Tag Archive: open mic


KristyLee Hair

KristyLee Hair

If you are a regular reader, you know that I am one of the rotating hosts of the Monday night open mic at Angela’s at the Crosswalk in Plano. There is a group of regulars that play the open mic, in large part due to the list being online the week before. But I say usual suspects (something a friend often says) tongue in cheek – they are neither usual nor actual suspects.

Take Monday the 14th for example. The first performer on the list was a no-show, so I played a couple of songs before KristyLee Hair played her set. KristyLee is charming, good-looking young woman from Prosper, Texas. She is a college student at UNT and has a beautiful voice. With another no-show, I invited her to extend her set.

I followed next in my scheduled spot. Mr. Joe played after me. Joe is a teacher who is called Mr. Joe at school. As he says, “the name just stuck” and he got used to it. He had recent throat issues. He tried to sing one, which we thought he did well. He didn’t think so though, so he played instrumentals.

Johnny Cromer played a few songs since we were still ahead of schedule. He returned to the mic to close out the evening in his scheduled spot at 9:30. Johnny is one of those stalwart open mic performers who shows up early on to support the other performers.

Pamela Pantea and Dianna Rice sang next when Richie Smith called and said he was running late. Pamela usually sings one song by herself

Dianna Rice and Pamela  Pantea

Dianna Rice and Pamela Pantea

before Dianna joins her for the next two songs.  The two call themselves the Daughters of the Gospel. They sing hyms and Christian songs to tracks on the computer. And they sing them very well.

Richie Smith, who followed Pamela and Dianna, is an amazing young man whose story calls for it’s own post. Look for it shortly.

Allen Larson was on the list next. Allen is a good friend who is also a fellow member of the Dallas Songwriters Association. He plays a number of open mics around town. Check out his Facebook page for coming appearances with longer shows. But you can pretty much count on him being at Angela’s. He is also one of the rotating hosts of the open mic.

Joe Dan (JD) Webb decided recently that he was going to pick the guitar up regularly and get his chops back. He is making very good progress. Although he might tell you differently. Come out on a Monday to hear him and see for yourself. Let him know if you enjoy his set.

Tommy LeBoeuf has a pedal setup that includes a looper and other effects. Which is not unique, but not all that common with acoustic guitars. He plays cover songs and plays them as close to the original as he can with pedals and looper.

Johnny Cromer finished out the evening. Angela’s Monday night open mic is always an interesting mix of performers, some playing original songs, others playing cover songs, and a few playing both. Stay tuned for the post on Richie Smith. Watch my Facebook page for all the pictures.

Peace be with you.

 

foreign-figuresThe featured artist at the Poor David’s Pub open mic, hosted by Mr. Troll, on Monday, October 24 was a band from Utah called Foreign Figures. Separately the band is Eric Michels – Vocals, Steve Michels – Drums, Seth Dunshee- Bass, and Johnny Tanner – Guitar. Collectively, they are one kickass ball of sound. For a band that has only been together for two years, the four young men seem naturally tight.

The energy of the members of Foreign Figures seems to be boundless. One of the unique things about the band is that they all play percussion at different times. They have a tom-tom, a floor tom, and a snare drum outside of Steve’s trap set. There were times when Seth Dunshee and Johnny Tanner would play their respective drums. Eric as well.

On one particular song, Steve left his drum set, set the beat on the tom-tom, then Dunshee took over the beat. Steve moved the snare drum, set the beat, then his brother, Eric, took over. Next was the floor tom before Tanner took over the beat, then back to the trap set. What followed was a percussive explosion with a back beat. They took us just short of overwhelming and brought it back around to an explosive conclusion. I’ve always loved a good drum solo and this was a drum solo on steroids.

But it wasn’t all about percussion. Tanner played the guitar like the old familiar friend I’m sure it has been. Dunshee placed the bass notes foreign-figures-2between percussion, guitar, and piano seamlessly, emphasizing notes when necessary. Eric Michels sang and danced or moved around with seemingly reckless abandon that was actually very good timing and planning.

It was the band’s first gig in Texas. We showed them they were welcome. If you get the chance to see Foreign Figures, don’t pass it up. As I said earlier, for a band only together for two years, these young men are tight. And as Troll said when he posted a picture of himself and Samantha Saunders (Bar Manager) with the band – “these guys rocked it.”

Peace be with you.

ultimate-picksOn the weekend of the 15th, I was volunteering at the Dallas Songwriters Association booth at the Arlington Guitar Show. It was slower this year than it was last year – the booth and the guitar show. Bobby Montgomery and I were there for most of both days. Marcus Belmore helped out on Saturday with Harry Hewlett and Steve Sullivan helping out on Sunday.

