opening spot is, as Mr. Troll likes to say, the dreaded opening spot. I’m not sure dreaded is the term. Maybe, avoided like the plague. But there are actually reasons for both why it is a dreaded spot, and why the host opens the show. But one thing at a time.

The most obvious reason for the first slot not being filled is that there are not that many people in the venue at starting time. And there is no time to read the crowd. On the other hand, there are times when someone needs to leave early so they want to play first. As well as those who want to go first while they still have the nerve.

Of course, a lot of people just “don’t want to go first.” I’m sure there’s a chapter in some psychology book on the subject. I sit in the category of “I’d rather not go first.” I don’t mind going first if necessary. But that brings into play the fact that if you do something and do it well, people will want you to do it all the time. Be that as it may, I’m thinking most of us have had an experience growing up when going first simply did not go well.

But the reason the host of an open mic or showcase will open the show is not just because it is the dreaded spot. But it does have a connection to not wanting to go first. If people have not arrived yet, and there’s only a handful of people in the venue, the host can delay the start of the open mic. If there hasn’t been a major influx of people, it would not change the number of songs the performers play.

However, with a showcase, the host’s set would be cut short so that his or her set is the only one affected by the delay of the starting time. As showcase director for the Dallas Songwriters Association, when I plan the showcases that I host, I expect my set to be cut short. There are numerous reasons why a show may be delayed. And there only needs to be one.

So those are my thoughts on the “dreaded opening spot.” I’d be interested to hear your thoughts if you would leave them in the comments.

Peace be with you.

Jeff Hopson

Jeff Hopson

The Poor David’s Pub open mic on Monday (the 8th if you were napping) began the way most of them do – with Mr. Troll in the “dreaded opening spot” (look for an upcoming post on that). Mike Donahue played a mixture of originals and cover songs on the keyboard. I followed Mike with three of my songs, ending with Chocolate Eclairs and Apple Fritters. Since we started late, the featured artist, Jeff Hopson, followed me.

Jeff Hopson has a strong grip, a twinkle in his eye, and his presence commands a second look. He appears to be a cross between Charlie Daniels, David Allan Coe, and Hank Williams Jr. And yet – while there are similiarities – he actually doesn’t really look like any of them. He looks like Jeff Hopson and carries it with character. His songwriting talent is on par with any of the songwriters he appears to resemble.

Hopson doesn’t take himself too seriously. Which is clearly evident in Jeff’s Jeff Hopson 3songs. Particularly a song such as If Jesus was a Texan. When he asked if anyone knew who Jack Kerouac was, and nearly everyone raised their hand, Hopson commented that it was the most people at any one show that had responded positively. Then he played his introspective song, Kerouac On the Run.

Jeff’s set also included Novel Sort of Man. Which is the type of country song with some depth and clever word play. No obligatory mention of trains, trucks, or Texas destinations. The only name he dropped was Clark Gable – and he would have appreciated the reference.

You can hear Jeff Hopson and the Heretics on Tuesday nights at the open mic at Tavern on Main Street in Richardson. The music begins at 8 p.m. He is an attentive and appreciative host. And they have good food and drinks as well.

Charlotta Clutter

Charlotta Clutter

John Mason and Brad Eubanks, respectively, followed Jeff Hopson. You can hear John Mason on February 16 at the Dallas Songwriters Association third Tuesday showcase at Sons of Hermann Hall. After Brad Eubanks played, Troll introduced Charlotta Clutter.

Charlotta Clutter is a young woman from New Hampshire. When I met Charlotta, she made me think of beatniks – not the totality of the reality, but simply the sense of non-conformity. Her eyes revealed an innocence belying the things to come. Combined with self-reliance for what is known and acceptance of – and openness to – what is to come. A readiness to turn any new lessons learned into a song and move on to the next lesson. An introverted extrovert. (I’ll wait for you to either look them up, or, more likely, say “I can relate.”)

Charlotta has a casual stage presence that reminded me of women folk singers in the sixties and seventies. An intentional reliance on the song itself to make the point and the confidence that it would. And she’s also funny as hell.                                                                                   Charlotta Clutter 2

“Do you go to the dump here?” Of course everyone laughed. When we say the dump, we mean the furniture store. “Back home we go to the dump once a week to see what everyone is throwing away and socialize.”

I’m not exactly sure what the name of the song is, other than possibly, The Dump. But it tells about a woman going to the dump and discovering that her ex had thrown away their dirty secrets in a clear plastic bag, for everyone to see. Causing humorous reactions.

Charlotta’s other two songs were Playing Second Fiddle to a Fiddle and Alphabet of Regrets. All three songs have interesting word play and twists. You can hear her yourself at the DSA Tuesday Showcase/Open mic mentioned earlier. Dean Harlem, also from New Hampshire, opened his set with a Townes Van Zandt tune. He will be at the open mic as well.

Flight School Nurses, a DJ, took the evening’s music in a whole new direction, with colorful lights. The inimitable Tin Man Travis followed him. Then David Lavinette took the stage. If I’m not mistaken, the evening ended with a jam that included Carlos Sanchez, Tin Man Travis, who knows who all, and Troll on his new conga drums.

Peace be with you.

Pastor Cassie Wade introducing me

Pastor Cassie Wade introducing me

I would like to thank the congregation of Jacksboro FUMC for their gracious welcome, and their generosity with the love offering at my show. They invited Cyndy and I to worship with them at the service, and I sang Follow the Angels for the offertory and played on the two closing hymns. Following the service, Pastor Cassie Wade and her husband, Kelly, served lunch at the parsonage for the four of us, and Karlene Boucher, the Choir Director. We had a nice visit over a lunch of hamburgers and potato salad, with strawberries, angel food cake, and whipped cream for dessert.

Cyndy and I have known Cassie and Kelly for years. Among other things, it was a day of Dan Roark playing in worship service 1-31-'16interesting facts and occurrences. My family lived on Hollandale Avenue in Wichita Falls in the late ‘60s. It turns out that Karlene Boucher lives on Hollandale – and has for many years -although after we lived there. She drives down on Wednesdays and Sundays to Jacksboro.

But wait, there’s more. While we were in the worship service, our granddaughter, Kelley, was sitting with the Wade’s daughter, Amber, and her daughter (the Wade’s granddaughter – if you’re keeping score), at our home church, Christ UMC, Farmers Branch. Our son, Cameron, was keeping an eye on Kelley from the A/V booth. Interesting, is it not?

Dan Roark show at FUMC 1-31-'16 fMy show was from 3-4 p.m. The audience was very receptive and attentive. It made performing for them all that much more enjoyable. A number of them had very kind words after the show. I will share a video of some of the show when it’s complete.

Peace be with you.