Tag Archive: Poor David’s Pub


Dan at WildflowerI substituted for Mr. Troll at the Poor David’s Pub open mic last Monday night while he took care of personal business. Unlike other open mics I have hosted – including PDP open mic – Monday’s went relatively smoothly. One guy showed up after the show had started and wanted to sign up. But he wanted me to bump somebody from before the featured artist to after to accommodate him. Other than that though, it was a good show. It was as if we were doing it for Troll.

I opened the evening. I remembered to talk about the drink special, but I forgot to mention Carlos Sanchez on sound and to tell people to be sure to tip Leslie, the bartender. Shame on me. I told people about Carlos, just not on stage. Regardless, I played a good tight set. Mike Newkirk followed me. He performed well, despite having a sore throat previously. Jovani Flores played a good set, in his unassuming fashion.

Emma Walsh preceded the featured artist. As I said in my introduction, I have had the privilege of watching her grow in her musical career for the past few years. Her voice is mesmerizing, though it still has a ways to grow. She played a song she wrote about the shooting during the protest called I Said Hello to the Devil. It’s a nice song.

Sleepy Creek, the featured artist, took the stage next. I’ve been waiting to post for the names of the band members and haven’t heard back. I didn’t have a chance to write them down. But I do know that Joel Edgar Hill is the acoustic guitarist and lead singer. They are definitely a down home band. One of the songs I really liked was the song about cornbread and making it without sugar. A good time band with interesting stories to tell in a blues and Americana way.

Mike Freiley followed Sleepy Creek, then Wild Bill Skye before Darren Rozell played his three song set. Newcomers to the open mic, Travis Armes and Justin Kemp, both played a tight set. Gary Hurst and Tull Rea rounded out the evening. From first to last, it was an evening of good music. But that’s not uncommon at the Poor David’s Pub open mic. Just saying.

Peace be with you.

Me playing at Poor David's Pub open mic

Me playing at Poor David’s Pub open mic

To recap (or see part 1), the first two qualities of an open mic that feels like a second home are – variety of performers (age, talent, and experience), and performers who lack egos and are willing to support those less experienced than themselves. It should be mentioned, however, that there will always be that visiting performer who thinks he’s all that and a bag of chips and wonders why everyone’s not telling him how good he played.

While I’m using the Poor David’s Pub open mic as an example, there are a number of open mics that have these qualities in varying degrees. The Dallas Songwriters Association (DSA) open mics and song swaps are welcoming and supportive. I’m hoping other open mic hosts will chime in with comments on their open mic. I’ve also tried to show that open mics have a hard time getting started. It takes the performing community to support it. Some members of DSA and their friends play at open mics several nights a week.

In fact, the third quality of an open mic that feels like a second home is a sense of community – like a weekly reunion as I mentioned in part one. An atmosphere of friendship and camaraderie. The fourth quality is friendly hosts, bartenders, and staff. Mr. Troll (host), Samantha Sanders, and Kevin Hale at PDP are excellent examples. The fifth quality – last, but no way in hell least – is a good sound man. Carlos Sanchez, in particular, is past good.

So there are the basic qualities of an open mic that feels like a second home. Yet for the first quality, variety of performers, something is missing. And that is you. Go to an open mic near you, or near where you are going to be. Sing your songs, sing covers, read your poems, do comedy, spoken word, whatever. Or just go and listen – performers need listeners, too.

Then spread the word. Open mics are places where young talent hones their performing and writing skills. They learn, not only from playing, but from watching more seasoned performers. Open mics are where songwriters go to try out new songs. When word gets out, people come to perform and bring their friends. People come to listen because of the combination of qualities I discussed. So play an open mic tonight or go and listen. Maybe I’ll see you there.

Peace be with you.

 

Mr. Troll - Host of Poor David's Pub Open Mic

Mr. Troll – Host of Poor David’s Pub Open Mic

Okay, I don’t mean you can spend the night. Or even raid the refrigerator. More like a weekly family reunion with people you are comfortable being with. Granted, there are always weird cousins or funky aunts and uncles – but it wouldn’t be the same without them.

There are a number of open mics that fit the criteria I’m going to relate. Among them are the Dallas Songwriters Association open mics – and, indeed, the organization as a whole. Those who lead an open mic that fits the category, please weigh in with a comment. Welcome to the world of open mics….

I’m using the Poor David’s Pub open mic hosted by Mr. Troll on Mondays as my example. As can be found in the Dallas Area Open Mics group on Facebook (Troll is administrator of the group), there are a number of open mics on every day of the week. As Troll says, call ahead to check the details before going to an open mic.

