Category: Current events


West Texas Mammoths 1In a previous open mic tales post, I talked about the two guitarists of West Texas Mammoths. David Kapsner and Michael Jekot played an acoustic set that night. Michael sat in with me on my song, Chocolate Eclairs and Apple Fritters. Monday night I had the pleasure – as did all those in attendance at the Poor David’s Pub open mic, hosted by Mr. Troll, to see the whole band play. There was a decent crowd, there for both the band and the open mic.

The duo played a very good acoustic set the previous time. The full band played a fantastic set equally as impressive as the acoustic show, but on a different level. That level was set by the punch and drive of Tyler Rosa on bass and Joseph Noga on drums. The set began with Backwoods, and One More Beer, from their three song EP. And every band needs a beer song. Red Dress, and Moth to Flame, preceded Wasted Days, the third song from the EP. So Cold came next.

Pistol Point was the next to last song, but was easily the best song of the set. All of WTM’s songs are steady West Texas Mammoths 2driving songs with the nicely timed leads of Michael Jekot. Kapsner kept the rhythm in his own right as his vocals blended seamlessly into the songs. But, in Pistol Point, they pulled out all the stops. The band whipped into jam mode, with the two guitarists playing duel leads reminiscent of the Allman Brothers. Queen of Diamonds nicely wrapped up the set.

It is refreshing to hear a young rock band that is more into playing good music than outer trappings and a spastic stage show. They took control with the first song and never let go, with one song driving into the next. You have a chance to hear them for yourselves. They are playing at Trees tomorrow night with Bart Crow, Madison King, and Marcus Woolverton. Don’t miss the chance for a really good show.

Peace be with you.

Dan Roark 2If you weren’t at the inaugural DSA Third Tuesday Showcase/Open Mic, you really missed out – seriously. You missed out a great show. You missed out on playing the open mic. And you missed out on hearing music in Sons of Hermann Hall, a historic building with a history preceding Elm St./Deep Ellum and even country music (obviously not Elm St. the street, but the Elm St. of the blues). The acoustics in the Old Bowling Alley Ballroom need to be experienced. And, yes, it used to be a bowling alley.

Host Dan Roark played an abbreviated set due to circumstances. He included the Hitchhiking Song which is about an actual occurrence. Dan ended with River That Flows, one of his signature songs that he co-wrote with Tim Duggins.

Cat McGee

Cat McGee

Cat McGee (don’t you love that name) played next and presented an excellent set of songs and stories. The soft-spoken nature of her speaking voice belies the power in her singing voice. She talked of the fellow worker who was pregnant and shared her experiences with Cat. Nine months later, she had a baby, and Cat had a song. You can hear her music and find out more on her website and her Facebook page.

Terry Bloss mentioned how lucky he was to be there. Sunday night he had no voice at all. But thanks to the tag team of God and his doctor, he was ready to sing. He did not play a full set, electing to ere on the side of caution. Terry did, however, perform some of his best songs. Which included a new song

Terry Bloss

Terry Bloss

entitled I’m Being Terrorized.

John Mason was the only singer/songwriter who signed up for the open mic. Which is a shame because there was a small, but enthusiastic crowd who enjoyed the songs and the music. John has a hypnotic voice and writes very good songs. He commented that he was there for the acoustics.

Those who didn’t come out missed the chance to play for that enthusiastic crowd and with the good acoustics. But never fear, you will have another chance on Tuesday, February 16th at the next Third Tuesday Showcase/Open Mic. The showcase performers will be announced later, but put it on your calendar so you can plan to join us for the showcase and play in the open mic.

John Mason

John Mason

 

Peace be with you.

 

Platonic Mistress

Platonic Mistress

Mr. Troll’s birthday is January 18th, which means this year it was on a Monday and coincided with the Poor David’s Pub open mic, which is hosted by …wait for it … Mr. Troll. As usual Carlos Sanchez was on sound with Samantha Sanders behind the bar. Poor David and the Mrs. even made an appearance. Again – as per usual – Troll took the “dreaded first slot.”

