Category: writing


1 Last Chance 1There were two featured artists at the Poor David’s Pub open mic on Monday night, January 11, hosted by Mr. Troll. Actually more like a featured artist and special guest. 1 Last Chance was the featured artist. The band, from Oxford, Mississippi, consists of Brandon McDaniel on lead guitar, Jacob Hampton on guitar, and Johnathan Ray on drums.

They call themselves a combination of punk, alternative, and progressive, rock. I detected a smattering of grunge as well. With Ray’s driving force on drums and Brandon’s rythmnic control on guitar, it was easy to forget there was no bass player. From one high intensity song to1 Last Chance 2 another, the intensity did not waiver throughout the set.

They played all three songs from their EP, This Nowhere – A Perfect Machine, Changes, and Devin. The EP was released in July of 2015. They ended the set with a punk version of (I’m not your) Steppin’ Stone that Mickey Dolenz of the Monkees would call “interesting.” 1 Last Chance is headed to Norman, Oklahoma, Amarillo, and Fort Stockton, Texas before heading back toward Mississippi. They are scouting potential studios for their next recording sessions while they are on the road.

Ghoulies 1The “special guest” was sound man Carlos Sanchez and the Ghoulies. They are a six piece band. I don’t have any names, other than Carlos. Hopefully, Troll will post in the comments with their names. They covered Eric Clapton and Texas Tornadoes, and did them well. At the end of the open mic, a few members of the Ghoulies joined Scott Thornton and Tin Man Travis for an all out jam.

Peace be with you.

Space Gringos 2The first open mic tales post of the new year is about the featured artist at the last open mic at Poor David’s Pub – hosted by Mr. Troll – of 2015. The featured artist was Space Gringos. Troll wrote a post about them being the featured artist, but their music is not online – yet, read on. So I had no idea what to expect.

Troll kicked off the open mic, as usual. Three other songwriters played their songs. Then Space Gringos set up on stage. The serious electronic drum set that Tim Moffet was setting up made me wonder what type of music we were about to hear. Then his brother, Dan, set up their personal monitors and broke out his AX-Synth Synthesizer and looper which took my thoughts of what we were about to hear in a totally new direction.                                                                                                                          Space Gringos

When they kicked off their set, there was a familiarity with some of their music I couldn’t place. Then either Tin Man Travis or Troll said the synthesizer reminded him of Edgar Winter. Which explained the familiarity I felt. Except that the keyboard, then synthesizer, that Winter first played was much bigger and bulkier than the sleek AX-Synth.

Space Gringos is an apt name. With the driving beat of Tim’s drums, and Dan’s synthesizer and looping finesse, the result is full sounding in-your-face rock –  with a liberal dose of otherworldly quality reminiscent of not only Edgar Winter, but some of David Bowie’s work. Which you will be able to hear soon – I told you to read on – their album will be on CD Baby soon. In the meantime, you can find them on Facebook and Bandmix. Be sure to catch their show when you can.

Peace be with you.

DSC07035[Re-posted from last year at this time. This year’s observations will be in a following post.]

It began years ago with the recipe on the Chex cereal boxes. Then everyone’s grandmother added their particular additional ingredients. It took on different identities: nibbles, trash, Texas trash, and others. Cyndy’s mom’s recipe is for Texas Nibbles. Our daughter, Jennifer, fixed several different varieties: no nuts, hot, not hot, really hot – you get the idea.

But the point is that – in any variety – the mix is addicting. It is the one thing left over that you don’t have to do anything for but grab a handful. No cutting a pie, no getting a plate dirty, no digging in the refrigerator. Just grab a handful. And it’s salty.

We give containers of mix to the family for Christmas. We also usually receive a container from Jennifer. Naturally, this year was no different. But some things have changed. We still go to my parents on Christmas. But we don’t have a big meal anymore. Mom is not able to cook and serve the meal any longer. Cyndy and I take the Thanksgiving dinner to them – just dropping off food for them and visiting a short while.

On Christmas day Mom and Dad buy snack trays and deli sandwiches. Cyndy, Conner, Cameron, J.D. and myself – often in more than one car – meet Jennifer, her husband, Chris, and their daughter, Kelley, at the grandparents house. This year, Chris’ daughter, Katherine, was able to join us. Rather than have the meal (usually brunch), we go straight to the gift exchange.

Then we all get our stockings from the grandparents, snack a while, and visit. Visiting is the most important part. It is the part that does not and should not change. The people may change slightly from year to year due to life’s circumstances. But the family fellowship does not change.

Our family is one that gets what they need throughout the year. We give gifts to each other all year. Christmas is not about the gifts. It is about celebrating Christ’s birth. And it is also about family – in all it’s facets.