There was plenty of time for each of us to wander around and see all the booths. As I tell people, if I bought another guitar I’d have to get divorce papers on the way home. So, while I look at the guitars while I’m walking around, I mainly concentrate on picks, capos, and accessories. I have impressive pick and capo collections.

Regardless of the collections, fortunately people are always coming up with something new. Despite the lower attendance, dsc08772there were more booths. At the same time, some of the regular booths weren’t there this year – V-Picks being one. So there wasn’t a whole lot of new booths. Then Gus Gustafson dropped by the DSA booth. He told me about the picks that he and Jim Cobb had created and told me to stop by his booth.

I stopped by the Ultimate Fingerpick booth at the first opportunity. I believe it was Gus’ brother, Bob, I talked to. He explained to me about dipping my fingers in water to get them to feel snug. The idea for them came from the making of prosthetics. With a couple of close friends with prosthetics, I was fascinated. And the picks – or “fingers,” as the case may be, felt comfortable.

I bought the show special which included two packages of two fingers (Ultimate Fingerpicks) and two one thumb packages (Pick Pocket Ultimate Thumb Pick). I liked the way the samples felt, and I was anxious to see how they worked. When my son, Cameron, and I got home, I tuned my guitar and put the picks on. The way the picks are on my fingers in the picture is not how I use them.

ultimate-fingerpickI wanted to illustrate the two ways you wear the fingerpicks. You can either wear them as extensions of your own fingernails or upside down – which is how I wear  them. You can also file the nails down to the shape you want. Gus said he takes his to the manicurist. If you’re picky (sorry), that would be the way to go. Particularly if you’re using them as extensions of your own fingernails – to keep the underside smooth. I use Cyndy’s bigass emery board. But it’s not easy or quick.

When you’re playing with them, they actually feel like your  fingers – as opposed to regular picks. With no chance of them falling, particularly the thumb pick. I used to finger pick with just my thumb and first finger because the fingerpick felt weird on my second finger and it just didn’t happen. When I was using these picks on Saturday night, it felt entirely natural and, of course, added to the sound. You can also use any regular shaped pick in the thumb pick. Just wet it a bit and slide it in. Wet your thumb before you put it on and it will slide on easier.

On Sunday at the Arlington Guitar Show, I went back by the booth. Bob was talking to a customer so I looked at the picks while they talked. I interjected that I had used them the night before and they worked great. Which I hope helped make the sale to the customer.

I tried them out in a live setting at the Poor David’s Pub open mic that next Monday, hosted by Mr. Troll. Overall, theyultimate-thumb-pick worked just fine, as expected. When I used the thumb pick as a regular pick – without the other two – it caught on the strings at times. But it was a blues tune, so it was more a matter of my not being used to them. As well as the fact that it was not designed for that. However, on one of my songs when I used the thumb pick alone on parts, it worked really well.

If you’re a guitar player and/or singer-songwriter, do your self a favor and try out these picks. The price is reasonable and it’s always fun to try new things. Who knows, it may even spark some creative juices to flowing and inspire a new song or style.

Peace be with you.

Emily Chambers and Brendon Krieg

Emily Chambers and Brendon Krieg

On Monday, October 10th, at the Poor David’s Pub open mic hosted by Mr. Troll, we were treated to a dose of Canadian soul. Emily Chambers is a sultry voiced singer from Vancouver. Brendon Krieg, who is playing guitar for Emily on the tour, is also from Vancouver, British Columbia, Canada. Ordinarily, he plays drums in the full band.

Her website says she “combines an old school Motown vibe with hints of hip hop and a little bit of Southern grit.” That hits it pretty close. She is also charming, amiable, and a bubbling personality on stage. With a voice that will lull you into a musical trance, then slap you in the face with sudden vocal intensity, before grooving through the end of the song.

Which is just another example of what you’re missing by not going to an open mic. But check out Emily’s website, listen to some songs, and buy the EP, Magnolia. Then watch for her tour news and let’s hope she comes back through Dallas next year.

I played my set just after Emily . As she was coming off the stage, I said, “sounded good!”

“Cheers,” she said.

Which is something we don’t hear a lot of in Texas. But it’s refreshing in a way. It’s always nice to share the stage with someone from another country and share music across borders.

Cheers. Peace be with you.

 

Joe Cat

Joe Cat

And on we go… The September 19th and 26th editions of the Poor David’s Pub Open Mic demonstrated what you are missing. That is, if you enjoy hearing good music. And it’s just one open mic of over 165 each month. That includes the Dallas Songwriters Association events – just saying. In fact, I didn’t do my DSA spiel on the 19th because most of the several present were members.