The regular suspects were in attendance and on the list – myself, Baylis Laramore, Darren Rozell, Tin Man Travis, and John Mason. Joe the Bear and David Lavinette played for the first time. Mike Randolph with his Moog Etherwave Theremin, made his second appearance. Scott Thornton was in the Philippines on an Zen retreat and was unable to make it.

Happy Birthday, Mr. Troll!

Happy Birthday, Mr. Troll!

The featured artist was Platonic Mistress out of Ft. Worth. The trio of Fernando Page, guitarist and instigator, Rob Blevins on bass, and Dylan Rocamontes on drums played in-your-face rock and roll. On their Facebook page, they call it power pop or new wave with stinging alternative rock undertones, but, as Billy Joel said, “it’s still rock and roll to me.” Call it what you want, they did it well.

You can find their music on SoundCloud. At one point, Page told the crowd that he realized his finger was bleeding, and he apologized. Apparently a few days before he had played his fingernail to the quick. But why he apologized – and he apologized at least twice – I’ll never know. No one really noticed it before he said something. And after he mentioned it, it was all we could see. F.Y.I. to performers – don’t apologize – most of the audience will never know.

Regardless of the apologies, Platonic Mistress kept up the groove going and rocked the house. The trio has an undeniable chemistry combined with youthful energy. The singer-songwriters on the list provided an interesting counterpoint of age and wisdom. Not to mention the celebration of Troll’s birthday with two candles on a cookie cake (provided by Samantha) and a rousing Happy Birthday song. The evening ended – as open mics often do – with a jam.

Peace be with you.

1 Last Chance 1There were two featured artists at the Poor David’s Pub open mic on Monday night, January 11, hosted by Mr. Troll. Actually more like a featured artist and special guest. 1 Last Chance was the featured artist. The band, from Oxford, Mississippi, consists of Brandon McDaniel on lead guitar, Jacob Hampton on guitar, and Johnathan Ray on drums.

They call themselves a combination of punk, alternative, and progressive, rock. I detected a smattering of grunge as well. With Ray’s driving force on drums and Brandon’s rythmnic control on guitar, it was easy to forget there was no bass player. From one high intensity song to1 Last Chance 2 another, the intensity did not waiver throughout the set.

They played all three songs from their EP, This Nowhere – A Perfect Machine, Changes, and Devin. The EP was released in July of 2015. They ended the set with a punk version of (I’m not your) Steppin’ Stone that Mickey Dolenz of the Monkees would call “interesting.” 1 Last Chance is headed to Norman, Oklahoma, Amarillo, and Fort Stockton, Texas before heading back toward Mississippi. They are scouting potential studios for their next recording sessions while they are on the road.

Ghoulies 1The “special guest” was sound man Carlos Sanchez and the Ghoulies. They are a six piece band. I don’t have any names, other than Carlos. Hopefully, Troll will post in the comments with their names. They covered Eric Clapton and Texas Tornadoes, and did them well. At the end of the open mic, a few members of the Ghoulies joined Scott Thornton and Tin Man Travis for an all out jam.

Peace be with you.

Space Gringos 2The first open mic tales post of the new year is about the featured artist at the last open mic at Poor David’s Pub – hosted by Mr. Troll – of 2015. The featured artist was Space Gringos. Troll wrote a post about them being the featured artist, but their music is not online – yet, read on. So I had no idea what to expect.

Troll kicked off the open mic, as usual. Three other songwriters played their songs. Then Space Gringos set up on stage. The serious electronic drum set that Tim Moffet was setting up made me wonder what type of music we were about to hear. Then his brother, Dan, set up their personal monitors and broke out his AX-Synth Synthesizer and looper which took my thoughts of what we were about to hear in a totally new direction.                                                                                                                          Space Gringos

When they kicked off their set, there was a familiarity with some of their music I couldn’t place. Then either Tin Man Travis or Troll said the synthesizer reminded him of Edgar Winter. Which explained the familiarity I felt. Except that the keyboard, then synthesizer, that Winter first played was much bigger and bulkier than the sleek AX-Synth.