But the one constant between Christmas and New Year’s in our family is the presence of Texas Nibbles. The mix goes quickly around Christmas and then slows down to a steady rate of consumption. The salty after the sweet. Just grab a little and go kind of thing.

I don’t know what Cyndy and I will be watching tonight while waiting on midnight. But I can tell you what we won’t be watching – the countdowns to midnight. I can, however, tell you one thing for certain. We will be eating Texas Nibbles from the bag I have stashed.

Happy New Year! Peace be with you!

Dan Roark and Roy Elkins

Dan Roark and Roy Elkins

People began to arrive at Sons of Hermann Hall at 6:30 on Tuesday, December 8 for the Dallas Songwriters Association (DSA) Song Contest Award Ceremony and Christmas party. Board members Barbe McMillen, Bobby Montgomery, Ken Duren, and Dan Roark, with member and SOHH employee, Lisa Byrn, David Lewis (SOHH), and the sound man, Logan Hughes, had arrived early to set up the hall. Master of Ceremonies for the evening, Roy Elkins, CEO of Broadjam.com, pitched in to help Bobby set up the food tables. Board member, James Pappas, owner of Dallas Ice Sculptures, supplied the Christmas tree sculpture for the table.
Christmas Tree Ice Sculpture
The ceremony began promptly at 7 p.m. with a welcome from Barbe McMillen, DSA Founding President Emeritus and an explanation of the song contest process and breakdown of prizes. She then introduced MC Roy Elkins. As mentioned earlier, Roy is founder and ceo of Broadjam.com. He came down from Wisconsin a day early to present a free workshop the night before at Tone Shop Guitars in Addison. The workshop was called Your Music and Your Business. Elkins shared from his experiences in the music business and Broadjam, as well as information from music contacts. More information about the workshop can be found here.

AudienceAfter a few opening comments, Roy introduced Dickey Johnson. Dickey, along with Mary Guthrie and Mary Hestand (Sugar Daddy and the M&Ms), played his winning critique song, Alone with Alone. Then Elkins introduced Dan Roark, Showcase, Workshop, and Lyric Contest Director. Dan gave a short bio of the Americana judge, Kendra Terry, booking manager at Uncle Calvin’s Coffee House. He read the list of semifinalists and announced the winners.

Roark then introduced Katie Riley, with her mother and sister. They played both of Katie’s Dan Roarksemfinal songs, I Believe (Christian), and Dry Bones (Pop/rock). After which, Dan gave a short bio of the Christian/Inspirational judge, Scott Dicken, currently music director at Christ United Methodist Church in Farmers Branch. He then read the semifinalists and announced the winners, before introducing Rio King. Rio played his four winning critique songs, Sweet Rolls and Cream, Boogie Woogie Rhythm, Boomer Boogie, and The Old Wrecked Vet.

Roy Elkins stepped back up and introduced Bobby Montgomery, DSA Executive Vice President, and 2014 Songwriter of the year. Bobby gave a short bio of Larry Beaird, owner of Beaird Music Group, and judge of the country category. After reading the semifinalists and announcing the country winners, Montgomery introduced M’Lynn Musgrove. M’Lynn played her two semifinalist songs, Healed, and Preaching to the Choir, both in the singer-songwriter category.

M'Lynn Musgrove

M’Lynn Musgrove

Elkins then introduced Michael Brandenberger, DSA President. Michael gave a bio of the Instrumental judge, Tony Hakim, owner of jazz venue, Kitchen Café, and a positive force in the Dallas-Ft. Worth jazz scene for over 25 years. After reading the semifinalists and announcing the winners, Brandenberger introduced Dori Weavers, who played her winning critique song, Waiting to Breathe. He then read the Love Songs/Easy Listening semi-finalists and announced the winners.

Barbe McMillen came back to the podium to give a bio of the Children’s/Novelty judge, Monty Harper, who has been on the Oklahoma Arts Council Touring Roster since 1995. Barbe read the semifinalists and announced the winners. She then introduced, Jon Storm. Jon played his semifinalist song in the Pop/Rock category, Love Me Now.

Roy Elkins returned to the podium and introduced Harry Hewlett, co-director of the song

Warren Hanson

Warren Hanson

contest this year and director next year. Harry gave a short bio of Pop/Rock judge Kathy Forste, who has worked in television and radio for the past 30 years in various capacities. He read the semifinalists and announced the winners. Then he introduced Warren Hanson, who performed his semifinalist song in the singer-songwriter category, Just Lucky I Guess.

Roy Elkins returned to introduce Michael Waid. Michael performed his singer-songwriter semifinal song, Lost and Found. Roy then introduced Jennifer Marler, who, joined with her husband, Justin, played her semifinalist song, Memories Don’t Burn. Then Elkins called Barbe McMillen back to the podium.