Bar, club, or restaurant owners, as a general rule, are notoriously impatient about getting results. Some have been known to cancel an open mic after only a couple of weeks. And sometimes, they’ve cancelled them at any time for any reason. Again, check before going to an open mic. Even poor David has had schedule conflicts and needed to postpone the open mic. But he usually tells Troll so people know in advance.

But the first criteria for a successful open mic is a good variety of talent. Some who have only been writing songs for a short time. Some who wish they were songwriters and just like to play and sing – they usually play covers. A variety of ages, as well. It’s a musically nurturing community with everyone being supportive of all performers and giving advice to those who are younger and just getting started.

Actually, that was two criteria – variety of talent, and performers without egos who support fellow singer-songwriters – rather than view them as competitors. Which means if you’re going to an open mic for the first time, be respectful and supportive of the other performers. If you’re experienced, use that experience to pass along advice and tell others how well they did. (Give them credit for potential.)

Stay tuned for part two. I don’t want to take too much of your time at once. I appreciate you being here.

Peace be with you.

E-Flat Porch Band

E-Flat Porch Band

At the Poor David’s Pub Open Mic on Monday, February 15, we had the good fortune to hear the E-Flat Porch Band as the featured act. The band consists of Duane Brown on guitar and Rudy Littrell on the upright bass. Although Rudy sits while he plays, so it’s more like a leaning bass.
But the way he played it made how he played it irrelevant. And Duane was an excellent compliment on guitar.

The band opened the KNON Blues Fest at Poor David’s and Troll invited them to be featured at the open mic. Those who were there for the open mic were glad he did. They played a set that included some standard blues tunes, such as a Robert Johnson song, and Mance Lipscomb’s Relax Your Mind. The duo also played their own song, Sugarcane, that pretty much pulled out all the stops on both bass and guitar.

If you get the chance to see the E-Flat Porch Band, do yourself a favor and do so. From jokes to stories to dueling harmonicas, Duane and Rudy are the complete entertainment package. They have been playing together for twenty years and it shows in their natural camaraderie and harmonious musicality. Blues, Folk, Americana – roots music at it’s best. You need to check out the E-Flat Porch Band.

Peace be with you.

Mr. Troll - Host of Poor David's Pub Open Mic

Mr. Troll – Host of Poor David’s Pub Open Mic

As I mentioned in the last – and other – post(s), at open mics, the opening spot is, as Mr. Troll likes to say, the dreaded opening spot. I’m not sure dreaded is the term. Maybe, avoided like the plague. But there are actually reasons for both why it is a dreaded spot, and why the host opens the show. But one thing at a time.

The most obvious reason for the first slot not being filled is that there are not that many people in the venue at starting time. And there is no time to read the crowd. On the other hand, there are times when someone needs to leave early so they want to play first. As well as those who want to go first while they still have the nerve.

Of course, a lot of people just “don’t want to go first.” I’m sure there’s a chapter in some psychology book on the subject. I sit in the category of “I’d rather not go first.” I don’t mind going first if necessary. But that brings into play the fact that if you do something and do it well, people will want you to do it all the time. Be that as it may, I’m thinking most of us have had an experience growing up when going first simply did not go well.

But the reason the host of an open mic or showcase will open the show is not just because it is the dreaded spot. But it does have a connection to not wanting to go first. If people have not arrived yet, and there’s only a handful of people in the venue, the host can delay the start of the open mic. If there hasn’t been a major influx of people, it would not change the number of songs the performers play.

However, with a showcase, the host’s set would be cut short so that his or her set is the only one affected by the delay of the starting time. As showcase director for the Dallas Songwriters Association, when I plan the showcases that I host, I expect my set to be cut short. There are numerous reasons why a show may be delayed. And there only needs to be one.

So those are my thoughts on the “dreaded opening spot.” I’d be interested to hear your thoughts if you would leave them in the comments.

Peace be with you.

Jeff Hopson

Jeff Hopson

The Poor David’s Pub open mic on Monday (the 8th if you were napping) began the way most of them do – with Mr. Troll in the “dreaded opening spot” (look for an upcoming post on that). Mike Donahue played a mixture of originals and cover songs on the keyboard. I followed Mike with three of my songs, ending with Chocolate Eclairs and Apple Fritters. Since we started late, the featured artist, Jeff Hopson, followed me.

Jeff Hopson has a strong grip, a twinkle in his eye, and his presence commands a second look. He appears to be a cross between Charlie Daniels, David Allan Coe, and Hank Williams Jr. And yet – while there are similiarities – he actually doesn’t really look like any of them. He looks like Jeff Hopson and carries it with character. His songwriting talent is on par with any of the songwriters he appears to resemble.