Space Gringos is an apt name. With the driving beat of Tim’s drums, and Dan’s synthesizer and looping finesse, the result is full sounding in-your-face rock –  with a liberal dose of otherworldly quality reminiscent of not only Edgar Winter, but some of David Bowie’s work. Which you will be able to hear soon – I told you to read on – their album will be on CD Baby soon. In the meantime, you can find them on Facebook and Bandmix. Be sure to catch their show when you can.

Peace be with you.

DSC07035Most recipes for the mix that I have known are all similar. I think my mom called it Chex mix when I was younger – which makes sense. Cyndy’s mom’s recipe calls it Texas Nibbles. It consists of three kinds of Chex cereal, Cheerios, Kix, pretzel sticks, and mixed nuts. And spices, but you’re on your own there – I’m not allowed to give that away.

Cyndy usually makes two batches each year. The first batch sits on the stove and we all eat on it for days. The second batch gets divvied up and put in plastic bags for each of us.

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Pardon my absence there for a bit, I couldn’t write about the mix without going in and having some. Besides, it’s research for the post.
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Each year I have observed different people eating the mix. But that’s all I did. This year I decided to name and describe the methods for eating the mix.

The Scoop Method – This is the care-free, take what you get, style of grabbing a bowl and haphazardly scooping up a bowl full. The ratio of ingredients is torn asunder. Then they just randomly eat some until they can just shake some into their mouths. This could actually be hazardous if they don’t keep an eye out for the pretzel sticks.

The Handful Method – This method is similar to the scoop method. However, the handful people pick the pretzel sticks out first to eliminate the hazard. But then they still throw caution to the wind as to the ingredient ratio and funnel it into their mouths.

The Handful But Picky Method – As you would expect it is similar to the handful method. They still eliminate the pretzel stick situation. But then they eat the rest in order of favorite ingredients – all of the Cheerios, then all of the Kix, all of the Chex, and so on, ending with their “best” ingredient.

The Selfish Picky Method – This type stands over the mix and picks out all of their favorite ingredients, leaving the ones they don’t like as much. Such as eating all of the nuts and the pretzels, leaving the rest. Which renders the ratio of ingredients unrepairable for everyone else.

The Handful But Reasonable Method – This is of course my type of eating the mix, which naturally makes the most sense. I too have a few pretzels first to eliminate the hazard, and have a nut or two. Then I get a proper ratio of the rest of the ingredients. I pick out the same number of each cereal each time until I grow weary and dump the rest in my mouth – staying true to the ratio theory.

Sporadically, I will throw caution to the wind and just randomly grab a handful of mix and funnel it gradually into my mouth. Then I try to not think about it and go back to whatever I was doing when I stopped for mix. And that works for a couple of minutes. Inevitably though, I give up, and go back to do the process right to make me feel better.

Most of you have eaten from a snack mix, whether it be a bag of mix from the store, or a homemade mix like I’m referring to. What is your preferred method of eating from a mix? And also, what habits of other people irritate you at a get together or party? Inquiring minds want to know.

Peace be with you.

DSC07035[Re-posted from last year at this time. This year’s observations will be in a following post.]

It began years ago with the recipe on the Chex cereal boxes. Then everyone’s grandmother added their particular additional ingredients. It took on different identities: nibbles, trash, Texas trash, and others. Cyndy’s mom’s recipe is for Texas Nibbles. Our daughter, Jennifer, fixed several different varieties: no nuts, hot, not hot, really hot – you get the idea.

But the point is that – in any variety – the mix is addicting. It is the one thing left over that you don’t have to do anything for but grab a handful. No cutting a pie, no getting a plate dirty, no digging in the refrigerator. Just grab a handful. And it’s salty.

We give containers of mix to the family for Christmas. We also usually receive a container from Jennifer. Naturally, this year was no different. But some things have changed. We still go to my parents on Christmas. But we don’t have a big meal anymore. Mom is not able to cook and serve the meal any longer. Cyndy and I take the Thanksgiving dinner to them – just dropping off food for them and visiting a short while.