Harry Hewlett, Dori Weaver, and Michael Brandenberger

Harry Hewlett, Dori Weaver, and Michael Brandenberger

Barbe gave a brief bio of singer-songwriter judge, David Card, owner of Poor David’s Pub, one of Dallas’ best listening rooms. David also founded the BW Stevenson Memorial Singer-Songwriter Competition. Then Barbe read the semifinalists and announced the winners. She then announced the winner of the iPod for which each contest entrant received an entry. The winner was Samuel Miller from Chico, California. Miller’s song, Can’t Get Enough, was a semifinalist song in the singer-songwriter category.

McMillen explained the judging process – which can be found on the DSA website – and introduced grand prize judge, Roy Elkins. Roy talked about the song entries and announced the Grand Prize winner. He then introduced Buck Morgan, who played his winning critique song, Jimmy Loves Jesus. Elkins then introduced Bobby Montgomery, who played his winning critique song, Give ‘Em Time, Lord.

Harry Hewlett, Rio King,Barbe McMillen

Harry Hewlett, Rio King,Barbe McMillen

Roy brought Harry Hewlett back to the podium. Harry explained the process for song of the year. Then he gave a short bio of the song of the year judge, Ian Dickson, a singer-songwriter having performed for a number of years. Then Harry announced the Song of the Year winner. Harry made some closing remarks and then Michael Brandenberger started the open mic. A list of semifinalists can be found here and the a list of winners can be found here.

Although time and space did not allow me to elaborate more, all the performances were wonderful and the evening was a huge success.

Keep writing the songs that are in your heart.

Caroling 4A week ago yesterday, I accompanied the children, and my granddaughter Kelley, as they went to the youth and adult Sunday school classes and sang Christmas carols at Christ United Methodist Church. After gathering, and coloring with crayons, the children left the gym and headed upstairs. We gathered in the hall of the youth wing above the gym. The children sang a couple of Christmas carols as the youth and leaders came out of their classrooms to listen and join along.

Then the children went to each adult Sunday school class. After entering each class they sang  one  carol and Caroling 1then filed out singing a second song. Many of the adults sang along. The glow on their faces at times rivaled that on the children’s faces. When the children had visited all of the Sunday schools, they headed for the gym. In the gym, the children sat at tables, colored pictures, and talked as the leaders served Jesus’ birthday cake to each table. They also had water or juice to drink.

As the Sunday school time came to a close and parents began picking up the children, one thing was clear. With seeing St. Nick the morning before, and putting on the Christmas Cafe musical the evening before, going caroling, and celebrating Jesus’ birthday, the children definitely had a good head start on the spirit of Christmas. Their eyes displayed the tired joy of celebration (albeit with sugar rush). And the best part of it? Christmas is yet to come!

Peace be with you.    Birthday party for Jesus

St. Nick's entrance

St. Nick’s entrance

Every year, for a number of years now, due to the efforts of Debbie Darland, her family, and volunteers, St. Nick/Santa has arrived at Christ UMC in Farmers Branch on a Saturday in December. This year it was December 12th. As Santa was still making his way there, the morning began with a sing-a-long led by Youth Director David Magallanes with Jaime Boenig and Jack Texada.

After the sing-a-long, Debbie announced that Mrs. Claus was sick and would not read the Christmas story this year. And since Santa was “still stuck in traffic,” Katheryn Taylor would read to the children. Which she did, quite well. Since she helps with the children on a regular basis, they were very receptive to her.

Then Santa arrived, preceded by a penguin. Why the penguin led him in is still a mystery. Since Mrs. Claus was ill did a penguin fill in? Why wasn’t an elf taking her place? Do people prefer penguins over elves? And why make us choose between elves and penguins anyway?

Regardless of the penguin/elf debate, Santa took his seat and began to call the children to him. Which Jamie Boenig, David Magallanes, Jack Texadasounds like someone else we know who is associated with Christmas. The children wanted to see Santa Claus. But they also spent time at the manger scene to the right of the stage, looking at baby Jesus.

A list was posted of the order in which the children would be called to see Santa. The families who were further down the list went to get breakfast so they could eat before their child/children’s names were called. Those at the first of the list would eat after talking to Santa and having their picture taken. Members of the Pathfinders Sunday school class cheerfully cooked and served the breakfast.

Rachel Meier and Carly ImthurnSanta finally made his way through all the children and headed on to the next stop. The youth helped to clean up the gym and the Pathfinders class cleaned the kitchen. The children headed home with their parents. Some of the children would be asleep before too long. But all left excited and happy. Thanks to Debbie Darland and family, the youth, Pathfinders class, and all other volunteers not named here for another successful Breakfast with St. Nick, with 80 children this year.

Peace be with you.