Hopson doesn’t take himself too seriously. Which is clearly evident in Jeff’s Jeff Hopson 3songs. Particularly a song such as If Jesus was a Texan. When he asked if anyone knew who Jack Kerouac was, and nearly everyone raised their hand, Hopson commented that it was the most people at any one show that had responded positively. Then he played his introspective song, Kerouac On the Run.

Jeff’s set also included Novel Sort of Man. Which is the type of country song with some depth and clever word play. No obligatory mention of trains, trucks, or Texas destinations. The only name he dropped was Clark Gable – and he would have appreciated the reference.

You can hear Jeff Hopson and the Heretics on Tuesday nights at the open mic at Tavern on Main Street in Richardson. The music begins at 8 p.m. He is an attentive and appreciative host. And they have good food and drinks as well.

Charlotta Clutter

Charlotta Clutter

John Mason and Brad Eubanks, respectively, followed Jeff Hopson. You can hear John Mason on February 16 at the Dallas Songwriters Association third Tuesday showcase at Sons of Hermann Hall. After Brad Eubanks played, Troll introduced Charlotta Clutter.

Charlotta Clutter is a young woman from New Hampshire. When I met Charlotta, she made me think of beatniks – not the totality of the reality, but simply the sense of non-conformity. Her eyes revealed an innocence belying the things to come. Combined with self-reliance for what is known and acceptance of – and openness to – what is to come. A readiness to turn any new lessons learned into a song and move on to the next lesson. An introverted extrovert. (I’ll wait for you to either look them up, or, more likely, say “I can relate.”)

Charlotta has a casual stage presence that reminded me of women folk singers in the sixties and seventies. An intentional reliance on the song itself to make the point and the confidence that it would. And she’s also funny as hell.                                                                                   Charlotta Clutter 2

“Do you go to the dump here?” Of course everyone laughed. When we say the dump, we mean the furniture store. “Back home we go to the dump once a week to see what everyone is throwing away and socialize.”

I’m not exactly sure what the name of the song is, other than possibly, The Dump. But it tells about a woman going to the dump and discovering that her ex had thrown away their dirty secrets in a clear plastic bag, for everyone to see. Causing humorous reactions.

Charlotta’s other two songs were Playing Second Fiddle to a Fiddle and Alphabet of Regrets. All three songs have interesting word play and twists. You can hear her yourself at the DSA Tuesday Showcase/Open mic mentioned earlier. Dean Harlem, also from New Hampshire, opened his set with a Townes Van Zandt tune. He will be at the open mic as well.

Flight School Nurses, a DJ, took the evening’s music in a whole new direction, with colorful lights. The inimitable Tin Man Travis followed him. Then David Lavinette took the stage. If I’m not mistaken, the evening ended with a jam that included Carlos Sanchez, Tin Man Travis, who knows who all, and Troll on his new conga drums.

Peace be with you.

West Texas Mammoths 1In a previous open mic tales post, I talked about the two guitarists of West Texas Mammoths. David Kapsner and Michael Jekot played an acoustic set that night. Michael sat in with me on my song, Chocolate Eclairs and Apple Fritters. Monday night I had the pleasure – as did all those in attendance at the Poor David’s Pub open mic, hosted by Mr. Troll, to see the whole band play. There was a decent crowd, there for both the band and the open mic.

The duo played a very good acoustic set the previous time. The full band played a fantastic set equally as impressive as the acoustic show, but on a different level. That level was set by the punch and drive of Tyler Rosa on bass and Joseph Noga on drums. The set began with Backwoods, and One More Beer, from their three song EP. And every band needs a beer song. Red Dress, and Moth to Flame, preceded Wasted Days, the third song from the EP. So Cold came next.

Pistol Point was the next to last song, but was easily the best song of the set. All of WTM’s songs are steady West Texas Mammoths 2driving songs with the nicely timed leads of Michael Jekot. Kapsner kept the rhythm in his own right as his vocals blended seamlessly into the songs. But, in Pistol Point, they pulled out all the stops. The band whipped into jam mode, with the two guitarists playing duel leads reminiscent of the Allman Brothers. Queen of Diamonds nicely wrapped up the set.

It is refreshing to hear a young rock band that is more into playing good music than outer trappings and a spastic stage show. They took control with the first song and never let go, with one song driving into the next. You have a chance to hear them for yourselves. They are playing at Trees tomorrow night with Bart Crow, Madison King, and Marcus Woolverton. Don’t miss the chance for a really good show.

Peace be with you.

Platonic Mistress

Platonic Mistress

Mr. Troll’s birthday is January 18th, which means this year it was on a Monday and coincided with the Poor David’s Pub open mic, which is hosted by …wait for it … Mr. Troll. As usual Carlos Sanchez was on sound with Samantha Sanders behind the bar. Poor David and the Mrs. even made an appearance. Again – as per usual – Troll took the “dreaded first slot.”