On Christmas day Mom and Dad buy snack trays and deli sandwiches. Cyndy, Conner, Cameron, J.D. and myself – often in more than one car – meet Jennifer, her husband, Chris, and their daughter, Kelley, at the grandparents house. This year, Chris’ daughter, Katherine, was able to join us. Rather than have the meal (usually brunch), we go straight to the gift exchange.

Then we all get our stockings from the grandparents, snack a while, and visit. Visiting is the most important part. It is the part that does not and should not change. The people may change slightly from year to year due to life’s circumstances. But the family fellowship does not change.

Our family is one that gets what they need throughout the year. We give gifts to each other all year. Christmas is not about the gifts. It is about celebrating Christ’s birth. And it is also about family – in all it’s facets.

But the one constant between Christmas and New Year’s in our family is the presence of Texas Nibbles. The mix goes quickly around Christmas and then slows down to a steady rate of consumption. The salty after the sweet. Just grab a little and go kind of thing.

I don’t know what Cyndy and I will be watching tonight while waiting on midnight. But I can tell you what we won’t be watching – the countdowns to midnight. I can, however, tell you one thing for certain. We will be eating Texas Nibbles from the bag I have stashed.

Happy New Year! Peace be with you!

Dan Roark and Roy Elkins

Dan Roark and Roy Elkins

People began to arrive at Sons of Hermann Hall at 6:30 on Tuesday, December 8 for the Dallas Songwriters Association (DSA) Song Contest Award Ceremony and Christmas party. Board members Barbe McMillen, Bobby Montgomery, Ken Duren, and Dan Roark, with member and SOHH employee, Lisa Byrn, David Lewis (SOHH), and the sound man, Logan Hughes, had arrived early to set up the hall. Master of Ceremonies for the evening, Roy Elkins, CEO of Broadjam.com, pitched in to help Bobby set up the food tables. Board member, James Pappas, owner of Dallas Ice Sculptures, supplied the Christmas tree sculpture for the table.
Christmas Tree Ice Sculpture
The ceremony began promptly at 7 p.m. with a welcome from Barbe McMillen, DSA Founding President Emeritus and an explanation of the song contest process and breakdown of prizes. She then introduced MC Roy Elkins. As mentioned earlier, Roy is founder and ceo of Broadjam.com. He came down from Wisconsin a day early to present a free workshop the night before at Tone Shop Guitars in Addison. The workshop was called Your Music and Your Business. Elkins shared from his experiences in the music business and Broadjam, as well as information from music contacts. More information about the workshop can be found here.

AudienceAfter a few opening comments, Roy introduced Dickey Johnson. Dickey, along with Mary Guthrie and Mary Hestand (Sugar Daddy and the M&Ms), played his winning critique song, Alone with Alone. Then Elkins introduced Dan Roark, Showcase, Workshop, and Lyric Contest Director. Dan gave a short bio of the Americana judge, Kendra Terry, booking manager at Uncle Calvin’s Coffee House. He read the list of semifinalists and announced the winners.

Roark then introduced Katie Riley, with her mother and sister. They played both of Katie’s Dan Roarksemfinal songs, I Believe (Christian), and Dry Bones (Pop/rock). After which, Dan gave a short bio of the Christian/Inspirational judge, Scott Dicken, currently music director at Christ United Methodist Church in Farmers Branch. He then read the semifinalists and announced the winners, before introducing Rio King. Rio played his four winning critique songs, Sweet Rolls and Cream, Boogie Woogie Rhythm, Boomer Boogie, and The Old Wrecked Vet.

Roy Elkins stepped back up and introduced Bobby Montgomery, DSA Executive Vice President, and 2014 Songwriter of the year. Bobby gave a short bio of Larry Beaird, owner of Beaird Music Group, and judge of the country category. After reading the semifinalists and announcing the country winners, Montgomery introduced M’Lynn Musgrove. M’Lynn played her two semifinalist songs, Healed, and Preaching to the Choir, both in the singer-songwriter category.