The regulars alone are enough to bring you back to hear some more good music the next week. And as I usually make clear, this applies to a good number of open mics, if not most, or all, of them. Then there are the irregulars and the touring songwriters who happen to be traveling through the area. Not to mention the welcoming hosts, such as Mr. Troll at PDP.

In particular, the PDP open mic has a weekly featured artist. Joe Cat was the featured artist on Monday the 19th. Joe’s songs are songs of the land. Telling the stories of people and places he has seen on his travels around the country while touring. Songs such as Roads Never Traveled, Dark Texas Oil, and Heart Made of Clay. My particular favorite is Silver Thread City. On his cd, How Are You? Where Are You?, the song has piano without guitar. While it’s a very good version, I like the acoustic version with Joe on guitar better. You can decide for yourself. He posted the acoustic version on his Facebook page.

Allen Hurt was the featured artist the next week on the 26th. The title of his cd, Always

Allen Hurt

Allen Hurt

Country pretty much sums up his music. As do the songs Rambling Rita, She’s A Country Girl and Two Nights and A Heartache Later. With all the types of songs that are called country these days, it’s refreshing to hear “good ole” country music . Allen’s humor fills the time between songs on stage.

So if you’re wondering what to do tonight – on any night of the week, find an open mic and go play. Even better, if you’re a music lover, go listen. Speaking for the open mic community, we’d love to have you. Having someone to enjoy our music is at least half the fun. And you’ll always be welcome.

See you at an open mic.

Peace be with you.

shaquilla-hooks-and-chris-hatcherI hosted the Monday night open mic at Angela’s on Sept. 5th. As it turns out, I’ll be hosting the open mic every third Monday, with some exceptions. Be that as it may, on the fifth I opened the show. People began to show up as I finished my set. Bah Jaz followed me with some nice instrumentals on guitar.

Keith Dzygun (Dijun) played next with some cover tunes. Rachel Stokes followed with a bass player and guitar player – collectively called Salt and Light. Temi George was next, followed by Johnny Cromer. Then Allen Larson played his usual eclectic set. Pamela Pantea and Dianna Rice harmonized nicely on some standard hymns. Eric Jones played a nice set of his tunes.

During Eric’s set, Shaquilla Hooks, who had signed up to be next online just that evening, made sure I knew she had signed up. It had occurred to me earlier to check online for new signups, so I knew. I asked her what she was going to play or need. She said she was just reading poetry. So I thought, cool, some spoken word.

Shaquilla sat on the stool, grabbed the mic, and started reading a poem. It was a nice poem and I was getting in to it. I began to wonder where it was going. It was obviously about a particular person. She became nervous and it showed in her reading of the poem. She reached a point, looked behind me, and continuing the poem she said “Will you marry me?”

The person behind me was Chris Hatcher, who works at Angela’s. Naturally, he said yes, and everything stopped while they hugged and she cried. With time left, and no one else signed up, Eric played a few more tunes. During which time I took the picture shown here. It was the first proposal I have seen at an open mic – much less one I was hosting.

Have you ever had someone propose at your open mic? Or something similar?

Peace be with you.

jared-and-the-jewelers

I’m taking a break from recording to catch up on posts. When Troll posted the event page for Poor David’s Pub open mic that said Jared and the Jewelers were the next featured artist for open mic, I was naturally curious. Obviously, Jared was making use of his name. Was it his first name or last name? Did he have anything to do with the jewelry store?

After Troll began the evening – as usual – and Chris Weising and Rickey Gene Wright played their sets, my questions were answered. Troll had informed me earlier that Jared was his first name. Either way, if my name was Jared, that is exactly what I would call my band. The band consists of Jared Caraway on guitar and vocals, Arik Harris on bass, and Francisco Gonzalez on drums.

They define their music as heartfelt alternative rock with pop sensibilities. I would like to add energetic and kick-ass. Caraway put as much into his stage moves as he did into guitar playing and vocals, without detracting from either. Harris kept the low end going smoothly, with Gonzalez steady on the backbeat.

Larry Pevey followed the band. Regulars wrapping up the evening included myself, Gary Hurst, Darren Rozell, Scott Thornton and John Mason. It was a good show, regardless of the small crowd. If you get a chance, and want to hear some good music, check out the Poor David’s Pub open mic. Then check out other open mics – including Dallas Songwriter events. If you get a chance to see Jared and the Jewelers, definitely do that, too. You won’t regret it if you do any of them, but you might as well do them all. Just saying.

Peace be with you.

 

Dan RoarkEvery now and then someone at an open mic tells me after my set that they think I sound like someone. It happens at other times, but it’s also unique to open mics because open mics tend to be held in the spirit of a mutual admiration society. The  comments, however, are usually sincere. Having people come just to listen and to hear it from them is a bonus.