The regular suspects were in attendance and on the list – myself, Baylis Laramore, Darren Rozell, Tin Man Travis, and John Mason. Joe the Bear and David Lavinette played for the first time. Mike Randolph with his Moog Etherwave Theremin, made his second appearance. Scott Thornton was in the Philippines on an Zen retreat and was unable to make it.

Happy Birthday, Mr. Troll!

Happy Birthday, Mr. Troll!

The featured artist was Platonic Mistress out of Ft. Worth. The trio of Fernando Page, guitarist and instigator, Rob Blevins on bass, and Dylan Rocamontes on drums played in-your-face rock and roll. On their Facebook page, they call it power pop or new wave with stinging alternative rock undertones, but, as Billy Joel said, “it’s still rock and roll to me.” Call it what you want, they did it well.

You can find their music on SoundCloud. At one point, Page told the crowd that he realized his finger was bleeding, and he apologized. Apparently a few days before he had played his fingernail to the quick. But why he apologized – and he apologized at least twice – I’ll never know. No one really noticed it before he said something. And after he mentioned it, it was all we could see. F.Y.I. to performers – don’t apologize – most of the audience will never know.

Regardless of the apologies, Platonic Mistress kept up the groove going and rocked the house. The trio has an undeniable chemistry combined with youthful energy. The singer-songwriters on the list provided an interesting counterpoint of age and wisdom. Not to mention the celebration of Troll’s birthday with two candles on a cookie cake (provided by Samantha) and a rousing Happy Birthday song. The evening ended – as open mics often do – with a jam.

Peace be with you.

1 Last Chance 1There were two featured artists at the Poor David’s Pub open mic on Monday night, January 11, hosted by Mr. Troll. Actually more like a featured artist and special guest. 1 Last Chance was the featured artist. The band, from Oxford, Mississippi, consists of Brandon McDaniel on lead guitar, Jacob Hampton on guitar, and Johnathan Ray on drums.

They call themselves a combination of punk, alternative, and progressive, rock. I detected a smattering of grunge as well. With Ray’s driving force on drums and Brandon’s rythmnic control on guitar, it was easy to forget there was no bass player. From one high intensity song to1 Last Chance 2 another, the intensity did not waiver throughout the set.

They played all three songs from their EP, This Nowhere – A Perfect Machine, Changes, and Devin. The EP was released in July of 2015. They ended the set with a punk version of (I’m not your) Steppin’ Stone that Mickey Dolenz of the Monkees would call “interesting.” 1 Last Chance is headed to Norman, Oklahoma, Amarillo, and Fort Stockton, Texas before heading back toward Mississippi. They are scouting potential studios for their next recording sessions while they are on the road.

Ghoulies 1The “special guest” was sound man Carlos Sanchez and the Ghoulies. They are a six piece band. I don’t have any names, other than Carlos. Hopefully, Troll will post in the comments with their names. They covered Eric Clapton and Texas Tornadoes, and did them well. At the end of the open mic, a few members of the Ghoulies joined Scott Thornton and Tin Man Travis for an all out jam.

Peace be with you.

Space Gringos 2The first open mic tales post of the new year is about the featured artist at the last open mic at Poor David’s Pub – hosted by Mr. Troll – of 2015. The featured artist was Space Gringos. Troll wrote a post about them being the featured artist, but their music is not online – yet, read on. So I had no idea what to expect.

Troll kicked off the open mic, as usual. Three other songwriters played their songs. Then Space Gringos set up on stage. The serious electronic drum set that Tim Moffet was setting up made me wonder what type of music we were about to hear. Then his brother, Dan, set up their personal monitors and broke out his AX-Synth Synthesizer and looper which took my thoughts of what we were about to hear in a totally new direction.                                                                                                                          Space Gringos

When they kicked off their set, there was a familiarity with some of their music I couldn’t place. Then either Tin Man Travis or Troll said the synthesizer reminded him of Edgar Winter. Which explained the familiarity I felt. Except that the keyboard, then synthesizer, that Winter first played was much bigger and bulkier than the sleek AX-Synth.

Space Gringos is an apt name. With the driving beat of Tim’s drums, and Dan’s synthesizer and looping finesse, the result is full sounding in-your-face rock –  with a liberal dose of otherworldly quality reminiscent of not only Edgar Winter, but some of David Bowie’s work. Which you will be able to hear soon – I told you to read on – their album will be on CD Baby soon. In the meantime, you can find them on Facebook and Bandmix. Be sure to catch their show when you can.

Peace be with you.