M'Lynn Musgrove

M’Lynn Musgrove

Elkins then introduced Michael Brandenberger, DSA President. Michael gave a bio of the Instrumental judge, Tony Hakim, owner of jazz venue, Kitchen Café, and a positive force in the Dallas-Ft. Worth jazz scene for over 25 years. After reading the semifinalists and announcing the winners, Brandenberger introduced Dori Weavers, who played her winning critique song, Waiting to Breathe. He then read the Love Songs/Easy Listening semi-finalists and announced the winners.

Barbe McMillen came back to the podium to give a bio of the Children’s/Novelty judge, Monty Harper, who has been on the Oklahoma Arts Council Touring Roster since 1995. Barbe read the semifinalists and announced the winners. She then introduced, Jon Storm. Jon played his semifinalist song in the Pop/Rock category, Love Me Now.

Roy Elkins returned to the podium and introduced Harry Hewlett, co-director of the song

Warren Hanson

Warren Hanson

contest this year and director next year. Harry gave a short bio of Pop/Rock judge Kathy Forste, who has worked in television and radio for the past 30 years in various capacities. He read the semifinalists and announced the winners. Then he introduced Warren Hanson, who performed his semifinalist song in the singer-songwriter category, Just Lucky I Guess.

Roy Elkins returned to introduce Michael Waid. Michael performed his singer-songwriter semifinal song, Lost and Found. Roy then introduced Jennifer Marler, who, joined with her husband, Justin, played her semifinalist song, Memories Don’t Burn. Then Elkins called Barbe McMillen back to the podium.

Harry Hewlett, Dori Weaver, and Michael Brandenberger

Harry Hewlett, Dori Weaver, and Michael Brandenberger

Barbe gave a brief bio of singer-songwriter judge, David Card, owner of Poor David’s Pub, one of Dallas’ best listening rooms. David also founded the BW Stevenson Memorial Singer-Songwriter Competition. Then Barbe read the semifinalists and announced the winners. She then announced the winner of the iPod for which each contest entrant received an entry. The winner was Samuel Miller from Chico, California. Miller’s song, Can’t Get Enough, was a semifinalist song in the singer-songwriter category.

McMillen explained the judging process – which can be found on the DSA website – and introduced grand prize judge, Roy Elkins. Roy talked about the song entries and announced the Grand Prize winner. He then introduced Buck Morgan, who played his winning critique song, Jimmy Loves Jesus. Elkins then introduced Bobby Montgomery, who played his winning critique song, Give ‘Em Time, Lord.

Harry Hewlett, Rio King,Barbe McMillen

Harry Hewlett, Rio King,Barbe McMillen

Roy brought Harry Hewlett back to the podium. Harry explained the process for song of the year. Then he gave a short bio of the song of the year judge, Ian Dickson, a singer-songwriter having performed for a number of years. Then Harry announced the Song of the Year winner. Harry made some closing remarks and then Michael Brandenberger started the open mic. A list of semifinalists can be found here and the a list of winners can be found here.

Although time and space did not allow me to elaborate more, all the performances were wonderful and the evening was a huge success.

Keep writing the songs that are in your heart.

Caroling 4A week ago yesterday, I accompanied the children, and my granddaughter Kelley, as they went to the youth and adult Sunday school classes and sang Christmas carols at Christ United Methodist Church. After gathering, and coloring with crayons, the children left the gym and headed upstairs. We gathered in the hall of the youth wing above the gym. The children sang a couple of Christmas carols as the youth and leaders came out of their classrooms to listen and join along.

Then the children went to each adult Sunday school class. After entering each class they sang  one  carol and Caroling 1then filed out singing a second song. Many of the adults sang along. The glow on their faces at times rivaled that on the children’s faces. When the children had visited all of the Sunday schools, they headed for the gym. In the gym, the children sat at tables, colored pictures, and talked as the leaders served Jesus’ birthday cake to each table. They also had water or juice to drink.

As the Sunday school time came to a close and parents began picking up the children, one thing was clear. With seeing St. Nick the morning before, and putting on the Christmas Cafe musical the evening before, going caroling, and celebrating Jesus’ birthday, the children definitely had a good head start on the spirit of Christmas. Their eyes displayed the tired joy of celebration (albeit with sugar rush). And the best part of it? Christmas is yet to come!

Peace be with you.    Birthday party for Jesus