An example of one of the other times was the church talent show on Sunday night. One of the youth said I reminded him of Jerry Jeff Walker. Another man said Arlo Guthrie. One guy said Judy Collins, but he was only talking about the folk scene in general. He had seen her perform in a folk club in Oklahoma in the ‘60s.

At Mr. Troll’s Poor David’s Pub Open Mic, someone said I sounded like John Prine. Which was nice because he is one of my mentors. But on another occasion a listener said I reminded him of Elvis Costello. Okay. If you take all of those mentioned here and put them on a page in Highlights Magazine -“ which does not belong” – Elvis Costello would pretty much stand out like a sore thumb. I regret not taking the time to ask him what song of mine brought Costello to mind. I like Elvis but I don’t know how I sound like him.

Who have people said you sounded like? I’m actually interested, so please comment.

Peace be with you.

Dan at WildflowerI substituted for Mr. Troll at the Poor David’s Pub open mic last Monday night while he took care of personal business. Unlike other open mics I have hosted – including PDP open mic – Monday’s went relatively smoothly. One guy showed up after the show had started and wanted to sign up. But he wanted me to bump somebody from before the featured artist to after to accommodate him. Other than that though, it was a good show. It was as if we were doing it for Troll.

I opened the evening. I remembered to talk about the drink special, but I forgot to mention Carlos Sanchez on sound and to tell people to be sure to tip Leslie, the bartender. Shame on me. I told people about Carlos, just not on stage. Regardless, I played a good tight set. Mike Newkirk followed me. He performed well, despite having a sore throat previously. Jovani Flores played a good set, in his unassuming fashion.

Emma Walsh preceded the featured artist. As I said in my introduction, I have had the privilege of watching her grow in her musical career for the past few years. Her voice is mesmerizing, though it still has a ways to grow. She played a song she wrote about the shooting during the protest called I Said Hello to the Devil. It’s a nice song.

Sleepy Creek, the featured artist, took the stage next. I’ve been waiting to post for the names of the band members and haven’t heard back. I didn’t have a chance to write them down. But I do know that Joel Edgar Hill is the acoustic guitarist and lead singer. They are definitely a down home band. One of the songs I really liked was the song about cornbread and making it without sugar. A good time band with interesting stories to tell in a blues and Americana way.

Mike Freiley followed Sleepy Creek, then Wild Bill Skye before Darren Rozell played his three song set. Newcomers to the open mic, Travis Armes and Justin Kemp, both played a tight set. Gary Hurst and Tull Rea rounded out the evening. From first to last, it was an evening of good music. But that’s not uncommon at the Poor David’s Pub open mic. Just saying.

Peace be with you.

Mr. Troll - Host of Poor David's Pub Open Mic

Mr. Troll – Host of Poor David’s Pub Open Mic

Okay, I don’t mean you can spend the night. Or even raid the refrigerator. More like a weekly family reunion with people you are comfortable being with. Granted, there are always weird cousins or funky aunts and uncles – but it wouldn’t be the same without them.

There are a number of open mics that fit the criteria I’m going to relate. Among them are the Dallas Songwriters Association open mics – and, indeed, the organization as a whole. Those who lead an open mic that fits the category, please weigh in with a comment. Welcome to the world of open mics….

I’m using the Poor David’s Pub open mic hosted by Mr. Troll on Mondays as my example. As can be found in the Dallas Area Open Mics group on Facebook (Troll is administrator of the group), there are a number of open mics on every day of the week. As Troll says, call ahead to check the details before going to an open mic.

Bar, club, or restaurant owners, as a general rule, are notoriously impatient about getting results. Some have been known to cancel an open mic after only a couple of weeks. And sometimes, they’ve cancelled them at any time for any reason. Again, check before going to an open mic. Even poor David has had schedule conflicts and needed to postpone the open mic. But he usually tells Troll so people know in advance.

But the first criteria for a successful open mic is a good variety of talent. Some who have only been writing songs for a short time. Some who wish they were songwriters and just like to play and sing – they usually play covers. A variety of ages, as well. It’s a musically nurturing community with everyone being supportive of all performers and giving advice to those who are younger and just getting started.

Actually, that was two criteria – variety of talent, and performers without egos who support fellow singer-songwriters – rather than view them as competitors. Which means if you’re going to an open mic for the first time, be respectful and supportive of the other performers. If you’re experienced, use that experience to pass along advice and tell others how well they did. (Give them credit for potential.)

Stay tuned for part two. I don’t want to take too much of your time at once. I appreciate you being here.

Peace be with you.