Roy Elkins 1Roy Elkins, CEO of Broadjam.com, has been Master of Ceremonies for the Dallas Songwriters Association Song Contest Award Ceremony for several years now. This year, he offered to come a day early and give a Your Music and Your Business workshop – at no cost. With the awards ceremony/Christmas party always on the second Tuesday of December, which would be our regular meeting night, we decided on Monday for the workshp.

DSA President Michael Brandenberger has known Tommy Roberts for many years. Tommy Roberts is co-owner of Tone Shop Guitars, north of Beltline on Midway, in Addison. Michael asked Tommy if we could have the workshop in their very large showroom. It is a very nice store. Tommy said they would be happy to have us. I met with him and we went over details.

The day of the workshop, we had 26 rsvps. We were shooting for 30 people. I brought 32 chairs. The Attendees workshop was to begin at 6 p.m. I arrived at 5 p.m. and one person was already there. Since it was a guitar shop, the early arrivals had something to do – which was one of the reasons Tommy was eager to have us.

Since a few people had not arrived by 6, we started a little late. Several people arrived during the presentation. The final tally was 28, with two no-shows of the original rsvps. At such a busy time of year, with traffic like it was, we had a great turnout.

Roy gave a very entertaining and informative presentation. He talked about starting Broadjam because he wanted to help songwriters. The used Broadjam, as well as his experience in the music business to illustrate his points. Roy discussed what, and how, to prepare for a pitch. He described good and bad music or song pitches.

Roy Elkins 2Elkins showed the crowd a written pitch that he had actually been given by a member of a band. The writer was apparently inviting Roy to see them at a show. He went on to basically say that the drummer sucked, but they were still going to use him just for the night. He made some more excuses – with bad punctuation and grammar. He ended by saying “you can find our music on soundcloud, sonicbidz, and revernation.”

Roy talked about how ridiculous the mistakes were. The punctuation and grammar mistakes were obvious. Have good material for them to hear. If it’s good, there’s no need to make excuses. Stand behind your work. And if you want someone to listen to your music, you don’t tell them they can find your music on their competitors website.

“It happens more than you think. I talk to those guys all the time (representatives from the three companies mentioned above) when we’re on panels together,” Elkins said, “and we always laugh about it.”

It was a great workshop. Stay tuned for posts with advice culled from the recent meetings and workshops and experience. You will also read a bit more about Roy in a post about the song contest award ceremony. In the meantime, however, if you are a songwriter, join Broadjam, fill out your profile, and check it out. As with most online music sites, there is a free level. But there is quite a bit you can do, with extras at a la carte expense (which is reasonable). You can have your song reviewed by professional songwriters. And much more.

Peace be with you.

Misty and Buddy Misty and Buddy, waiting for the next person that comes through the door. Whoever it is, they plan to be first to know.

Misty and Buddy 2 Buddy’s ear picks up the signal of a photo opportunity.

Misty and Buddy 3
And the photo opportunity. Meanwhile, Misty, whose eye is actually open, gave a look that said, “Let the little prick do it, I’m too old to give a damn.”

Peace be with you.

Carlos and Dan Monday, November 30th, at Poor David’s Pub, was not only the regular open mic, but a birthday party for the sound man, Carlos Sanchez. Even though his birthday was actually on Sunday. Open mic started a little late, giving some of the band members time to get there and set up. There was to be a featured artist, Daze of the Moon at 8:30, with Carlos and the Ghoulies playing at 9.

The open mic started about 8 – rather than the customary 7:30 – with the host, Mr. Troll. He played two songs, one of which was Cry. It is my favorite of Troll’s songs. Cyndy made a point of telling Troll how much she liked the song – not knowing it was my favorite.

Troll then introduced PDP owner, David Card,

David Card

David Card

who played a song for Carlos. He had just finished the song a couple of hours earlier. It was a humorous, as well as touching, tribute to Carlos. Craig Langford played next. Craig is a good songwriter with a unique voice. Follow the link to hear his music or check out his music on iTunes.

I followed Craig. Before I played my two songs, I ask Carlos up to the stage. As Showcase Director for the Dallas Songwriters Association, I presented Carlos with the inaugural DSA Sound Man of the Year Trophy for his sound work on the DSA quarterly showcase/fundraisers and his work in general. Carlos recorded the shows and gave them to us on cds. He is easily one of the best sound men in Dallas.
Dan Roark 1
One of the songs I played was a new song I wrote with Carlos in mind, called the Sound Man. When Daze of the Moon finally came on they played a tight, rocking set. They call their music alternative rock, but it simply sounded like rock and roll to me. And that’s a good thing. Carlos and the Ghoulies jammed the house down, with open mic continuing after they left the stage.

It was a great night of music to celebrate Carlos Sanchez’s birthday. And his sound work. Congratulations to Carlos – DSA Sound Man of the Year!

Peace be with you.